Alexandre Padilha’s father fled dictatorship for the US – now the health chief’s family is a target of Trump’s bully tactics
When Alexandre Padilha’s father most needed help, the United States took him in.
It was 1971, the height of Brazil’s brutal two-decade dictatorship, and Anivaldo Padilha, a young Methodist activist, had been forced to flee his homeland after spending 11 months in one of São Paulo’s most notorious torture centres.
Labour MPs talking openly about replacing PM as poll suggests just 26% of Labour members have favourable view of him as party leader
Google has said it will invest £5bn in the UK in the next two years to help meet growing demand for artificial intelligence services, in a boost for the government, PA Media reports.
Back to the Survationpolling of Labour members, and it includes responses to various questions about the Labour deputy leadership. They all suggest Lucy Powell, the former leader of the Commons, should beat Bridget Phillipson, the education secretary.
Sanctions and security guarantees for Ukraine are among the ‘missing pieces’ Ukrainian president says are necessary for peace ahead of Trump’s state visit to UK
Summing up his speech, Draghi says that “in substance, the more reforms, and this is a point I made some times, the more we push [for] reforms, the more private capital will step up and the less public money we will need.”
“Of course, this path will break longstanding taboos, but the rest of the world has already broken theirs. For Europe’s survival, we must do what has not been done before, and refuse to be held back by self imposed limits,” he says.
“European citizens are asking that their leaders raise their eyes from their daily concerns towards their common European destiny and grasp the scale of the challenge.
Only unity of intent and urgency of response will show that they are ready to meet extraordinary times with extraordinary action.”
The internationally feted choreographer has worked with pop megastars, a sculptor and the monks of the Shaolin Temple. Now he is tackling the cultural divisions and colonial legacy of his homeland
Sidi Larbi Cherkaoui is almost offended when I suggest he’s a busy man. “When people tell me, ‘You do so much,’ I cringe,” says the artistic director of the Grand Théâtre de Genève – the largest stage in Switzerland, with its ballet and opera companies – who runs his own company Eastman in his native city of Antwerp. He is also the creator of contemporary dance-theatre productions and a choreographer for film (Joe Wright’s Anna Karenina and Cyrano), musicals (Alanis Morissette’s Jagged Little Pill), pop (Beyoncé and Jay-Z, Madonna) and plenty more.
This autumn alone, nine different works of Cherkaoui’s are being performed around the world, including An Accident/A Life, a collaboration with performer Marc Brew, about the car accident that left Brew paralysed from the neck down – “It’s maybe the piece I’m most proud of,” Cherkaoui says – and the UK premiere of Vlaemsch (Chez Moi), both in London.
Jaguar Land Rover has extended its shutdown on car production, as Britain’s biggest carmaker grapples with the aftermath of a cyber-attack.
JLR said on Tuesday it would freeze production until at least next Wednesday, 24 September, as it continues its investigations into the hack, which first emerged earlier this month.
A strange, not entirely convincing attempt to add conceptual depth sees an animator forced to erase his own mildly annoying cartoon creations
We’re in familiar children’s entertainment territory at the start of this family animation featuring a tiny little sincere dinosaur: mildly annoying lead character, mildly annoying would-be wizard sidekick delivering all the requisite snarky asides, plus mildly annoying assorted other critters. But in an unlikely swerve, this Czech/Polish/Slovakian production (dubbed into English for this release) turns out to honour the more formally and conceptually interesting heritage of east European animation. A couple of beats into the story, we suddenly find ourselves in a live-action environment, with a real human sitting in a dark basement studio, working away, drawing cartoons – the self-same cartoon, in fact, that we’ve just been watching.
The artist is then interrupted by an extremely grating woman – think Joan Cusack’s deranged hyper-girly Debbie Jellinsky in Addams Family Values – who demands that he erase his existing creations and create something marketable and “cute”. And so the erasure of the insufficiently cute begins, with devastating effect. Diplo the dinosaur loses his parents, and somewhat irritating though he is, it’s a little bit heartbreaking that he believes the destruction of everyone and everything he has ever known to be his fault.
The TV star and his co-author make a compelling argument for properly addressing the legacies of slavery
When slavery was abolished in the British empire in 1833, it was thought only reasonable that slave-owners should be recompensed for the loss of their property: the British government had to borrow the equivalent of £17bn at current values to do this and that loan was not completely paid off until 2015. Meanwhile, the slaves themselves never received a penny in compensation.
There have always been dedicated Black campaigners for reparations, but it is only recently that their demands have gained momentum. Furthermore, it is impossible to talk about reparations without talking about race and migration – and these are issues at the top of the political agenda internationally. All this makes Lenny Henry and Marcus Ryder’s new book both timely and vital.
Visit comes at sensitive time for UK government, which is laying on display of royal and military pageantry
Donald Trump arrives in the UK on Tuesday for a historic second state visit. His trip comes at a tricky time for Keir Starmer, who is facing growing discontent from his own MPs and is in the middle of preparations for what could be a make-or-break party conference speech.
