From sparks flying during The OC’s Spider-Man snog to love stories so powerful they make you weep, Guardian writers pick the television couples whose tales never fail to make hearts pound

As TV romances go, it’s not the most original. Nerdy teen boy finally gets the queen bee he’s loved since they still had baby teeth – and off we pop on a four-season cycle of dramatic breakups and grand-gesture-fuelled reunions. Yet through all of the faintly ridiculous plotlines, their romance is anchored by that most elusive of on-screen tricks: actual, palpable chemistry. There is the sarcastic sparring, the physical spark (who could ever forget that Spiderman snog?) but also a feeling of deep care and genuine friendship – one that helps both characters grow into promising mini-grownups by the end. Watching the pair navigate insecurities, battle identity crises and generally make some spectacularly poor choices, lets us all feel better about the emotional dumpster fires of our own adolescence. And the fact that they keep on choosing each other speaks to that part of our teen selves that longed to find someone who might jump on to a coffee cart and declare their love for us – or at least wait around all summer while we campaigned to save sea otters. Lucinda Everett

As AI job losses rise in the professional sector, many are switching to more traditional trades. But how do they feel about accepting lower pay – and, in some cases, giving up their vocation?

California-based Jacqueline Bowman had been dead set on becoming a writer since she was a child. At 14 she got her first internship at her local newspaper, and later she studied journalism at university. Though she hadn’t been able to make a full-time living from her favourite pastime – fiction writing – post-university, she consistently got writing work (mostly content marketing, some journalism) and went freelance full-time when she was 26. Sure, content marketing wasn’t exactly the dream, but she was writing every day, and it was paying the bills – she was happy enough.

“But something really switched in 2024,” Bowman, now 30, says. Layoffs and publication closures meant that much of her work “kind of dried up. I started to get clients coming to me and talking about AI,” she says – some even brazen enough to tell her how “great” it was “that we don’t need writers any more”. She was offered work as an editor – checking and altering work produced by artificial intelligence. The idea was that polishing up already-written content would take less time than writing it from scratch, so Bowman’s fee was reduced to about half of what it had been when she was writing for the same content marketing agency – but, in reality, it ended up taking double the time.