Memorial Day Weekend may still be a week away, but some Memorial Day deals are already here. Whether you're looking to gear up with a pair of noise-canceling headphones for your summer eurotrip or want to get your yard in tip-top shape with a lawnmower, there's something on sale for you. Amazon even has a special buy one get one 50% off promotion on a wide range of books.

TL;DR: Deals for Today

That’s not all you can grab, as Magic: The Gathering’s epic Final Fantasy TCG crossover still has pre-orders live for their latest boxes. To ensure you get your favorite characters, some pre-orders are open for single cards, too.

Switch 2 Accessories Are Already Discounted

beats Studio Pro x Kim Kardashian

Greenworks 40V 16" Cordless (Push) Lawn Mower

LEGO Star Wars R2-D2

MTG Final Fantasy Pre-Orders

Buy One, Get One 50% Off Books

Get 1 Year of Peacock Premium for $24.99

Xbox Core Controller

Amazon Fire HD 10

TP-Link Deco AXE5400 Tri-Band WiFi 6E Mesh System

ASUS TUF Gaming 27" 2K Monitor

Ring Doorbell

Ravensburger Puzzle Sale

Squishmallow Sale on Woot

Skytech Gaming PCs are Discounted

With Star Trek: Strange New Worlds returning for Season 3 on July 17, the marketing is about to heat up for the continuing mission of Captain Pike and the rest of the crew of the USS Enterprise. But some Trek fans may be a bit confused by the teaser trailer for the new season, which hints at the inclusion of a holodeck – technology that wasn’t really seen in the world of Trek until Captain Picard’s Next Generation adventures kicked off in 1987.

Since TNG was set about 100 years after The Original Series, which in and of itself is set about a decade after Strange New Worlds, this moment in the teaser trailer seems like a bit of a continuity gaffe. And yet there’s Spock (Ethan Peck) and La’An (Christina Chong) standing on the very familiar grid of the holodeck – La’An even has on period clothing, indicating she’s heading into some holo-adventure.

Watch the teaser here:

Other shots in the trailer seem to be setting up a murder-mystery episode – Clue in space! – with the whole cast getting to play dress-up… no doubt on the holodeck with La’An. But again, you ask, why is there a holodeck on the OG Enterprise at all!?

Well, first of all, let’s put aside all the other possibilities that sci-fi (or even basic storytelling) offer us. This could be a dream, or it could be an alien creation, like a reality created by Q (or a Q-type being like Trelane, the TOS one-and-done character who turned out to basically be a baby Q, and is rumored to be returning for this season of SNW). Or this could be time travel! Or an alternate reality! Or…

Nah, this is a holodeck. But the thing is, the holodeck didn’t originate on Next Generation. Not really. In fact, the concept goes back to this version of the Enterprise (no bloody A, B, C or D…). According to Memory Alpha, the book Inside Star Trek: The Real Story reports that Trek creator Gene Roddenberry wanted to include a holodeck-like area on the ship in the third season of The Original Series, but budget constraints proved prohibitive. He finally did get the idea onscreen, however, on Star Trek: The Animated Series in 1974. In the episode “The Practical Joker,” a version of the holodeck is featured – but it’s called a “recreation room.” Sulu, Dr. McCoy and Uhura use it to go to the beach, and then to a forest, but even back then holodeck malfunctions were a thing. (The ship’s computer becomes the practical joker of the episode title and causes all kinds of mischief for the folks in the rec room.)

But beyond that, Star Trek: Discovery also featured something that was holodeck-adjacent, if not an actual holodeck. This was in Season 1 of that series, which is set even earlier than Strange New Worlds. Captain Lorca (Jason Isaacs) and Ash Tyler (Shazad Latif) are undergoing some military training exercises in what amounts to a holographic setting. There’s no grid on the wall, but then again, there’s no malfunction either! Seems like a win?

All of which is to say, yes, holodeck tech did exist in some form back during Captain Pike’s era. Now let’s see if they call it a “rec room” – if they do, then you’ll know the writers are really paying attention to Trek history.

If you're looking for DTI codes, IGN's got you covered! In this article, you'll find a list of all the active and working Dress to Impress codes in May 2025 that you can redeem for free rewards and bonuses in DTI, including outfits and accessories like hats, bags, and jewelry.

Active Dress to Impress Codes (May 2025)

Here are all the active Dress to Impress codes in May 2025 and the free rewards you get for redeeming them:

• LNY2025 - Cheongsam Dress and Tang Suit, expires 8 AM PT on May 19, 2025 (NEW! Re-released old code)
• HAPPYNEWYEAR - Hanfu, expires 8 AM PT on May 19, 2025 (NEW! Re-released old code)
• ANGELT4NKED - Helmet
• 3NCHANTEDD1ZZY - Wand
• ELLA - Skirt
• 1CON1CF4TMA - Sweater dress
• B3APL4YS_D0L1E - Doll accessory
• MEGANPLAYSBOOTS - Boots
• CH00P1E_1S_B4CK: Streetwear outfit set
• S3M_0W3N_Y4Y: Axe
• KREEK: Bear hat
• LANA: White shorts, shirt, and legwarmers
• LANABOW: White bow
• BELALASLAY: Black jacket with pink halter top
• LANATUTU: White dress
• IBELLASLAY: Red, green, and blonde hairstyle
• M3RM4ID: Orange mermaid set
• TEKKYOOZ: White handbag
• LABOOTS: Black boots
• ITSJUSTNICHOLAS: Black jacket
• ASHLEYBUNNI: Bunny slippers
• LEAHASHE: Sweatshirt and sweatpants
• KITTYUUHH: Black cat
• C4LLMEHH4LEY: Puffy dress and bear headband
• SUBM15CY: Necklace and eyelashes
• D1ORST4R: Bag and bow

All Expired Dress to Impress Codes

Below, you'll find a list of expired DTI codes that no longer work and can't be redeemed as of May 2025:

• Your unique Easter 2025 Easter Bunny Set code
• UMOYAE
• FASHION
• BADDIE4LIFE
• Your unique April Fools' Day 2025 Flamethrower code
• M0T0PRINCESSWAV
• CUPIDSCLOUD
• SWEETHEART (was only redeemable between February 15 and February 16, 2025 at 8AM PT)
• YEAROFTHESNAKE
• NY2025
• WINTERUPDATE (was only redeemable between 8 AM - 11 AM PT on Saturday, 14 December!)
• 4BILLION
• CHOOPIE10K
• THEGAMES
• EYELASHES
• REWARD4CLASS1C

How to Redeem Dress to Impress Codes

Follow the steps below to redeem Dress to Impress codes and claim free rewards in DTI:

1. Open the Dress to Impress Roblox Experience.
2. Click on the handbag icon on the left-hand side to open the DTI Codes menu.
3. Enter your code in the "Type here..." field.
4. Check for any spelling mistakes or errors.
5. Click the checkmark icon to redeem the code.

Why Isn't My Dress to Impress Code Working?

If the code you're trying to redeem in DTI isn't working, it's likely because of one of two reasons:

• The Dress to Impress code is expired
• There's a spelling mistake in the code

When inputting a DTI code in Roblox, make sure it's spelled correctly (for example, a capital I isn't a lowercase l, 0 and not O, and vice versa) and that there are no spaces before or after the code. We'd recommend copying and pasting codes straight from our article to ensure they're correct as we've tested and verified that the codes on this page are working ourselves.

If your DTI code still isn't working after checking for typos, it's more than likely expired and can no longer be redeemed in Dress to Impress.

How to Get More DTI Codes

To get more Dress to Impress codes, the best way is to join the official DTI Discord server. While we check for new codes daily, the quickest way to know about new Dress to Impress codes is to follow the Roblox experience's official Discord server where updates are posted in real time.

You can also check the Dress to Impress X account and the official DTI Roblox Group page.

Are There Any Upcoming DTI Codes?

Now that the Petal Update is live, we currently do not know of any upcoming Dress to Impress codes. We'll update this page as soon as we find out!

What is Dress to Impress in Roblox?

Dress to Impress is a popular dress-up Roblox Experience available on PC, console, and iOS and Android mobile devices. In it, you put on your best outfit to complete a specific theme and walk the runway in a bid to earn votes from other players and become a top model. As you gain votes, you gain ranks and can access more clothing and accessories, so make sure you're truly dressed to impress! Also, for toy lovers and collectors, you can now pre-order a mystery pack of 2 Dress to Impress minifigures right now for $30 at Walmart.

Doom. Four letters, two gunbarrels, one space marine and boatloads of demon guts is all it takes to change the face of gaming forever.

Id Software’s seminal series is ground zero for first-person shooters, PC gaming, online multiplayer, community modding, speedrunning, and so, so much more.

Video games are still living in the shadow of this infernal masterpiece three-decades later. The FPS genre has evolved a lot since the days they were called “Doom-likes,” and so has the series itself– with varying degrees of success.

How does your favorite title rank among the seven (or so) main entries in the franchise? Which Doom games cover themselves in guts and glory, and which are cursed to wallow knee-deep in the unalived? We promise not to be too rough as we rip and tear through the series to bring you every Doom: Ranked.

7. Doom 3

2004’s Doom 3 is the end result of an ultimatum John Carmack issued to the rest of Id, and it kind of feels that way.