The government is hoping to wow the US president with a show of royal and military pageantry, while keeping him away from sensitive places such as central London – and sensitive topics such as immigration and free speech.
Cincinnati have dazzled with their weapons but failed at the one job that matters most: protecting their franchise quarterback
It sounds obvious, you don’t build an actual NFL roster like it’s a fantasy football team. It’s not enough to pack your squad with flashy weapons and hope you dazzle your way to the Super Bowl. You have to focus on more and different dimensions – roster depth, how players fit into coaching schemes, how they work together, and how even the “unsexy” positions are addressed at a high level.
And yet that is generally not how the Cincinnati Bengals have built their teams over the years. And once again, they’re paying for it in the worst possible way – with an injury to their star quarterback, Joe Burrow, that will severely affect their season. In the Bengals’ 31-27 win over the Jacksonville Jaguars on Sunday, Burrow suffered a turf toe injury as he was being sacked by defensive lineman Arik Armstead; it’s estimated that Burrow will be out at least three months. It’s the third time in six seasons that Burrow’s underwhelming offensive line – the line that is supposed to protect him from this sort of stuff – has helped shorten his season.
"Genocide is occurring in Gaza," said Navi Pillay, head of the Commission of Inquiry on the Occupied Palestinian Territory and a former International Criminal Court judge.
At 88, she has won a Munch award for artistic freedom – despite her pioneering work being cancelled by the US university she studied at. She talks protest, polarisation and propaganda
It’s a miracle I get out of my interview with Palestinian artist Samia Halaby alive. Not just because the creaky wooden stairs to her second-floor Tribeca, New York live-work space are alarmingly steep, but because certain people view the 88-year-old acclaimed abstract artist, a pioneer of digital art, as a dangerous security threat.
In December 2023, Indiana University, Halaby’s alma mater, cancelled what was due to be the first American retrospective exhibition of Halaby’s work at the university’s Eskenazi Museum of Art. The exhibition had been three years in the making but Halaby was informed she was no longer welcome in a terse two-sentence letter from the museum’s director, citing vague security concerns. The real reason, she suspects, was the museum’s wish to distance itself from anything supportive of Palestine in the wake of 7 October. Almost a year later, says Halaby, Michigan State University abruptly cancelled the opening party for her solo retrospective and removed a painting whose title, Six Golden Heroes, referred to the escape of Palestinian political prisoners.
Athletic Club’s goalkeeper on hosting Arsenal in the Champions League and the magic of San Mamés
“Sometimes you need some luck; that was mine,” Unai Simón says. “What I thought might happen in five, six, seven years happened in 19 days.”
It was August 2018, Simón was 21 and although he had been training at Athletic Club for a decade, and with the first team for three years, the son of police officers from Vitoria didn’t think there was a chance of playing in Bilbao any time soon, if at all. It was all he wanted but he didn’t even live there any more, moving 800km in search of an opportunity with second division Elche. Which is when weird things started to happen.
My husband and I still have sex – but something’s missing. Is stress the culprit?
I’m a woman in my 50s and have been with my husband for decades. We have always had a wonderful sex life and I used to be able to climax vaginally very easily, often without clitoral stimulation. During an eventful time for the familya couple of years ago, my libido and ability to climax disappeared, though they did eventually return. A few months ago, I had a health crisis, which has slightly impaired my coordination on one side. Although I have recovered very well, I am again experiencing a loss of libido and sexual sensation.
We continue to have sex regularly and I enjoy the intimacy. I can climax with clitoral stimulation but it takes a long time and can be almost physically painful. I really miss vaginal orgasms and the release they brought. Although I am of perimenopausal age, I have no obvious symptoms and a hormone test came back normal.
Pamela Stephenson Connolly is a US-based psychotherapist who specialises in treating sexual disorders.
If you would like advice from Pamela on sexual matters, send us a brief description of your concerns to private.lives@theguardian.com (please don’t send attachments). Each week, Pamela chooses one problem to answer, which will be published online. She regrets that she cannot enter into personal correspondence. Submissions are subject to our terms and conditions.
Artificial intelligence will replace creativity with something closer to magical wishing. The challenge for future generations will be dealing with the feeling of emptiness that leaves us with
In the German fairytale The Fisherman and His Wife, an old man one day catches a strange fish: a talking flounder. It turns out that an enchanted prince is trapped inside this fish and that it can therefore grant any wish. The man’s wife, Ilsebill, is delighted and wishes for increasingly excessive things. She turns their miserable hut into a castle, but that is not enough; eventually she wants to become the pope and, finally, God. This enrages the elements; the sea turns dark and she is transformed back into her original impoverished state. The moral of the story: don’t wish for anything you’re not entitled to.
Several variations of this classic fairytale motif are known. Sometimes, the wishes are not so much excessive or offensive to the divine order of the world, but simply clumsy or contradictory, such as in Charles Perrault’s The Ridiculous Wishes. Or, as in WW Jacobs’ 1902 horror story The Monkey’s Paw, their wishes unintentionally harm someone who is actually much closer to them than the object of their desire.
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