Wisconsin judge convicted of obstructing ICE resigns, vows to keep fighting case



© Gilles Sabrié for The New York Times









Across Africa, baobabs have rich symbolic meaning, but the breakneck expansion of the DRC’s capital has reduced their number in the city centre to one
The older inhabitants of Kinshasa can remember when trees shaded its main avenues and thick-trunked baobabs stood in front of government offices.
Jean Mangalibi, 60, from his plant nursery tucked among grey tower blocks, says the capital of the Democratic Republic of the Congo’s frenzied expansion has all but erased its greenery. “We’re destroying the city,” he says, over the sound of drilling from a nearby building site.
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© Photograph: Hugh Kinsella Cunningham

© Photograph: Hugh Kinsella Cunningham

© Photograph: Hugh Kinsella Cunningham
The PM won’t call out Trump over Venezuela, and won’t commit to Europe. His refusal to choose leaves vital choices for Britain to be made by others
For an inveterate liar, Donald Trump is remarkably honest. The best guide to what he thinks is what he says. When forecasting his likely course of action, start with his declared intentions – removing the president of Venezuela, for example – and assume he means it. When he says the US must take possession of Greenland, he is not kidding.
The motives are sometimes muddled but rarely hidden. Trump likes making deals, especially real estate deals, and money. He wants to be great and to have his greatness affirmed with praise and prizes. He craves spectacle. The world as he describes it doesn’t always resemble observable reality, but there is an effortless, sociopathic sincerity to his falsehoods. The truth is whatever he intuits it to be in the moment to advance his interests and manipulate his audience.
Rafael Behr is a Guardian columnist
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© Photograph: Leon Neal/Reuters

© Photograph: Leon Neal/Reuters

© Photograph: Leon Neal/Reuters
Groups are coming together across the country to help refugee families settle and integrate into local life
“Our children correct us when we don’t pronounce some words with the proper Derbyshire accent,” says Samir*, an Afghan refugee whose family have settled into their new lives in the north of England.
Initially, he says, it was difficult for the family to get used to rural life in Derbyshire, but after a while they had integrated into the local community so well that his children, who have adopted the Derbyshire accent, tease him about his.
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© Photograph: Mark Waugh/The Guardian

© Photograph: Mark Waugh/The Guardian

© Photograph: Mark Waugh/The Guardian
A warm, silky soup and a nourishing and flavourful stew to help get you through the colder weather
bowl of creamy red lentil soup feels like pure comfort – warm, silky and deeply satisfying. The lentils cook down into a smooth, golden blend, their gentle sweetness enriched by sauteed onions, garlic and a touch of spice. A drizzle of dukkah oil brightens things up, making it perfect for January. Then, a Levantine chickpea stew with aubergine and tahini, which is so nourishing and full of flavour. Tender chickpeas simmer slowly in a rich tomato base until they absorb the sweetness of onions, garlic, and the gentle warmth of cumin. Fried aubergine melts into the stew, and its smoky softness gives each spoonful a lush texture.
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© Photograph: Matthew Hague or Ola Smit?/Food styling: Tamara Vos. Prop styling: Florence Blair. Food assistant: Lucy Ellwood.

© Photograph: Matthew Hague or Ola Smit?/Food styling: Tamara Vos. Prop styling: Florence Blair. Food assistant: Lucy Ellwood.

© Photograph: Matthew Hague or Ola Smit?/Food styling: Tamara Vos. Prop styling: Florence Blair. Food assistant: Lucy Ellwood.










Noodle dish is nation’s favourite comfort food and source of civic pride – but it has health risks
The road to ramen paradise ends in the unlikeliest of places. At Men Endo, located in a suburban street, next to a school and a low-rise apartment block, bowls of noodles disappear in a flurry of slurps, gulps and hurried but heartfelt exchanges of appreciation between customer and chef.
On a cold afternoon in Yamagata, a city in Japan’s northeast, the wait for a seat at Men Endo’s counter is mercifully short. Inside the door, a ticket dispenser lists myriad options, from regular shoyu (soy sauce) ramen – in small, medium or large portions – to maji soba, a soupless symphony of toppings, sauce and noodles that diners are invited to mix together with their chopsticks, along with a spoonful of spicy miso.
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© Photograph: Justin McCurry/The Guardian

© Photograph: Justin McCurry/The Guardian

© Photograph: Justin McCurry/The Guardian
Engaging in creativity can reduce depression, improve immunity and delay ageing – all while you’re having fun
For some reason, we have collectively agreed that new year is the time to reinvent ourselves. The problem, for many people, is that we’ve tried all the usual health kicks – running, yoga, meditation, the latest diets – even if we haven’t really enjoyed them, in a bid to improve our minds and bodies. But have any of us given as much thought to creativity? Allow me to suggest that this year be a time to embrace the arts.
Ever since our Paleolithic ancestors began painting caves, carving figurines, dancing and singing, engaging in the arts has been interwoven with health and healing. Look through the early writings of every major medical tradition around the world and you find the arts. What is much newer – and rapidly accelerating over the past two decades – is a blossoming scientific evidence-base identifying and quantifying exactly what the health benefits of the arts are.
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© Composite: Guardian Design; Boonchai Wedmakawand;aerogondo;gojak;Catherine MacBride;Westend61/Getty Images