Carmack was dead-set on making a next-generation remake of Doom to showcase the impressive new light and shadow capabilities of the IdTech 4 engine. Doom co-creator John Romero was long gone at this point, and the remaining Id OGs were staunchly opposed to what they saw as a retread– a tech demo in search of a purpose. Carmack very publicly overruled them, and thus we have Doom 3.

To their credit, Carmack and crew made some big changes in pursuit of modernizing the series. Doom 3 is a slower, more story-driven affair than the first two games. There are voiced NPCs and lore-filled terminals that you interact with in a super clever way. Its jumpscares and “monster closets” instill a sense of anxious survival horror, a sharp contrast to the run-and-gun arcade frenzy of classic Doom.

It’s a valiant effort to bring Doom to a new generation of gamer culture. The problem is that this generation was extremely ugly.

The graphics tech itself is awesome. The projectiles and explosions almost make the game’s dull metal hallways interesting, but Id’s decision to showcase the game’s lighting engine is the game’s fatal flaw. You can’t see anything. Intentionally. The game is tuned to be super dark until you switch to your flashlight, which you cannot use at the same time as your weapon.

This was largely met with derision from fans, but the combat is actually tuned around it– juggling between seeing your enemy and shooting it creates a huge amount of drama and tension. It’s actually kind of cool, just not that fun. A popular “duct tape” mod addressed this, as did Doom 3’s “BFG Edition” remaster, but it somehow makes things worse. Having your light and your gun trivializes the entire combat loop. It’s the worst of both worlds.

The new demon designs are sapped of color and charm, turning iconic abominations into run-of-the-mill Umbrella B.O.W.s. It’s impossible to envision them as anything but their counterparts in the 2005 movie. The aesthetic is very of its era and just all wrong for Doom.

Doom is a heavy metal mural airbrushed on the side of a speeding van. Doom 3 is the embodiment of nu metal butt rock– more Mudvayne than Metallica. Decent for what it is, but it would take 12 years more before the series got a refresh with some actual rizz.

6. Doom 64

Some fans insist that Doom 64 is the true sequel to Doom 1 and 2. Id closely supervised Midway Games’ development of the N64 exclusive, resulting in an interesting but ultimately inconsequential side entry in the series– A Doom gaiden.

The game still utilizes sprites, but instead of digitized photos of hand-sculpted maquettes, Doom 64’s demons are pre-rendered with the same SGI tech as Donkey Kong Country. The enemy designs are slightly more subdued, but nowhere near the grey blobs of Doom 3, and they’re a higher resolution than the vintage bestiary.

Doom 64 isn’t hurt too much by its titular console’s limitations, but there are fewer enemies thanks to small cartridge sizes, and the reduced animation frames on the shotguns really robs them of their kick. Worst of all, Midway couldn’t get multiplayer working, despite four-player, split-screen Doom deathmatches being a perfect fit for the system that gave us Goldeneye.

Still, on the whole the game looks great. Doom 64 has a uniquely bleak, gothic vibe, with a gorgeous colored lighting system that’s impressively sophisticated for the era.

Instead of MIDI speed metal, the soundtrack is a dark ambient drone. There’s no HUD, no grimacing Doomguy face, only subtle numbers and letters rendered in bleary N64 textures. The gameplay is largely the same, though a new scripted events system creates neat opportunities for map design.

Doom 64 seems like the game Carmack’s co-owners were afraid Id was going to make: More Doom, slightly different. It’s just not different enough to warrant a higher place on the list. Doom 64 is a fun, fascinating, evolutionary dead end.

That brings us to another followup that doesn’t reinvent the wheel:

5. Doom II

Today’s fans demand big changes to make a sequel worthwhile, but in the olden days folks were perfectly happy with an iterative successor like Doom II.

32 new levels designed in-house by Id, a bunch of new enemies, and just one new weapon was more than enough to make Doom II the highest-selling software program of 1994.

Doom II is Doom refined. Old monsters are reconfigured in clever ways while fresh faces like the Revenant and Arch-Vile add more complexity to demon distribution. Your arsenal has only one addition, but it’s a weapon that would come to define Doom: the Super Shotgun.

So, with all this great new stuff, shouldn’t Doom II be a straight upgrade to the original? It almost is, but Doom II’s map design just doesn’t hit the same.

Maybe it’s the amount of larger, more open levels compared to the disciplined precision of the original’s holy spaces. Doom II was billed as “Hell on Earth,” but the aging tech couldn’t really produce convincing Suburbs or Downtown the same way Duke Nukem’s Build Engine would a couple of years later.

It’s also possible that John Romero was checked out. On the verge of leaving the company after clashing over Quake, Romero contributed fewer and less-interesting maps to Doom II compared to his ten definitive levels from the first game, which may be why Id programmers snuck their co-founder’s disembodied head inside the final boss.

Doom II feels like less of a journey than Doom. As shareware, the first game was divided into three (later four) clear episodes, with interstitial map screens between levels tracing your path of destruction across the moons of Mars until thy flesh is consumed by Hell itself.

As a boxed game from the get go, Doom II is presented as a barely-connected 32-level megawad. The game supposedly depicts a full-on demon invasion of Earth, but this is mostly conveyed through three different skyboxes.

Map duties were largely handled by designers American McGee, of later Alice fame, and Sandy Peterson, who really shines with unique gimmick levels like Tricks & Traps and the infamous Barrels o’ Fun. Doom II has some great maps and lots of innovative twists on the formula, but on the whole it’s a less cohesive and satisfying package than the first game.

At the time, map quality didn’t matter quite as much. Fans had already been sharing their own custom levels en masse, passed around as .wad files via floppy disks and 28-kilobaud modems. Doom II is almost more notable as a platform than as a standalone title. It gave modders and wadders a chance to shine and even go legit.

A group called TeamTNT created two megawads that impressed Id so much they bought the rights and slapped them together for retail as “Final Doom.” Today, these maps and others have been fully incorporated into the canon by modern releases of Doom II. It makes the game a more comprehensive product, but that’s not enough to elevate it above our next, and most recent entry:

4. Doom: The Dark Ages

The Dark Ages couldn’t be more different than Doom II. A sequel that refuses to offer more of the same, The Dark Ages takes a sharp turn away from the neon frenzy of Doom Eternal into a grim and gothic new setting, with drastically altered gameplay to match.

If Eternal is Doom meets Devil May Cry, The Dark Ages is Doom Souls. The gameplay isn’t slow, like some of the trailers would have you believe, but it is deliberate, and the player’s individual actions have more consequences.

Stand and fight is more than just a marketing slogan, it’s the only way you’re going to take down some bosses and badder enemies. Melee combat means getting up close and personal with monsters, trading mace blows and shotgun blasts in a boxing match from hell.

Gone is Eternal’s verticality, deliberately downplayed in homage to the original Doom’s lack of a jump button. Projectiles move more slowly, choking the battlefield with patterns that evoke bullet-hell shmups and Serious Sam. Glory kills are a shadow of their former, well, glory, taking a backseat to the new rhythms of The Dark Ages’ combat.

The most impactful addition to the Doom formula is the parry mechanism that allows the player to deflect green attacks with the integral new shield saw. It’s the backbone around which the game is designed and it’s not going to click with everybody, but

The Dark Ages brings a few firsts to the franchise, like friendly NPCs fighting alongside the Slayer and difficulty sliders to make the series more accessible. It’s also the first game since Doom 64 to lack any kind of multiplayer.

The Slayer trilogy’s online components have been a noble but largely perfunctory effort. Id decided to ditch it entirely and focus on making the most compelling campaign they could, exchanging multiplayer and snapmap for dragon riding and giant mechs. It’s bummer to see the IP that literally invented deathmatch drift away from multiplayer entirely, but frankly a lot of fans aren’t going to miss it.

You have to give modern Id credit: they just will not make the same game twice. Will The Dark Ages become the new way forward for the franchise or merely an interesting diversion like the aforementioned Doom 64? Only time will tell if it has the same staying power as our next entry,

3. Doom: Eternal

Doom: Eternal is a Doom game’s Doom game. It’s everything a fan of Doom 2016 would expect from a sequel, and while the vibe is different from its predecessor, the whole experience feels more vibrant and alive.

The Doom franchise isn’t exactly known for its awe-inspiring vistas and diverse biomes, but Eternal impressively mixes snow levels and baroque ivory fortresses in with the usual techbases and fleshy hellscapes. We’re not used to seeing this kind of environmental variety in Doom, and it’s a refreshing change of pace.

The monsters have shed the last remnants of their realistic Doom 3 designs and embraced their inner iconography. Cacodemons bleed blue again, the Imps have all their spikes back, and the former humans have once again embraced the crew cut. If Illumination ever made an animated Doom movie, this is what the monsters would look like.

In line with the more expressive demons, Doom: Eternal embraces its inherent arcadeiness. The Doomslayer now has extra lives, which he secures from glowing in-world pickups that literally say “1UP.” Weapons and items now float off the ground and spin around, easier to spot and snag as you double jump across implausible arenas with not one but two airdashes.

Doom: Eternal is unrepentantly a video game, designed for maximum readability and playability. It’s worth noting that the game’s technical performance is impeccable, offering smooth frame rates across a variety of hardware that would make its famously compatible ancestor proud.

