With debate still swirling over the unlikable nature of Marty Supreme’s careless protagonist, Guardian writers have picked their all-time love-to-hate leads

Spoilers ahead

I can remember seeing As Good As It Gets in theaters as a teenager and being pleasantly startled by the sight of Jack Nicholson’s Melvin Udall, romcom super grouch. Here’s a bestselling romance author who disdains love, an OCD sufferer who weaponizes his affliction, a New Yorker who hates crowds (who can’t relate?). In one scene, an adoring fan asks Melvin his secret to writing women. “I think of a man, and I take away reason and accountability,” he says, an epic burn forever seared in my brain. Of course Melvin’s anti-charm offensive only goes so far in a James L Brooks project. Before long, the rudeness erodes as Melvin is forced on to a journey of self-discovery with the nextdoor neighbor he can’t abide (Greg Kinnear) and the diner waitress he can’t live without (Helen Hunt). Melvin comes out a changed man in the end, but retains the essence of his super grouch-dom. That was the moment I fell in love with the writer’s life. Andrew Lawrence

Paul Thomas Anderson’s One Battle After Another looks unstoppable ahead of the Oscars, despite Timothée Chalamet’s triumph over Leonardo DiCaprio for best actor

The biggest backlash brewing concerns Ryan Coogler’s Sinners, lauded by critics and embraced – especially in the US – by audiences as one of 2025’s key cultural landmarks. The thriller did win two Globes – for cinematic and box office achievement and original score – but both wound up not really counting. The first is the Globes’s consolation prize (it was won by Barbie in 2023 and Wicked last year); the second wasn’t even broadcast on the telecast. Coogler missing out on screenplay to One Battle After Another was perceived by some as a slap in the face – the Oscars and Baftas separate the category into original and adapted, however, so a corrective could come.