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‘People can be cruel – I learned that early’: US pop star Madison Beer on child fame and fan attacks

25 janvier 2026 à 11:00

Signed at 13 and dropped by 16, Beer’s path to stardom has not been easy. Now 26, she says she’s finally making music for herself and happy to wear her heart on her sleeve

Madison Beer may only be 26, but she is something of a veteran in the pop industry. She got her start at 13, after Justin Bieber tweeted a link to a YouTube video of her covering Etta James’s At Last, and has spent the intervening decade-plus toiling away in mainstream pop, amassing a huge gen Z fanbase in the process – including more than 60 million followers between Instagram and TikTok. It’s an understatement to say that her career has been a slow burn: the day before we speak, it’s announced that her single Bittersweet, released in October, has become her first song to reach the US Hot 100 chart, entering at No 98. When I suggest congratulations are in order, she shrugs off the achievement. “I’m obviously super excited and thankful whenever a song performs well, but I think I’m at the point where I love what I make, and I’m proud of it regardless,” she says amiably, before laughing. “Only took me like, 15 years! But it’s cool.”

Beer’s attitude is indicative of someone whose career has progressed in fits and starts, a far cry from the kind of meteoric rise that fans and onlookers sometimes expect to see in aspirant pop stars. As she prepares for the release of her third album, Locket, she is in prime position to break through to pop’s upper echelon: Her 2023 album Silence Between Songs featured the sleeper hits Reckless and Home to Another One, the latter a sorely underrated Tame Impala-inspired cut, and in 2024 she released Make You Mine, a Top 50 single in the UK which was nominated for a best dance pop recording Grammy.

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© Photograph: Morgan Maher

© Photograph: Morgan Maher

© Photograph: Morgan Maher

Reçu — 23 janvier 2026 6.9 📰 Infos English

Ari Lennox: Vacancy review – the R&B sophisticate’s loosest and most fun outing yet

23 janvier 2026 à 09:30

(Interscope)
On her third LP, Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit

Ari Lennox is one of contemporary R&B’s premier sophisticates, preferring a palette of lush jazz, soul and 90s hip-hop over the more genre-fluid sound pushed by contemporaries SZA and Kehlani. But a few songs into her new album, Vacancy, she makes it eminently clear that tradition and wildness can coexist, with fabulously sparky results: on Under the Moon, she describes a lover as “vicious / Like a werewolf / When you’re in it” and proceeds to howl “moooooooooon” as if she is in an old creature feature.

Vacancy, Lennox’s third album, is far and away her most fun, and if it isn’t quite as ingratiating as her 2022 Age/Sex/Location, it makes up for it with canny lyrics and an airy, open sound. Cool Down is a reggae/R&B hybrid that practically feels as if it is made of aerogel, and which pairs its summery lightness with witty lyrics telling a guy to chill out. On Mobbin in DC, she pairs lounge-singer coolness with withering come-ons (“You know where I be / This ain’t calculus / No ChatGPT”), while the strutting Horoscope, with its hook of “That boy put the ho’ in ‘horoscope’,” is as surefire a future viral hit as I’ve ever heard.

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© Photograph: Gizelle Hernandez

© Photograph: Gizelle Hernandez

© Photograph: Gizelle Hernandez

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