When it comes to combat, Doom: Eternal asks a lot more of you than 2016. Ammo is much more scarce, forcing you to juggle through most of your weapons in nearly every fight. Choosing the right gun for the right enemy and exploiting their weak spots is essential, though some fans argue that the Marauders, dark Doomguy counterparts with a limited vulnerability window, are a bridge too far for the power fantasy.

Doom: Eternal’s biggest flaw is that it’s doing too much. The Doomslayer has new guns and enemies to deal with, a meathook to yank yourself across the battlefield, and a shoulder cannon with grenades and bombs and fire belches that are crucial for survival– on top of an avalanche of additional collectibles, resources, and upgrade trees

Even the Doomguy himself has gotten a little too big for his armored green britches, having somehow come into possession of a massive outer space fortress between games, a vast hub to explore that has plenty of great easter eggs and secrets but also a lot of locked doors and samey-looking hallways to get lost in.

Speaking of getting lost, Doom: Eternal suffers under a sheer mountain of lore. Endless paragraphs of indecipherable sci-fi fantasy with more proper nouns than a phone book are at your bloody fingertips. To some, it’s a welcome addition that makes the series that much more rich. For others, it’s an albatross around the neck of Doom’s action-first ethos: start shooting as soon as the screen melts.

It’s an excellent sequel, superior to its predecessor in many ways, but as a total package, it falls just short of

2. Doom (2016)

Doom 2016 is the platonic ideal of Doom.

It marries the kinetic and aesthetic purity of the original with a winking, self-aware tone that evokes not just the first game’s “Hurt Me Plenty” attitude but society’s perception of the series.

This is the Doom we envisioned in our adolescent brains. It’s the Doom of the infamous ‘90s comic, the ultraviolent nightmare that Jack Thompson and Joe Lieberman warned us about– and it is glorious. But Doom 2016 almost didn’t happen.

The game was originally conceived as “Doom 4,” designed around a dull-looking modern-day demon invasion that incorporated some of the worst excesses of 7th-gen shooter design.

Scripted setpieces, cover-based firefights, and health regeneration earned Doom 4 the derisive nickname “Call of Doom.” Why “press F to pay respects” when you could “press F to rip a demon’s jaw off and slice open its belly?”

Marty Silva and Hugo Martin salvaged Doom 4 from the shores of development hell by stripping it into a back-to-basics, gleefully indulgent romp that fully rekindles the lost soul of the series.

It’s no coincidence that retro “boomer shooters” comeback began right around Doom 2016. The aggressive, push-forward gameplay has you leaping onto cacodemons in midair as Mick Gordon’s impossibly detuned guitars belch out riffs of pure hype. It’s here we first see the glory kills, expanded on in future sequels but never quite as elegant as their debut.

Simple is the operative word of Doom 2016, and sometimes to its detriment. Unlike later games, there’s little incentive to cycle through your weapons. It’s easy to let the rockets or the SSG carry you to the Spider-Mastermind. Still, the barebones approach is appreciated, particularly when it comes to the plot.

It was John Carmack who famously compared video game stories to those of x-rated movies: “It’s expected to be there, but not important.” Doom 2016’s less-is-more approach is extremely refreshing after the dense Metal Hurlant nightmares of its sequels. The storytelling is never really bad in Eternal or The Dark Ages, but also never quite as funny as the Doomslayer seething with impatient rage as exposition drones on.

It took some huge guts to name the 2016 reboot “Doom,” but that very confidence is what propels this game to greatness. There’s only one shooter in the world that could possibly top Doom 2016.

But first:

1. Doom

Doom has more than earned its spot on the Mt. Rushmore of the medium.

As chronicled in the excellent book Masters of Doom, the game's creation is a brilliant example of developers stripping away extraneous details and focusing on what works. As a followup to Id’s groundbreaking but plodding and plain shooter Wolfenstein 3D, original designer Tom Hall dreamed up a sprawling space RPG with multiple playable characters, an inventory system, and a thick “bible” filled with backstory and lore.

Carmack and Romero rightly recognized all of this as chaff that got in the way of the fast and brutal gameplay they envisioned. They slowly stripped away unnecessary flavor and realism until what remained was a bare-bones, no BS exercise in adrenaline. Doom is like the titular Xenomorph in Alien: One must respect its purity.

There’s no mouselook in the original Doom. Aiming on the y-axis literally doesn’t matter, you can hit that Imp on a ledge above you as long as it’s centered on your gun. Doomguy cannot jump, and his only interaction with the world besides shooting, punching, and chainsawing is a single “use” button that you’ll spam endlessly as you search each legendary map for secret doors.

Anyone can pick up the game today, whether through a fan-made source port or an official rerelease, and immediately understand the assignment. Run, gun, rip and tear. Find keys and snag powerups to keep Doomguy alive as he stares bullets through your soul from the UI.

To say Doom has aged is to say Tetris or Pac Man has aged. Its simplicity is its greatest strength– there’s almost no friction between you and the coveted “flow state” towards which all action games aspire. Doom’s kinetic appeal makes it immortal,

Released as shareware, anyone with a working PC was free to play the first episode of Doom, from the iconic first moments of E1M1 to beating the Bruiser Brothers in Phobos Anomaly. You could mail a check to Id if you wanted more, but the sheer accessibility and availability of Knee-Deep in the Dead’s nine perfect levels all but ensured Doom’s dominance.

Doom became shorthand for gaming itself. The moral panic over video game violence resulted in pundits and politicians alike warning parents of the gory, demonic slaughter simulator warping their children’s minds, blaming the shooter for real-world tragedies. It's a sad footnote in an otherwise unparalleled success story, and a formative moment in gaming history that helped shape a still-developing industry.

At the start of every new project, the current developers at Id play through the original Doom, to re-familiarize themselves with its brilliance and look for interesting new ways to expand the formula.

Every single entry on this list is in some way a response to the first game, either trying to recapture its glory or recreate what makes it fun. Some games succeed, others have faltered, but they’re all chasing after perfection that was already achieved in 1993. Doom is still the best Doom.

Where does your favorite Doom rank on the spectrum? Would you have put Eternal above 2016? Should we have included the surprisingly awesome mobile phone RPGs? Leave a comment and let us know.

This review contains spoilers for season 2, episode 6 of Doctor Who, “The Interstellar Song Contest.”

“The Interstellar Song Contest” somehow manages to squeeze in enough moving parts that it could probably fuel an entire season of Doctor Who. A galactic Eurovision in space (debuting the day of its earthbound counterpart’s final round), well-realised antagonists, surprise cameos, and more all jostle for attention in a tight 45-minute runtime. It’s a lot to take in, and the episode does end up a little bloated, but the script holds it all together with a sharp sense of fun. Writer Juno Dawson gleefully leans into Doctor Who’s love of big, pulpy sci-fi spectacle, wheeling out “delta waves” and “mavity” jokes, and the result is an episode that feels remarkably alive and focused in spite of all it has to pay attention to. Director Ben A. Williams even matches Dawson’s maximalist energy with confident, striking visuals, none more so than a chilling sequence where 100,000 people are flung out of a space station. It’s yet another stand-out example of season 2 nailing its horror-inspired themes – the scene alone is one of the highlights of the whole season.

It’s also the season’s best showing from its side characters so far. With so much plot to juggle, it would have been easy to let them blur into the background like usual, but “The Interstellar Song Contest” gets surprising mileage out of its supporting cast. Even the episode’s cameos (such as Rylan and Graham Norton) serve a larger purpose, but none more notable than the dramatic reappearance of Carole Ann Ford as Susan, the Doctor’s granddaughter. It’s a huge cameo that avoids feeling like empty fan service, with just enough weight to justify its impact. Despite everything “The Interstellar Song Contest” is already trying to balance, the episode makes a clear effort to ensure its characters actually matter, not just take up space, whether that’s in a one-off appearance or the return of the character that gave the very first Doctor Who serial its name.

The same can be said for this week's main threat, “Kid” and “Wynn,” members of an alien race known as the Hellions, humanoids with distinctive horns protruding from their heads. They won’t be troubling any all-time great lists, but rather than rolling out moustache-twirling schemes, their plan is rooted in a tangible motivation: revenge for the destruction of their homeworld for profit, an event tied to the Song Contest’s corporate sponsor. This also ties neatly into one of the season’s strongest throughlines: its timely and affecting look at issues of race, displacement, and discrimination. From the Doctor and Belinda’s reflections on community in “The Story & The Engine” to the unflinching depiction of 1960s racism in “Lux”, these topics have been explored with a deft hand so far this season, and that continues with the broad-but-effective allegory for the marginalized that is the Hellions.

It’s easy to empathise with their anger, made all the more troubling when considering that they’re out to kill 3 trillion people in response. That makes pitting them against the Doctor increasingly more interesting. Their confrontations are surprisingly intense, and “The Interstellar Song Contest” even does a good job of playing up 15’s quirky veneer to set up a dramatic jolt later on. One minute he’s blasting back into the space station on a confetti cannon, the next he’s lashing out. His sudden outburst reveals a darker edge that has been largely hidden this season, and it’s a welcome return of a more complex side to the character. But while the intent is clear and the scene mostly works, it does feel a little sudden.

