US had accused Italian pasta companies of selling products at unfairly low prices

The US government has slashed proposed tariffs on Italian pasta that would have almost doubled the cost of many brands for shoppers.

Donald Trump had threatened to impose tariffs as high as 92% on Italian pasta companies, after accusing 13 producers including Barilla, La Molisana and Pastificio Lucio Garofalo of selling their products at unfairly low prices.

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Who was at a game yesterday? Commiserations to those at the Gtech Stadium for that Brentford-Spurs stinker, and Liverpool v Leeds wasn’t exactly a barrel of fun either. Sunderland (and Arsenal) fans will have enjoyed their own stalemate rather more though. Meanwhile Ipswich are coming up on the rails in the Championship promotion race and Bristol City filled their boots in a 5-0 romp against Portsmouth.

Here’s some accounts of yesterday’s action:

More than 100 people still in hospital, many severely injured, after fire in Le Constellation bar in Crans-Montana that killed at least 40

Here is an image of Emanuele Galeppini, who was the first victim of the fire to be named (see 9.02am GMT).

In a post on its website, the Italian Golf Federation paid tribute to a “young athlete who embodied passion and authentic values”. While numerous news outlets have shared this news, officials are yet to confirm the names of any victims.

Paul Ovenden argues time spent discussing political prisoner was symptom of government struggling to focus

Efforts to free Alaa Abd el-Fattah regularly distracted Keir Starmer’s government from focusing on bread-and-butter domestic political issues, according to one of the prime minister’s closest former advisers.

Paul Ovenden, who stood down last year as the prime minister’s director of strategy, said the case of the British political prisoner became a “running joke” among those in government frustrated by the slow pace of change.

From Doom and Dawn of the Planet of the Apes to Metropolis, Hollywood hasn’t predicted the most stable of years ahead

2025 sounds more futuristic. Maybe it’s the “f” sound on “five.” But 2026 is one step beyond, and it’s where we are now, with every science-fiction-style development – principally the widespread adoption of AI – looking dystopian, or maybe worse. (Doesn’t it feel like in a proper dystopia, the brain-numbing corporate-backed anti-human technology would actually work a bit better?) Didn’t anyone warn us about this?

The answer, at least with regards to our sci-fi movies years ago (or occasionally months ago) positioned in 2026, is yes and no. Some of those warnings are broadly applicable (global catastrophe) but specifically far-fetched (when mankind is inevitably decimated, we will almost certainly take the ape population with us). Some of them are visionary; others just look like bad green screen. But it’s worth examining where various film-makers, from geniuses to grunts, thought we’d be situated by this time in our planet’s evolution. So let’s take a look at some of the movies that have been set in 2026 over the years and see if they have anything to teach us.

The return of hit bonkbuster Rivals, the horny hockey show taking the world by storm, Richard Gadd’s follow-up to Baby Reindeer … and Buffy is back! Here’s your complete guide to 2026’s unmissable television

As the writer of conspiracy thriller Utopia and Covid-era relationship drama Together, Dennis Kelly has form for creating darkly perceptive TV drama. This excellent series stars Josh Finan (whose performance in The Responder earned him a Bafta nomination) as Dan, a philosophy teacher with a troubled family past, working in a prison. As he explores issues around freedom, luck and destiny with the inmates, he starts to wonder if he actually belongs behind bars like his abusive father. Soon, his anxieties threaten to become a self-fulfilling prophecy.
• BBC One, 3 January

The novelist on how The Rainbow made him want to write, the strange genius of Penelope Fitzgerald and finding comfort in Tintin

My earliest reading memory
Sitting on the sofa with my mum reading Mabel the Whale by Patricia King, with beautiful colour illustrations by Katherine Evans. I think it was pre-school. My mother was not always a patient teacher, and I was often a slow learner, but the scene, the tableaux, in memory, has the serenity of an icon.

My favourite book growing up
Rosemary Sutcliff’s The Eagle of the Ninth. It’s a story set in Roman Britain; the Eagle is the lost standard of the ninth legion. I was a boy already obsessed by all things Ancient Roman (the alternative to the kind of boy obsessed with dinosaurs). One of the places I remember reading it is in bed with my dad. On Sunday mornings my brother and I would climb into the big bed. My parents had long since split up. There was a picture on the wall, a modest reproduction of Velázquez’s Rokeby Venus. To me, this voluptuous woman gazing at herself in a mirror was my mother. It’s interesting to me how the setting in which you read is such an integral part of the reading experience.

BPG hopes to find buyer for Grade II-listed structure by the summer after slump in profits and rising costs

Brighton’s historic Palace Pier has been put up for sale after a decline in tourist numbers, a drop in profits and increase in costs in recent years.

The leisure group that owns the 126-year-old structure, which has appeared in famous films including Brighton Rock and Quadrophenia, said it hoped to find a new owner by the summer.

Today’s fluff has a dusty war chest

Two days in, and we have our first piece of Mohamed Salah transfer jabber. Reports in Italy suggest Liverpool’s unsettled forward could be Roma-bound. According to La Repubblica, the Giallorossi are keen to bring Salah back to the club he played for in 2015-17 but are unlikely to move for him until the summer. If he does hang around at Anfield for any length of time, Salah could have a new teammate in the form of the Club Brugge central defender Joel Ordóñez. The Mirror suggests Liverpool are set to shell out an initial £35m rising to £43m for the Ecuador international. The Premier League champions have a clearer run at a deal too now that Chelsea have withdrawn their interest.

