A silent-era classic has been reframed for the vertical scroll of phone screens. Is this innovation, sacrilege, or just another way to repackage cinema history?

‘Some films are slices of life, mine are slices of cake,” said Alfred Hitchcock. Who knew that anyone would take the knife to one of his most beloved silent films, The Lodger: A Story of the London Fog (1927), and turn it into a vertical microdrama?

The Tattle TV app has announced that it will be streaming serial killer drama The Lodger on its phone-friendly vertical platform, telling Deadline that it is “one of the first known instances of a classic feature film being fully reframed for vertical, mobile-first consumption”. So will it set a trend? And if so, how can we stop it?

I’m only joking, of course. There will always be those who see archive cinema as just so much more content to be re-appropriated in new formats. And there will always be old-guard purists – who, me? – who wince at the thought. Still, Tattle TV, you have my attention, so let’s talk about it.

We won’t be getting this mini-Hitch in the UK, or the EU for that matter, due to rights, but lucky US viewers will be able to watch the film that Hitchcock considered “the first time I exercised my style” in a format that largely disregards that style. The Lodger will be presented with its squarish 4:3 image either extended or cut down to fill a vertical phone screen. So there will often be parts of the image missing, which is a problem.

The opening shot of The Lodger is a chilling closeup of a woman screaming, her head tilted so that her entire face fills the frame, lit from behind to emphasise her blond hair. Hitchcock told Truffaut that in The Lodger, he presented “ideas in purely visual terms”. This closeup represents the terror spreading across London as a ripper targets young, golden-haired women. Is the idea intact, even if the image isn’t? Hitchcock, a well-known stickler for carefully composed frames, may well disagree. I would.