As we approach the end of the season, Belinda remains a captivating presence, but she also feels like someone caught in the same character development rush as the Doctor. Her unique background provides a sturdy foundation, but her connection with the Time Lord now ironically feels both hyper-accelerated and strangely static, forced to carry the emotional heft of an incoming two-part finale without the organic growth a longer episode, or season, might have allowed. There are several great ideas sprinkled throughout “The Interstellar Song Contest”, such as Belinda’s fear of being displaced in time and space, or her distrust of the Doctor after seeing the Time Lord’s rage, but it all ends up feeling rather sidelined by the end. Ultimately, while “The Interstellar Song Contest” is bursting with ideas, and its ambitious scope is one of the many reasons it’s so enjoyable, it also unfortunately gets squeezed by the season’s eight-episode sprint. Still, it’s a testament to its energy and ambition that it remains so undeniably charming, even if it leaves you wishing there was just that little bit more to experience.

When The Mandalorian and Grogu is released next year on May 22, 2026 – the first new Star Wars movie to hit theaters in six and a half years – and then Grand Theft Auto VI hits four days later on May 26, 2026 – the first new GTA game in 12 and a half years – which one do you think is going to be the bigger deal? And which is going to be same old/same old?

On paper at least, these should be two of the biggest pop culture events of the year – the Barbenheimer of 2026. A new Star Wars movie? A new GTA title!? Grand Theft Watto!!? And while we can guarantee that GTA 6 will be huge – it’s already huge – The Mandalorian and his little friend are actually far less of a sure thing.

It reminds me of when I was a kid and I told my Noni that I would eat pizza every day if I could. And I meant it! She was like, no, you’d get sick of it eventually. But man, pizza every day sounds amazing! You know what though? Noni was 100% right. Pizza every day is actually really freaking gross, and it’s bad for you, and it’s bad for the people selling the pizza in the long run because eventually I’m just going to not want to even think about pizza again for a long, long time.

And this is where we’re at with Star Wars right now: It’s pizza every day, over and over again. But GTA… the anticipation for a new GTA game has been building for years. And in some ways, that very anticipation is a big part of the allure of the franchise as well. It’s something Lucasfilm and Disney would do well to take note of.

It’s not that GTA has a bigger cultural footprint than Star Wars. On the contrary, everyone knows who Darth Vader is (even my Noni did, I expect; at the very least she got me a TIE Fighter toy for my third-grade graduation). But the GTAs of the world are still aimed at a tighter demographic. The reason something like GTA can make as much money as it does (more on that in a sec) is because folks spend a lot more playing a game like that than they do going to see a movie. Its success is not because more people are playing it than are watching Star Wars. But one must also consider the lasting impact of a game of this nature, the amount of time that it takes to complete, the replayability, and the interactivity versus the, frankly, old-fashioned act of watching a movie or show and then moving on.

2015’s The Force Awakens, which kicked off the era of modern (i.e., Disney) Star Wars, brought in $2.071 billion at the box office worldwide. But Lucasfilm’s hyperdrive motivator was already starting to lose some steam by the time the Sequel Trilogy closed out: The last new Star Wars movie to be released, 2019’s The Rise of Skywalker, made $1.077 billion, almost half what The Force Awakens did. Star Wars was already feeling pretty commonplace after just four short years of its return to the big screen, and the numbers bear that out.

The Force Awakens actually serves as a better comparison than Rise of Skywalker to the last Grand Theft Auto game, GTA 5, since the game came out in 2013. That just lets us compare the amount of money the two properties brought in a little more cleanly since it’s just a two-year gap between releases. And even though Rey, Finn and Poe’s first adventure (remember them?) is also the fifth-highest grossing film of all time worldwide (not adjusted for inflation), its numbers still pale in comparison to those of GTA 5.

So about that: Released in September 2013, GTA 5 made a billion dollars in three days. By May of 2014, the game had sold 33 million copies, which would come to approximately $1.98 billion in sales (based on a price of $60 per unit, which is an estimate and doesn’t take into account sale prices, for example). I know – you’re thinking, ‘That’s still below The Force Awakens’ $2.017 billion and it took nine months to get there.’ But whereas The Force Awakens made all that theatrical dough in just a couple of months before leaving theaters, GTA 5 just kept on grabbing the loot year after year after year.

In 2023, Barron’s reported that GTA 5 had grossed over $8.5 billion since its release in 2013. And last year, publisher Take-Two revealed in an earnings report that the game had, at that time, continued to sell approximately five million units every three months. This is of course in part due to the fact that GTA 5 has been released on three generations of consoles over the years, and the revenue from GTA Online must be considered as well.

By comparison, the combined box office total of all the Disney-era Star Wars movies – The Force Awakens, The Last Jedi, The Rise of Skywalker, Rogue One, and Solo – is $5.934 billion. That’s, well, a few billion dollars less than what is essentially a single game in GTA 5. But the other money that the Star Wars franchise brings in is a little harder to track – Blu-rays, digital downloads, streaming, merchandising, theme parks, and, of course, its licensed video games as well.

Things get a bit opaque here because while having, for example, all the Star Wars movies (and TV shows) available on Disney+ exclusively is certainly a draw for potential subscribers, it’s also difficult to attach a dollar value to that scenario. Ditto the theme parks. Yes, you too can rub elbows with an ersatz Rey while at Galaxy’s Edge, and you can also pay $200-plus for a custom lightsaber to shut up your kid’s whining, but how much does that add to the overall take-home of quote/unquote Star Wars itself? (Star Wars games, meanwhile, can be hit or miss; for every Jedi Fallen Order success there’s an Outlaws that has a rough go of it.) Does all the Star Wars stuff in the world that people can and do buy make up that extra three billion dollars to put the series at the same gross revenue point as GTA 5? Maybe.

But that’s only one Grand Theft Auto game as compared to the entirety of the modern Star Wars line. Of course, GTA’s online multiplayer mode, with its new cars and interactive events, keeps players coming back over and over again – easily spending beyond the price of the game itself thanks to its in-game currency. (And by the way, why doesn’t GTA have a more extensive line of merchandise IRL? Where are my GTA toys? Why can’t I go to a GTA theme park in California, or even better, Florida, where I can get in an awesome car and run over people to my heart’s desire before buying a custom uzi!?)

Well actually, maybe that’s where the real difference between these two franchises – in the here and now of the year 2025 – can best be articulated, and why people rolled their eyes when, for example, the Ryan Gosling/Shawn Levy Star Wars movie Starfighter was officially announced recently compared to the incredible excitement that can be felt around any and all GTA 6 news. As noted, it’s going on 13 years since a new GTA game was released. Compare that to the constant watering down of Star Wars through streaming shows, announced movies that never happen, bad movies (and, sure, some good ones!), and the aforementioned ever-present merchandising that we’ve been inundated with since at least 2014, when the marketing build-up to The Force Awakens kicked in. There’s just so much Star Wars now.

And that brings me back Noni and my pizza dreams – dreams that were dashed (Dash Rendar’d?) when I realized she was right about too much of a good thing. Sure, sometimes the toppings are different, and some days it tastes better than others, but Star Wars is just always there now. There’s nothing special about it anymore.

But GTA… GTA brings me to a different Noni memory. Rockstar only serves new editions of the beloved franchise on the most special of occasions. It’s sort of like lasagna on Christmas! We didn’t get lasagna all the time growing up, so when we found out Noni was making sauce and lasagna was in the offing, it was awesome. The meatballs and sausage sliced up, the oozing ricotta, the basil leaves on top, the toasted Italian bread to go with it – just the best. And it wasn’t just the actual lasagna, but even the anticipation of it. Knowing that it was coming was almost as good as actually sitting down and eating it. It was a rare and special thing, like a new GTA game.

Rockstar also has a history of delaying new installments of the series – they will serve no wine before its time. The result of this philosophy is that when a new GTA title finally is released, there is a huge demand, but also the amount of time and resources that have been put into the game are clear in the finished version. With all due respect to the Star Wars Sequel Trilogy, there was obviously no plan in terms of the trilogy part of it all. (One day Rian Johnson will say how he really feels about the 180-degree turn The Rise of Skywalker took after his film.) Audiences aren’t dumb; they can tell the difference between something that is rushed to make a date versus a work of art that is given its due time to develop and evolve as it should.

Is the GTA series an outlier in the world of games? Certainly. And yet, as of 2023, Minecraft had sold over 300 million copies (including sales across the many platforms it's released on) and Tetris had sold over 520 million copies. (GTA 5 is at 200 million+ and the Grand Theft Auto franchise overall has 430 million units sold.) And that’s just the top of the pile of best-selling games. People like video games! Who knew?

It’s crazy to think now that there was a 16-year gap between Return of the Jedi and The Phantom Menace. It was a relatively fallow period for Star Wars (even if the expanded universe and merchandising continued), and when George Lucas finally did return to theaters in 1999 with young Ani and Obi-Wan and Qui-Gon, there were lines around the block everywhere. That was excitement. There was huge anticipation for a thing we all loved that we hadn’t gotten a new installment of in a long, long time. The same happened 10 years after Revenge of the Sith, which we had all thought was the end of the Star Wars movies forever, when The Force Awakens rekindled the Star Wars flame. Audiences were truly amped to return to that galaxy far, far away again.