© Composite: Guardian Design; Boonchai Wedmakawand;aerogondo;gojak;Catherine MacBride;Westend61/Getty Images

© Composite: Guardian Design; Boonchai Wedmakawand;aerogondo;gojak;Catherine MacBride;Westend61/Getty Images
MPs criticise 10-year deal struck in ‘blind panic’ to rent Dartmoor prison, where high levels of radon had been detected
A “catastrophic” decision by the Ministry of Justice to sign a 10-year lease on a prison where high levels of a poisonous gas had been detected is expected to cost the UK taxpayer more than £100m, parliament’s spending watchdog has concluded.
The public accounts committee said the 2022 deal to rent HMP Dartmoor from the Duchy of Cornwall was signed “in a blind panic” by senior civil servants looking to guarantee prison places.
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© Photograph: Karen Robinson/The Observer

© Photograph: Karen Robinson/The Observer

© Photograph: Karen Robinson/The Observer
Is this big-money challenge cruel? Yes. But it’s mainly just tedious to watch these immature players and their teenage machinations as they battle for cash
The first season of Beast Games – the big-money reality challenge masterminded and hosted by internet personality Jimmy Donaldson, better known as MrBeast – prompted a lawsuit. Five anonymous contestants sued both the production companies behind the series and Donaldson himself, claiming that they had been kept “underfed and overtired”, and alleging an unsafe environment on the set of the Gladiators-ish, Squid Game-esque series (claims, of course, firmly denied by all parties). While the participants claimed they had been “shamelessly exploited” in the name of entertainment, this did little to impede the success of Beast Games, which went on to become Amazon’s most-watched unscripted series ever, garnering 50 million viewers in the month after its release.
You may well come to Beast Games with a sense that this is a slightly murky, mercenary endeavour, the $5m grand prize (“generational wealth!!!!” says Donaldson) distracting from potential ethical issues just below the surface. Weirdly, though, moral issues will probably be the least of viewers’ concerns. More than ever, in its second series Beast Games also happens to be mindless, vibeless television, flecked with Squiddy sadism but also borrowing heavily from the Love Island playbook. As they stay up into the wee hours building improbably high towers from foam blocks or playing convoluted games of dodgeball, the contestants couple up, crash out and even seek to avenge fallen players. Take Luisitin, playing to defend the honour of his wife from series one, by badmouthing her former nemesis, Karim, to anyone who will listen (“he and his brother gaslit my wife on television!”) People say things like “be careful who you trust!” and “he’s backpack boy … his girlfriend is carrying him over the finish line”. You don’t get this sort of feuding on Ninja Warrior, that’s for sure.
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© Photograph: David Scott Holloway/Amazon

© Photograph: David Scott Holloway/Amazon

© Photograph: David Scott Holloway/Amazon
Behind its lavish ‘nun-core’ aesthetic, the Spanish star’s hit album pushes us to think beyond good and evil – to see that we contain multitudes
I went into Lux primed not to like it. Not because I doubt Rosalía’s virtuosic talents or her intense intellectual curiosity, but because the album’s promotional campaign had already done too much work on my nerves. The rollout was relentless: thirsty reels teasing the album on social media, fashion-forward mysticism, even bringing Madrid’s city centre to a halt – everything about it felt designed to send the message that this is less a set of songs than a global event demanding reverence.
Over the past decade, Rosalía has become Spain’s biggest pop export, and Lux appears to inaugurate her imperial phase. The album debuted at No 1 in five countries, was voted the Guardian’s album of the year, broke streaming records on Spotify, and reached No 4 in the US and UK charts, where non-anglophone pop rarely thrives. Multilingual and stylistically expansive, Lux is saturated with Catholic iconography, with lyrics in no fewer than 13 languages, and circling themes of transcendence, suffering and grace.
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© Photograph: -

© Photograph: -

© Photograph: -
Bronze instrument or carnyx dug up in Norfolk in area inhabited by Celtic tribe led by warrior who fought Romans
An “extraordinary” iron age war trumpet that may have links to the Celtic tribe led by Boudicca in the period they were battling the invading Roman army has been discovered by archaeologists in Norfolk.
The bronze trumpet or carnyx is only the third ever found in Britain, and the most complete example discovered anywhere in the world. Fashioned in the shape of a snarling wild animal, the object would have been mounted on a long mouthpiece high above the heads of warriors, allowing it to be sounded to intimidate the enemy in battle.
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© Photograph: Historic England

© Photograph: Historic England

© Photograph: Historic England