Nick Saban questions Texas A&M crowd noise before Aggies face Miami in playoff






⚽ Premier League updates from the 12.30pm GMT kick-off
⚽ Live scores | Table | Ten things to look out for | Mail Niall
Thanks to Chris Greenhough and Nick Whitbread, who emailed me within seconds of each other to nominate Paul Warhurst – as both noted, a utility phenomenon in the Premier League and Championship Manager, where he could play pretty much anywhere.
“One memorable utility shift was Ryan Bertrand, moved up to left wing in the 2012 Champions League final, sitting in front of Ashley Cole to track Arjen Robben. I believe he’s still the only player to have made his Champions League debut in the final,” says Rob Hobson.
Continue reading...
© Photograph: Richard Lee/Shutterstock

© Photograph: Richard Lee/Shutterstock

© Photograph: Richard Lee/Shutterstock








© Nanna Heitmann for The New York Times





The network’s fate has become a battle of corporate ownership, not a question of what benefits Americans
On Thursday evening, as rumors about the Brown University gunman swirled, CNN’s Kaitlan Collins posted on social media, noting the confusion and directing people to her network’s 9pm newscast.
CNN is certainly not a flawless news source, but her words rang true to me. The network is one of the outlets where you can find reality-based and largely dependable reporting – especially in breaking news situations like the one that was developing near a New Hampshire storage facility.
Continue reading...
© Photograph: Ron Harris/AP

© Photograph: Ron Harris/AP

© Photograph: Ron Harris/AP
Gone are shots of puddings and sweets as advertisers try to market other foods to stay within rules coming into force on 5 January
The festive season is traditionally a time of national culinary overindulgence but eagle-eyed viewers may have noticed that this year’s crop of big-budget Christmas TV ads have been decidedly lean and sugar-free.
From Tesco and Waitrose to Marks & Spencer and Asda, the UK’s biggest exponents of extravagant festive food marketing have put their Christmas ads on a diet to comply with new regulations banning junk food products from appearing in TV ads before 9pm.
Continue reading...
© Photograph: Waitrose/PA

© Photograph: Waitrose/PA

© Photograph: Waitrose/PA
Who’s propping up the bar with quizmaster Keir Starmer? Answers below (no cheating now!)
Click here for a larger version of the puzzle
Spotted all the famous faces? See how you did …
1 Sydney Sweeney’s on the bar there, in her denims. Does this mean she is a eugenicist? No, it doesn’t. Are you OK?
Continue reading...
© Illustration: Stephen Collins

© Illustration: Stephen Collins

© Illustration: Stephen Collins
The Strangers, a horror tale written during the playwright’s college days, appeared in the Strand magazine this week
As one of the 20th century’s most successful playwrights, Tennessee Williams penned popular works at the very pinnacle of US theater, including A Streetcar Named Desire and Cat on a Hot Tin Roof.
Years before his almost unparalleled Broadway triumphs, however, the aspiring writer then known simply as Tom wrote a series of short radio plays as he struggled to find a breakthrough. One is The Strangers, a supernatural tale offering glimpses into the accomplished wordsmith that Williams would become, and published for the first time this week in the literary magazine Strand.
Continue reading...
© Photograph: Dan Grossi/AP

© Photograph: Dan Grossi/AP

© Photograph: Dan Grossi/AP

© Illustration by The New York Times; photograph by Elizabeth Frantz/Reuters


© Illustration: Samuel Ojo/The Guardian

© Illustration: Samuel Ojo/The Guardian

© Illustration: Samuel Ojo/The Guardian





Ryan Coogler’s critically acclaimed horror blockbuster had people talking all year, proving industry naysayers wrong and breaking various records
It was the film that was supposed to destroy Hollywood: a vampire horror about life and times in the Jim Crow south peopled by a majority Black cast, and shot on Imax 70mm. Ryan Coogler, the acclaimed director who rose to prominence steering Marvel’s colossal Black Panther franchise, was thought to be out of his depth for trying to midwife a script he himself said he cobbled together in two months. Warner Bros, the studio fronting the film’s near $100m budget, was supposedly out of its mind for not only throwing that much money behind the project, but further agreeing to singularly favorable authorship deal terms that gave him control over the film’ final cut and full rights over the film after 25 years. Hollywood machers were convinced the film would never make money and that Warner Bros’ big gamble “could be the end of the studio system”. But Sinners never let that cynicism in.
Sinners landed in theaters on Easter weekend and delivered its own miracle resurrection, racing to a $368m gate on the way to becoming the highest grossing original film in the past 15 years, and the 10th-highest domestic-grossing R-rated film of all time. (That’s right: higher than Terminator 2 and the Hangovers.) At a time when Black heritage and culture are once again under intense political assault, Sinners provoked zeitgeist-y discourse around Black history, cultural erasure and entertainment industry politics. And the online memes poking fun at juke-joint scenes hit as hard as the thinkpieces unpacking the venue’s under-appreciated contributions to the American musical canon.
Continue reading...
© Photograph: Pictorial Press Ltd/Alamy

© Photograph: Pictorial Press Ltd/Alamy

© Photograph: Pictorial Press Ltd/Alamy

