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Reçu aujourd’hui — 7 mars 2026 6.9 📰 Infos English

Harry Styles review – Netflix concert is a communal love-in with some big pop moments

7 mars 2026 à 04:54

Co-op Live, Manchester
Recorded for the streaming giant, this performance wrestles songs from the star’s new album into more interesting shapes

As 2026’s first big pop moment, everything around Harry Styles’ new album Kiss All the Time. Disco, Occasionally feels suitably blockbuster. At last weekend’s Brit awards, Styles premiered the record’s lead single, Aperture, alongside a troupe of dancers and an expensive-sounding choir, while Friday’s “one night only” de facto album launch party takes place in a 20,000 capacity arena.

This is “intimate” for Styles, who switches to stadiums this summer – and the show is being recorded for posterity by Netflix. The streaming Goliath’s presence means all phones are to be placed in a recyclable bag that prevents the use of recording equipment; it’s a nice way to stay inside the moment, sure, but chiefly a fail-safe against spoiling the forthcoming TV special.

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© Photograph: Netflix

© Photograph: Netflix

© Photograph: Netflix

Reçu — 5 mars 2026 6.9 📰 Infos English

‘Fame is the worst thing for us as human beings’: Naomi Scott on scream queens, Disney princesses and finding her own voice

5 mars 2026 à 09:00

After major roles in horror hit Smile 2 and the live-action Aladdin, the actor is returning to her first love: music. She talks faith, fame and why singing is more freeing than cinema

When Naomi Scott was 27 she had what she refers to now as a “quarter-life crisis”. She had been working as an actor since she was a teenager, swapping bit parts in adverts for plum roles in high-profile Disney TV shows and big-budget Hollywood blockbusters including Aladdin (she played Princess Jasmine) and Elizabeth Banks’s Charlie’s Angels remake. She had also married young, after meeting her husband, ex-professional footballer Jordan Spence, at her local church in east London. Worried that the path she’d taken had its destination already mapped out, she felt frustrated, as if she hadn’t really “mourned the other versions of my life”, as the now 32-year-old puts it. Part of that process, it turned out, was returning to her first love: music.

“I felt I had to go back to basics, to a childlike writing process,” she explains, sipping a black coffee in a vast, sparsely decorated cafe in Hackney, east London, her faded red hair contrasting with the beige backdrop. “Just me on the piano at 14, allowing whatever comes naturally to come. So that’s what I did.” Music had always been in her orbit, be it via singing in a church choir or later working with the bonkers pop production house Xenomania. Somewhere along the way, however, acting had taken over.

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© Photograph: Jérémie Levy

© Photograph: Jérémie Levy

© Photograph: Jérémie Levy

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