And that gap between Return of the Jedi and The Phantom Menace, that 16 years, that’s not far off from the 13 years that will have passed between GTA 5 and GTA 6. The expectations, the hopes, the theorizing, the fun of knowing a new game in the series is coming. It’s almost as important as the game itself.

But in the case of the next Star Wars movie… which is the continuation of a TV show… which has had three seasons already… and at least a couple of spin-offs… well, it’s gonna be kind of hard for audiences to get too excited for that, I think. Sure, it may prove to be a good or even a great movie – I hope it does.

But you have to wonder. How many people are gonna say to themselves, “Eh, I’ll wait for when it hits streaming.”

Final Destination has made its bones bringing audiences’ worst fears to the big screen. Through a twisted mix of horror and absurdity, the franchise explores the cosmic balance of life and death, building stories (and tension) around the idea that disasters are not averted, only delayed, and Death cannot be cheated.

For those who want to watch or rewatch the full Final Destination saga ahead of Bloodlines, we’ve compiled this chronological list of the series’ six movies.

How Many Final Destination Movies Are There?

Six Final Destination movies have been released since the franchise debuted 25 years ago. Outside of film, there are also six original Final Destination novels (not counting novelizations of the movies) and two comics.

Which Final Destination Movie Should You Watch First?

There are two potential starting points: Final Destination (to view the movies in release order) or Final Destination 5 (to view them in order of their narrative chronology). Given Final Destination isn't a franchise with a crucial throughline, we recommend starting with the original.

Final Destination Movies in Chronological Order

The following blurbs contain broad spoilers for each movie.

1. Final Destination 5

The earliest-set movie in the franchise is Final Destination 5, which takes place in (or just before) the year 2000. Like the four movies prior, it introduces a group of people who avoid a deadly disaster — this time, a bridge collapse — thanks to the protagonist's premonition.

Final Destination 5 is purposely hazy with its place on the timeline until the very end, when we discover it leads straight into the original Final Destination.

2. Final Destination

The beginning of Final Destination connects to the end of the fifth movie through the Flight 180 disaster. High schooler Alex Browning has a vision of his fight exploding midair, kicking off a series of events that lead him and several others to deboard the plane. The vision comes to fruition, and the group is left to evade Death and its relentless pursuit to reclaim their lives.

3. Final Destination 2

Set a year after the first movie, Final Destination 2 introduces a new group of characters and another averted disaster: a massive traffic accident initiated by the series’ infamous logging truck. The film connects to Final Destination through Flight 180 survivor Clear Rivers, who attempts to help the new group cheat Death.

4. Final Destination 3

Final Destination 3, set in 2005, features an all-new cast of characters (excluding Death). The inciting accident here is every amusement park goer’s worst nightmare: a deadly roller coaster malfunction. As the formula goes, the survivors, led by high schooler Wendy Christensen, spend the movie trying to prevent Death from collecting its debt.

The events of the first two movies are referenced in Final Destination 3, though it features no returning characters.

5. The Final Destination

The franchise’s fourth film, The Final Destination, is set around 2008-2009 and follows a new group of survivors led by college student Nick O'Bannon. Nick foresees a disastrous crash at a racetrack and saves himself and a handful of other spectators, thrusting the group into Death's all-too-familiar game of cat and mouse.

6. Final Destination: Bloodlines

2025’s Final Destination: Bloodlines, released 14 years after the previous movie, straddles the series’ timeline; it primarily takes place in the present, though its intro scene is set in the 1960s, depicting a disaster at a fictional version of Seattle’s Space Needle. Unlike previous Final Destination movies, Bloodlines’ protagonist (college student Stefani Reyes) has visions of the past rather than the future. The movie explores her familial connection to and the present-day consequences of that 1968 disaster.

Bloodlines is notably the final movie in which the late Tony Todd appears. Todd reprises his role as William Bludworth, who previously appeared in Final Destination 1 and 2.

Final Destination Movies by Release Date

• Final Destination (2000)
• Final Destination 2 (2003)
• Final Destination 3 (2006)
• The Final Destination (2009)
• Final Destination 5 (2011)
• Final Destination Bloodlines (2025)

What's Next for Final Destination?

After almost 15 years, Final Destination is back. Whether Final Destination continues from here will likely depend on how the new movie performs, but it seems like the slasher franchise is headed in a solid direction.

Jordan covers games, shows, and movies as a freelance writer for IGN.

Amazon has officially launched its Memorial Day sale ahead of the weekend. When I first saw the landing page for the sale, my initial thought was "Is it Memorial Day weekend already?", but the answer is no. Memorial Day is still more than a week away, with the actual holiday landing on Monday, May 26 this year.

I've been covering Amazon sales for quite a few years now and this is the earliest I have ever seen the retailer launch its sale. Last year the Amazon Memorial Day sale didn't actually begin until the Monday before, and even that felt like it was still too early. With the 2025 sale offering an entire additional weekend for shopping, it seems like we can expect even more upcoming sales to get extended by Amazon this year if this trend continues.

Should You Shop the Amazon Memorial Day Sale Early?

Paramount Pictures is shifting around its movie calendar, resulting in delays for The Legend of Aang: The Last Airbender and Teenage Mutant Ninja Turtles: Mutant Mayhem 2 that will see both Nickelodeon movies arriving months later than previously planned.

According to Variety, the highly anticipated Aang-focused Avatar movie will no longer arrive January 30, 2026, as it’s now slated to premiere October 9 that same year. On the bright side, Paramount has shared a brand-new logo for the film that you can see below.

It puts The Legend of Aang: The Last Airbender’s release date back nearly nine months later than fans were expecting. This is the second delay for the follow-up to Nickelodeon’s beloved fantasy series, with its original release date previously set for October 10, 2025.

No reason for today’s delay was announced, though it appears confirmed voice cast members Steven Yeun, Dave Bautista, and Eric Nam remain attached to the project.

The Legend of Aang: The Last Airbender is said to focus on the original Avatar protagonist in a story that takes place many years after the series came to an end. It received its official title at last month's CinemaCon and is the first of three movies planned to take place in that universe.

Also now delayed is the release of the long-awaited Teenage Mutant Ninja Turtles: Mutant Mayhem sequel, which was announced shortly before the first film premiered in 2023.

Those eager to see how Leonardo, Donatello, Raphael, and Michelangelo’s story will continue now have a much longer wait in store, as today’s delay pushes its premiere from October 9, 2026, all the way to September 17, 2027.

That nearly one more year of waiting to see how that tantalizing mid-credits scene from the first movie pays off. Details about its plot and cast remain under wraps for now, but fans do at least have the Tales of the Teenage Mutant Ninja Turtles series to help fill the gap in the meantime.

While we wait for any updates, you can read up on all the news surrounding Netflix’s live-action Avatar: The Last Airbender show, which is expected to arrive sooner than the animated movie.

As for Teenage Mutant Ninja Turtles: Mutant Mayhem 2, you can click here to check out why director Jeff Rowe thinks Shredder will be “100 times scarier than Superfly.”

Michael Cripe is a freelance contributor with IGN. He's best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).

TCGplayer’s Mayhem Sale is easily the best daily deal right now for both Pokémon TCG and Magic: The Gathering fans. For one day only on May 16, from 9 a.m. to 11 p.m. ET, shoppers can earn 10 percent back in store credit on everything across the site.

That includes singles, sealed product, preorders, and supplies. Subscribers get an even better return with 12 percent back, plus any loyalty bonuses they've built up. With the Pokémon singles market currently going through a major correction, this is the ideal time to scoop up chase cards that have become far more affordable.

TL;DR: TCG Player Mayhem Sale

Final Fantasy fans diving into Magic: The Gathering have even more reason to celebrate during TCGplayer’s Mayhem Sale. Preorders for the upcoming Final Fantasy crossover set are live now, and they’re all included in the 10 percent store credit promotion. That means if you're looking to lock in iconic characters like Tifa, Sephiroth, Cloud, or Y’shtola in premium foil treatments, you're not only getting ahead of release day scarcity but also stacking credit toward your next order. With singles like Tifa, Martial Artist (Borderless Surge Foil) at $450 or Cloud, Midgar Mercenary (Mythic Extended Art) at $125, the cashback can add up fast, earning you as much as $45 store credit from just one card.

MTG Final Fantasy Single Cards

For collectors chasing the Neon Ink variants, the value gets even better. Cards like Traveling Chocobo (Mythic Borderless Neon Ink Blue) and Sephiroth, Fabled SOLDIER (Extended Art) are already priced at a premium due to limited availability and collector demand. Getting 10 percent back on these high-end preorders is essentially a rebate on the kind of grail-tier singles that rarely see discounts. And because these cards won’t be widely available again once the initial wave sells out, now is the perfect time to secure them.

Even for buyers with more modest budgets, the Mayhem Sale applies to lower-cost preorders too. Whether it’s grabbing a Rare Cloud’s Limit Break for under $20 or a standard Sephiroth, Planet's Heir for less than $10, you’ll still get cashback toward future pickups. This makes it easier to build a full collection over time without blowing your budget all at once. And since TCGplayer supports hobby shops and small sellers, it’s a good way to invest in your collection while supporting the broader Magic community.

Destined Rivals Preorders

Pokémon TCG collectors have a lot to be excited about. Prices are dipping across the board, and the Mayhem Sale stacks real value on top. Cards like Greninja ex and Magikarp have seen huge drops, making them far more attainable. Journey Together is full of alternate rares and stamped promos that are now priced under ten dollars, and even premium pulls like Lillie’s Clefairy ex are well below the $150 mark.

The Glory of Team Rocket

Prismatic Evolutions is another standout, with high-end cards like Umbreon ex finally within reach. Getting $110 in store credit back on a single Umbreon purchase is the kind of value that doesn’t come around often.

Journey Together

With major price corrections in the Pokémon market and competitive cashback across the board, TCGplayer’s Mayhem Sale stands out as the best daily deal in the trading card space. It’s a rare chance to buy when prices are low and still earn credit toward your next round of pickups. If your collection has been on hold or your decks need tuning, this is the time to make it happen.

Prismatic Evolutions

Surging Sparks

Stellar Crown

Shrouded Fable

Twilight Masquerade

Temporal Forces

Paldean Fates

Paradox Rift

151

Obsidian Flames

Scarlet and Violet

Silver Tempest

Lost Origin

Fusion Strike

MTG Final Fantasy Starter Kit

MTG Final Fantasy Bundle

MTG Final Fantasy Play Booster Box

MTG Marvel's Spider-Man Scene Box

Prismatic Evolutions Surprise Box

Team 17 Chains Of Command Game Bundle

Xbox Core Wireless Gaming Controller – Velocity Green

Expedition 33 Lumiere T-Shirt

Skytech Chronos Gaming PC Desktop

Skytech Chronos Gaming PC Desktop

Cooler Master NR2 Pro Mini ITX

SAMSUNG Galaxy Watch 7 44mm LTE AI Smartwatch + Free SmartTag2 Bundle

Xbox Game Studios Game Bundle

Samsung Galaxy S25 Edge

Sekiro Statue

Split Fiction (PS5)

Akira 4K Blu Ray (Steelbook)

Squishmallow Sale

Skytech Gaming PC Desktop

Yeedi S14 Plus Robot Vacuum and Mop

Dreo Reverse Osmosis Water Filter Countertop

Dreo Pedestal Fan with Remote

Silent Hill 2 OST 6LP Vinyl

Silent Hill f - PS5 + Steelbook

Pathfinder Second Ed. Asian Fantasy Bundle

Dreamegg Portable White Noise Machine

GravaStar Wireless Mercury M1 Pro

Xbox Game Studios Game Bundle

Corsair K70 RGB Pro Cherry MX Red

Clair Obscur: Expedition 33 Art Prints

Buy 2 Books, Save 50% on 1

Apple AirPods Pro 2

LEGO Technic Planet Earth and Moon in Orbit

Jason X 4K UHD Blu Ray

Nintendo Switch 2 Travel Carrying Case

Ever since Frank Herbert released his seminal sci-fi novel Dune in 1965, readers have been consumed by the expansive and complex political wranglings of his influential stories. While Herbert only wrote six Dune novels while he was alive, since his death, his son Brian Herbert and bestselling author Kevin J. Anderson have authored many new canon Dune stories. In fact, the series is currently at an astounding 23 novels and counting; spanning 15,000 years. If you're wondering where to start and how you're supposed to read them, we're here to help.

With Dune: Messiah on the horizon, now is the perfect time to dive into the novels that started it all. Below we've detailed out the entire Dune book timeline for your convenience. Reading all of the Dune books in order can be a bit tricky depending on where you start.

How Many Dune Books Are There?

There are technically a total of 23 Dune Books in the franchise, but there are only 6 novels officially written by Frank Herbert himself. All of the books listed below are technically canon, and fit somewhere in the Dune timeline, but many of them have been written by Brian Herbert and Kevin J. Anderson.

How to Read the Original Series in Order

1. Dune
2. Dune Messiah
3. Children of Dune
4. God Emperor of Dune
5. Heretics of Dune
6. Chapterhouse: Dune

All Dune Books: Chronological Reading Order

Warning: Each of the blurbs in this piece contains spoilers for the Dune book series.

The Butlerian Jihad by Brian Herbert and Kevin J. Anderson

Despite being written decades after the original Dune, Herbert and Anderson use this prequel — the first in a trilogy — to establish and expand on much of the world building and lore from the original. Chronologically this novel takes place earliest in the Dune canon around 10,000 years before the events of Herbert's original novel. Setting up the feudal and technologically-barren world of the books, this story follows the beginnings of a brutal world-changing war between the last free humans and the artificial intelligence and robotics they created.

The Machine Crusade by Brian Herbert and Kevin J. Anderson

In the second book in Herbert and Anderson's trilogy, readers get to meet more vital players in the wider world of Dune. As the war rages on, readers spend time with ancestors of House Atreides and House Harkonnen while the humans continue their battle with the evil sentient computer overlord Ominus. Dense worldbuilding and intricate plotting fill the pages of this book which builds on what's come before while setting the stage for an epic final battle.

The Battle of Corrin by Brian Herbert and Kevin J. Anderson

Set 100 years after the events at the beginning of The Butlerian Jihad, the book finds Ominus' plan for universal domination moving ever closer to success. As the most gruesome era of the war begins, history is made. Ominus' dangerous games push the universe to breaking point as each planet does what it must to survive. Establishing much of the status quo of the original book, this entry vitally introduces the battle ready iteration of the Fremen Paul meets in Dune.

Sisterhood of Dune by Brian Herbert and Kevin J. Anderson

The next chronological step in Herbert and Anderson's trilogies is the "Schools of Dune." After another large time jump—this time 83 years—the story focuses on a burgeoning world without the so-called "thinking machines" and how that impacts the universe. Following disparate characters as they venture around the galaxy, there are important reveals about the growing Butlerian movement, and the dangerous violence that's thrumming across the universe.

Mentats of Dune by Brian Herbert and Kevin J. Anderson

With the thinking machines all but destroyed a school is established to train "Mentats" humans of supreme intelligence who can essentially replace the machines the war demolished. Other academies are being founded too including a new school of the sisterhood on Wallach IX. But within their ranks is a young woman desperate for vengeance who could bring down everything. As the schools battle for survival, so does the universe as the Butlerian fanatics rise.

Navigators of Dune by Brian Herbert and Kevin J. Anderson

Continuing the origin of the Bene Gesserit, Mentat and Suk Schools, this final book in this trilogy focuses on the ever-growing threat of the anti-technology forces who were inspired by the Butlerian Jihad. Can reason win out against the ever growing fanaticism spreading across the universe? That's the big question as Herbert and Anderson build on this growing chasm.

House Atreides by Brian Herbert and Kevin J. Anderson

Finally gaining on the original Dune novels, the first book in the Prelude to Dune trilogy takes place just 35 years before they begin. Complex threads come together as we get introductions to some major players like Leto Atredis, Duncan Idaho, Baron Harkonnen, and the Reverend Mother Gaius Helen Mohiam. Political shenanigans are at a high here as games are played, loyalty is sought, and the stage is set for an epic battle that will change the universe.

House Harkonnen by Brian Herbert and Kevin J. Anderson

Continuing the Prelude trilogy this novel continues to establish the drama and scheming that lays the groundwork for the original Dune novels. As Houses Harkonnen and Atredis struggle for power, the Bene Gesserit begin to plot towards their ultimate aim: creating the chosen one known as the Kwisatz Haderach, by introducing Leto to his concubine Jessica. So if you've always wanted to know what led to the events of Herbert's beloved books, here's your answer.

House Corrino by Brian Herbert and Kevin J. Anderson

Topping off the Prelude trilogy is this action-packed novel that centers around Leto, Jessica, and their soon to be born son Paul. As the parents eagerly await their new arrival, the witches of the Bene Gesserit couldn't be more excited as they know their chosen one is on the way. But if you've read the Dune books you'll know they might be less than happy with the result.

Princess of Dune by Brian Herbert and Kevin J. Anderson

Telling the stories of the two women in Paul Atreides' life, this companion novel focuses on the wife he was forced to marry, Irulan, and the woman he fell in love with on his adventures, Chani. Their dueling stories drive forward this book that gives an expansive look at the women around Paul and how their lives and experiences led them to him for better or for worse.

The Duke of Caladan by Brian Herbert and Kevin J. Anderson

The final new trilogy before we reach Herbert's first Dune novel, the Caldan stories center around Paul's father Leto Atreides and his rise to power in the universe. Through honesty, action, and integrity, Duke Leto finds himself with ever more power and status in the political center of the galaxy, but his new status sets him on a dangerous and ultimately fatal course.

The Lady of Caladan by Brian Herbert and Kevin J. Anderson

When Lady Jessica betrayed the Bene Gesserit her life was changed forever, in this book we see how that choice and its fallout changed the shape of the universe. When pitted against the ancient order how can one woman — and her love for her family — ever win? And what lengths will she have to go in order to make the ultimate choice and more pressingly to survive?

The Heir of Caladan by Brian Herbert and Kevin J. Anderson

As this trilogy comes to an end it centers on the rise of Paul Atriedes better known to the universe as Muad’Dib. But he has yet to take on that title here and instead must go on a journey to find himself and the strength to lead. If you've made it this far then you're about to be rewarded by reading the original novel that started it all...

Frank Herbert's Dune

The book that sparked it all, Herbert's soft sci-fi introduced readers to House Atreides and their young son Pual as they embark on a quest to control and run the wealthy Spice trade on the arid planet Arrakis. Focusing on the interplanetary politics and expansive planetary landscape of his world, Dune is an exceptionally dense read but it's essential to understand the scope of Herbert's creation. While it was obviously the first published Dune book, since Herbert and Anderson's many prequels, it now hits somewhere in the middle of the reading list.

Paul of Dune by Brian Herbert and Kevin J. Anderson

Acting as both a prequel and sequel to Dune, this story follows Paul Atreidis before and after the events of the book. As a young child he's entangled in the dangerous politics of the universe as they prepare for his father's wedding. When we join him after Dune we learn more about his time with the Fremen and his relationship with his lover Chani as the pair build a life together.

Frank Herbert's Dune Messiah

Speaking of Paul Atreidis, he's at the center of Herbert's second book where we join him a decade after becoming Emperor. After taking on the mantle of Messiah to the Fremen Paul has unintentionally inspired another universal Jihad, creating havoc and war across galaxies. Thanks to his visions Paul hopes to change the dire future he's created but it won't be easy.

The Winds of Dune by Brian Herbert and Kevin J. Anderson

With Paul lost in the deserts and thought to be dead this book builds in the time between Dune Messiah and Children of Dune. Catching up with Paul's mother Jessica, her daughter and Emperor Regent Alia, and Duncan Idaho, this is a galaxy spanning adventure that adds context and history to the original writings of Herbert while introducing important lore and worldbuilding.

Frank Herbert's Children of Dune

As the ecological landscape of Arrakis changes drastically so does the shape of the universe. Paul of Atreidis young children Leto and Ghanima deal with his legacy in Herbert's third book as they battle against their fates and wonder whether they'll end up just like their dad. The Spice trade comes under threat from an unexpected source and a new leader emerges.

Frank Herbert's God-Emperor of Dune

After the shocking events of the last book we join Leto 3500 years later. How is he almost 4000 years old? Well he merged with a Sandworm in Children of Dune and has since been ruling the universe with an iron fist and brutal regime. This novel follows Leto and inspects his impact on the cosmos as he attempts to keep his rule and hold on the Spice trade no matter what.

Frank Herbert's Heretics of Dune

Get ready for another time jump! This time we're visiting Arrakis 1500 years after the death of God Emperor Leto. Humanity is burgeoning once again and Sandworms have made a resurgence. Three new civilisations reign, including the Bene Gesserit who are struck with a near impossible choice: keep their behind the scenes role as master manipulators of the universe or become true leaders to make the most of the power vacuum in the universe.

Frank Herbert's Chapterhouse: Dune

Finding themselves in a brutal battle with another Matriarchal organization, the Honored Matres, the Bene Gesserit become entangled in a war for survival against their violent foes. This was Herbert's final book and ends on a famous cliffhanger which he was never able to resolve as he died after its publication. But his son and collaborator Anderson would later continue the story.

Hunters of Dune by Brian Herbert and Kevin J. Anderson

The first of a duology that adapts notes left by Herbert for what was planned for Dune 7. Continuing the story from Herbert's books this title explores the fallout from the war between the Bene Gesserit and the Honored Matres, as well as the return of the many, many descendants of the humans who were scattered across the universe during the reign of God Emperor Leto.

Sandworms of Dune by Brian Herbert and Kevin J. Anderson

Filled with clones, shocking returns, and a huge reveal about the antagonists of the series, this is an event level book that brings together the many loose threads left by the original books. Combining a complex structure, multiple character arcs, and an epic final battle this is a true climax to the overarching Dune series, which has been evolving and growing since 1967.

Will There Be More Dune?

A jump starter is an essential part of car's emergency kit, and a cordless one eliminates the need to plug it into an available cigarette lighter. You don't need to pay a premium for a jump starter that reliably gets the job done, either. Amazon is currently offering Amazon Prime members this AstroAI S8 Pro 12V 3,000A cordless car jump starter for $32.99 shipped after you clip a 45% off coupon code "AQ97FOMC". Not only does it function as a jump starter, it can also be used to recharge your smartphone in a pinch.

AstroAI S8 Pro 12V 3,000A Car Jump Starter for $32.99

Between layoffs, studio closures, and funding drying up, it’s fair to say that the games industry has been having a rough time. Enrique Fuentes, CEO and co-founder of Teravision games, experienced that turbulence much too closely for comfort when he and his team released Killer Klowns From Outer Space, an asymmetrical horror game based on the 80s movie of the same name. The game was well received (IGN gave it a 7, calling it “as silly and entertaining as the movie that spawned it.”) and trailers for the title racked up hundreds of thousands of views online. But the team found itself in a difficult spot after launch, the same difficult spot that many in the games industry found themselves in.

“As you know, 2024 was a pretty tough year for the whole industry. So it was a little bit slow for us to close our next project,” Fuentes says. Despite working with companies like Disney, Nickelodeon, and Xbox, Teravision was having difficulty finding a follow-up project to Killer Klowns. With time running out, the studio and its veteran developers with 20 years of experience in the industry looked towards something novel: making a game within Fortnite. In less than a year, Teravision has released three Unreal Engine for Fortnite (UEFN) games. Its fourth game, launching today, takes advantage of the official The Walking Dead content pack released in UEFN.

Made in partnership with Skybound, the company co-founded by The Walking Dead’s creator Robert Kirkman, Teravision’s newest UEFN game is a King of the Hill style multiplayer PvPvE project called Courtyard King, where players fight each other as well as NPC zombies for control of territory in The Walking Dead’s infamous prison location.

Everything The Walking Dead related in Courtyard King is made using official assets released for UEFN, including character models based on Rick Grimes, Negan, and Daryl Dixon. But the project goes further than just assets; Teravision worked with the writers at Skybound to craft the game’s story and dialogue.

“We have worked with big brands in the past… and UEFN was something that we were experimenting with… but we never imagined that was going to be the root where we’re going to be engaging with a company like Skybound,” Fuentes says. “But I mean, UGC, it’s one of the biggest things in gaming right now.”

UGC, or user-generated content, is driving one of the biggest trends in gaming right now thanks to platforms like Fortnite. This kind of playground style game making has found massive audiences in services like Roblox already, but the ‘U’ in UGC typically refers to the end user, AKA players at home. UGC developed by professional studios is a newer concept, and Fortnite’s Unreal Engine 5-based tools were perfect for experienced devs like Teravision.

“It made sense because we come from an engineering background and it was a platform where we could experiment in and assume some of the risk,” explains Fuentes. “Because instead of a multi-year project like Killer Clowns From Outer Space, these are projects that we could put together in weeks or months.”

Teravision’s experiments resulted in the launch of Havoc Hotel, a roguelike shooter where you fight through levels in a hotel, with each cleared floor earning you currency to purchase more powerful weapons. The first Havoc Hotel was a modest hit, enough to keep working on the series. Eventually we got to Havoc Hotel 3, which is now consistently one of Fortnite’s most popular games.

Teravision’s game designer, Martin Rodriguez, says given the studio previously made Killer Klowns in Unreal Engine, the jump to UEFN — a modified version of Unreal Engine 5 — was not only convenient, but gave the experienced devs a leg up when creating their games in UEFN. The systems are streamlined, and processes are a bit more “drag and drop,” as Rodriguez says. “For us, it just removes some of the work that we would’ve done otherwise and allows us to focus on just making better games and explore different new creative ideas."

While the engineering side had no trouble adapting to UEFN’s Unreal-based tools, the game design team was presented with a unique challenge. Games like Havoc Hotel began as experiments as opposed to fully-fledged games, but quickly grew to become their own thing. And Teravision’s creative director, LD Zambrano, quickly learned that UEFN games were different from traditional games in many ways.

“A traditional experience we have had designing other [non-UEFN] games is where players relate through objectives that entice cooperation and competition, right?” Zambrano says. “In [UEFN’s] case, we have found that even though those objectives are still relevant and we still can use that game design sensibility and bring them there, I found that there are a lot of experiences that are very popular within the Fortnite ecosystem that are kind of just context. They’re weird situations and interactions that don’t necessarily translate into a very clear competition, but they still work.”

Zambrano compares UEFN games to the school yard. “I have found that there is this way of approaching each other that brings me back to recess, which is you meet somebody and make up some sort of game that might not make sense, but still you’re engaging and creating friendships. That’s what I mean about some of these games becoming a ‘context.’”

In that way, one unique thing I learned about Courtyard King from Teravision is that it is an infinite game, meaning there is no final winner at the end of a round. Instead, matches continue forever with players jumping in and out, switching teams. And while there will always be a team that is winning, there will never be a final round where a true winner is crowned.

“Players can drop in and drop out whenever they want. They can even change teams whenever they like, which generates situations for betrayals. Maybe you enter a party with your friend, but then in the middle of the match you don’t tell him and change teams. Which is very Walking Dead-like.”

Is this a future for game developers? On the one hand, it puts them in the sandbox of other, bigger players like Epic Games or Roblox. But for studios looking to experiment without burning through their entire funds, while having access to a large player base and big IP assets like The Walking Dead, Enrique Fuentes says there’s a lot of upside.

“We can actually assume the risk as an indie developer in [UEFN]. Because last year, we couldn’t even think about starting a three-year project. We could do something in a few weeks with a smaller team and that completely changes the paradigm for a new developer. This is now a viable model where you can actually support an 80 person studio like we do, and we can assume the risk,” Fuentes says. “It’s something that if you have the right ideas, the right creativity around it, if you understand the market well enough and you have the right thinking, execution becomes possible and it doesn’t take years, it actually takes weeks, maybe months. I think this is a dream come true for indie developers.”

Matt Kim is IGN's Senior Features Editor.

Ralph Fiennes has been tapped to play President Coriolanus Snow in Lionsgate’s latest book-to-movie adaptation, The Hunger Games: Sunrise on the Reaping.

The Conclave and Harry Potter alum’s attachment to the upcoming film was revealed via the official Hunger Games X/Twitter account today. He’s the latest in a long line of Hunger Games casting reveals, and he’s also got one of the most important parts to nail.

Doom: The Dark Ages is finally here, and if you’re a handheld gaming PC nerd like I am, you’re probably wondering whether or not the Asus ROG Ally X can handle it. I’m setting 30 frames per second as the bare minimum for playability, but anything higher is welcome, especially 60fps (which would be ideal, but unrealistic for such a demanding game).

The last game in the series, Doom Eternal, was renowned for how well it ran on the Ally, but if you’re expecting that same level of performance out of The Dark Ages, I’m sorry to say you’re going to be disappointed.

Funko unveiled their lineup of Funko Pop! Collectibles for Marvel’s The Fantastic Four: First Steps on Friday, spoiling the reveal of an important new character that fans didn’t know (for certain) would be in the movie.

If you don’t want to know who that character is then STOP READING NOW!

No, seriously, this is your final warning!

The Funko Pop figures for The Fantastic Four: First Steps include Mr. Fantastic, Human Torch, Thing, Silver Surfer, Galactus and Invisible Woman, who is paired with … her and Reed’s toddler son Franklin Richards.

In the Marvel comics, Franklin is Reed and Sue Richards’ first child; their daughter Valeria would follow years later. The Fantastic Four: First Steps trailer revealed that Sue is pregnant in the movie. These collectibles suggest that either First Steps takes place over a long enough period of time to go from Sue announcing her pregnancy to Franklin being of toddler age.

Given that Reed and Sue were exposed to cosmic rays during the fateful space flight that beget the Fantastic Four, it’s not surprising that their offspring would be born with powers. Perhaps the first manifestation of Franklin’s mutant abilities is rapid growth upon birth?

It’s the sheer scope of his mutant powers that makes Franklin one of the most powerful beings in the Marvel Universe. His powers range from telepathy and telekinesis to warping reality and matter to creating pocket dimensions and communicating on the astral plane.

You can see the Sue and Franklin collectible in the slideshow below.

As IGN’s Jesse Schedeen recently wrote, “Franklin is the one being on Earth whose power is so great it rivals that of cosmic entities like the Celestials and Galactus. And he’s destined to only grow more powerful with age. The FF have met multiple adult versions of Franklin from the future, suggesting that he’ll one day grow to become an immortal defender of the entire Marvel Universe.”

With the MCU’s next two event films being Avengers: Doomsday and Avengers: Secret Wars, it’s quite possible we’ll see a future adult version of Franklin Richards in one of them, perhaps alongside his younger sister Valeria.

This wouldn’t be the first time – and almost certainly won’t be the last – that merchandising products have spoiled a Marvel project ahead of its release. Toys spoiled reveals for The Falcon and the Winter Soldier, Thor: Love and Thunder and Captain America: Brave New World. Heck, this wouldn’t even be the first time toys revealed something from The Fantastic Four: First Steps.

While there are cases where a toy or tie-product showed a character, location or costume design that wasn’t in the final movie, more often than not the products – which are made well in advance of a film’s release – are out in the public and on store shelves before the film’s in theaters. (That’s the main reason why Jon Favreau successfully fought to keep the reveal of Grogu in The Mandalorian a secret until the series premiered.)

The Fantastic Four: First Steps opens in theaters on July 25th.

Death Stranding fans, it seems like you’ve got something really killer coming your way. The sequel game, Death Stranding 2: On The Beach, is set to arrive in June and the franchise’s star, actor Norman Reedus, recently teased some of the game — as well as a key tidbit about the future film adaptation — in an interview with IGN.

“If it was an option, yeah, for sure,” Reedus revealed when asked if he would consider playing himself in a future film version of the game which was announced to be in the works from Michael Sarnoski and A24 last month. “I don’t know what’s happening with it. It’s so pre pre pre right now. But yeah, of course.”

@ign Norman Reedus teases Death Stranding 2 while promoting From the World of John Wick: Ballerina! #deathstranding #normanreedus #ballerina #johnwick #interview ♬ original sound - IGN Entertainment

We also asked Reedus about his confusion with the first game and if he still felt that way going into the second one, but it seems he deeply trusts creator Hideo Kojima, whose reputation obviously precedes him. “As far as working with him and understanding where his head’s at, I don’t think anybody can understand where his head’s at,” the Walking Dead alum explained. “He’s just that guy, he’s out there and he’s got great ideas. But story-wise, I did know what was happening more. There’s more action in it, there’s more of a definite goal to get to.”

That said, no matter what’s going on in the Death Stranding world, Reedus is happily along for the ride. “It’s always a trip working on those things,” he told IGN. “It’s great, but it’s wild.”

Death Stranding 2: On The Beach will be released on June 26, 2025.

Lex Briscuso is a film and television critic and a freelance entertainment writer for IGN. You can follow her on Twitter at @nikonamerica.

Back at the start of April, Nintendo Switch 2 fans noticed mention of variable refresh rate, or VRR, on informational pages about the system that soon disappeared. Now, the company is clarifying just how and where VRR is working on the Nintendo Switch 2.

In a statement to NintendoLife, Nintendo says the original information about VRR published on the site was incorrect: "Nintendo Switch 2 supports VRR in handheld mode only. The incorrect information was initially published on the Nintendo Switch 2 website, and we apologise for the error."

In response to VRR support for docked mode coming in a future firmware update, NIntendo said it has "nothing to announce on this topic."

So while the Switch 2 will support VRR as an option for the handheld side of things, it looks like right now, those using their new console on the TV won't see the same features.

The update arrives after a lot of head-scratching, as the original VRR mention was first noticed and then swiftly erased. Mentions of it disappeared gradually from different sites over time, as catalogued by Digital Foundry contributor Oliver Mackenzie.

While this might disappoint those hoping for variable refresh rate on the Switch 2's TV settings at launch, it might not mean all hope is lost. Sony issued an update rolling VRR support out to PS5 consoles post-launch, so it stands to reason we could see something similar happen here.

In other Switch 2 news, Nintendo just dropped a list of games that are getting free performance upgrades on the Switch 2, ranging from Pokémon Scarlet & Violet to Super Mario 3D World + Bowser's Fury. Nintendo of America boss Doug Bowser also insists the company will have enough Switch 2 units to meet demand "through the holidays."

Eric is a freelance writer for IGN.

If you're in the process of building out a new gaming PC and you're looking for the best gaming processor, this is it. Right now, the recently released AMD Ryzen 7 9800X3D AM5 desktop processor is back in stock on Amazon at its retail price of $489 shipped. The AMD Ryzen 7 9800X3D is the best gaming processor currently on the market (across both AMD and Intel) and a better choice for gamers than the more expensive Intel Core Ultra 9 285K.

The Gamer's Choice: AMD Ryzen 7 9800X3D CPU

It might be a smart move to gear up ahead of the launch of the Nintendo Switch 2, and it’s an easy bet when it comes to finding the right headset – for one, we’re extremely sure accessories such as headsets are going to be forward compatible. And two, we already know which headsets are among the best across all price ranges. If you don’t already have one lined up to use on your Switch 2 or if you’re looking to upgrade from the set you were using with your first Switch, I have my top recommendations for headsets here, all of which I’ve had firsthand experience with and/or have reviewed here on IGN myself.

Similar to my best PS5 headsets and best Xbox headsets guides, there are a few nuances I took into consideration when making my selections for this specific platform. One of which is portability; for example, I’m hesitant to suggest getting the SteelSeries Arctis Nova Pro even though it has consistently topped our lists – one of its biggest features is its mixamp/DAC, which connects the headset to your systems, and that gets unwieldy for a device that’s about versatility and taking on the go. I’m also accounting for the fact that you only have access to USB-C ports when playing handheld, so all of the wireless headsets recommended here come with a native USB-C dongle to make connectivity easy. Above all else, I prioritize sound quality and comfort in my choices because if those factors aren’t the focus, what would we even be doing here!

TL;DR – These Are The Best Nintendo Switch 2 Headsets:

The Switch 2 does have Bluetooth capabilities, but I wouldn’t recommend that for gaming scenarios due to the inherent audio delay. While the wireless headsets here can connect via Bluetooth, my recommendations run primarily on a 2.4GHz wireless connection, and there are a few picks with a 3.5mm wired aux connection, too. Regardless of which you go with, you’ll be getting a great headset for the money – I can vouch for each pick, and if you need a little extra convincing, I have all the details you need to know below.

Best High-End Wireless Headset

Audeze Maxwell