The furiously energetic Conor Gallagher has been kicking his heels of late, having started only four league games for Atlético Madrid this season, and is thus attracting interest from Premier League clubs looking to rev up their midfields. Manchester United were linked with him in the summer and are thought to be still sniffing around, though Tottenham are also said to be keen. Atlético will want at least £26m for the English midfielder, who’s under contract until 2029.

Reports say actor, 34, found unresponsive in corridor of Fairmont hotel in early hours of New Year’s Day

Victoria Jones, the daughter of the actor Tommy Lee Jones, has been found dead in a San Francisco hotel.

Jones, 34, was discovered in the early hours of New Year’s Day according to TMZ, which cited law enforcement sources.

The surprise hit series has reopened a familiar debate: why, in the National Hockey League, visibility is still treated as a problem rather than a possibility

At around the midpoint of the first episode of Heated Rivalry, just after Shane Hollander and Ilya Rozanov – one Canadian, the other Russian, both hockey’s top prospects – have had their first tryst, Hollander sits at the side of his hotel bed and says: “So. You’re not going to tell anyone about this, are you?” Rozanov, lying naked beside him, replies sarcastically: “Me? Yes, Hollander, I’m going to tell everyone.” Hollander reinforces the point: “Because no one can know,” he says. Rozanov utters something under his breath in Russian, then: “Hollander. Look, I’m not going to tell anyone, OK?” Hollander replies: “OK.”

No one can know. If hockey were to have an unofficial slogan, this might be it. Heated Rivalry, the surprise 2025 hit series from Crave and HBO, is layered drama, prompting timely questions about the barriers to acceptance that persist within sport even as they are lowered elsewhere across society. But it may be that hockey’s existential battle with its culture of silence is the show’s deepest target.

(Babel Label)
The 80s sax star leads an A-list quartet, plus a shared trumpet role for Laura Jurd and Ballamy’s son Charlie

Opening 2026’s jazz reviews with a story from the mid-1980s might be risking audience restiveness, but that was the decade in which a far-sighted young saxophonist on the UK jazz scene called Iain Ballamy first appeared on this writer’s radar. The cross-generational lineup and captivating ideas of Riversphere, his first solo release in years, testify to exactly why he has stayed there for 40 years.

In their 20s, Ballamy and pianist/composer Django Bates frequently joined forces as two mavericks, skilfully respectful of the classic jazz tradition while adventurously and often mischievously transforming it. They were key figures in a gifted UK generation that created some of the sparkiest European jazz of the 1980s and 90s, most influentially in the revolutionary orchestra Loose Tubes, which brought together genres from old-school swing to vaudeville, improv and avant-rock, and on occasion really did get people dancing in the streets.

This week’s best wildlife photographs from around the world

Spare me the hugging, kissing, sitting on each other’s laps. What’s the excuse so close to breakfast?

First and foremost, let me say: I love love. I’m in love – I’m happily married with two boys. I’m surrounded by love, because most of my friends and family are in long-term relationships and have kids of their own. Heck, I even love it when strangers find love. Since its inception, I have watched every episode of Pop the Balloon or Find Love – a US reality dating show hosted by Arlette Amuli. While it’s entertaining observing how treacherous the dating market is, I’m more thrilled when two people match and commence their own love journey.

However, for all my appreciation of love, public displays of affection (PDAs) on the morning commute should be punishable by prison. I’m talking hugging, kissing, even sitting on each other’s laps – all of the above are abominable to watch. In my dictatorship, those who committed such crimes would be locked up without due process. The British tonguing police (BTP) would ensure that perpetrators were swiftly caught. They would not pass go, they would not collect £200. They would go directly to jail.

Michael Akadiri is a standup comedian and resident doctor. He embarks on his Don’t Call Me Uncle tour across the UK and Ireland in 2026

England defender publicly confronted racist abuse at the Euros and ended 2025 a title winner with club and country

The Guardian Footballer of the Year is an award given to a player who has done something remarkable, whether by overcoming adversity, helping others or setting a sporting example by acting with exceptional honesty.

Jess Carter has spent her life grappling with when to hold back and when to speak up; wrestling with being naturally herself, embodying the characteristics her parents instilled in her of being open, honest, vocal and confident, and subduing herself because, while society values those traits, in a black woman they can be viewed negatively.

(Blue Blood International/Cooking Vinyl)
The four-piece try to tap into modern pop’s deep well of nostalgia but come off like Westlife on a bad day

‘Blue’s in the house / Oh it’s party time!” muse the fortysomething man-band on Souls of the Underground, the penultimate song on this seventh album, and the fourth since their 2011 reunion. The British four-piece are keen to take us back to their early 00s heyday, a time of Met bar table service, where the ladies have “a little prosecco” and the guys have a “nice cold beer”. Musically, it’s a clunkier approximation of their (comparatively) harder-edged hybrid of pop, hip-hop and R&B; think 2002 “low ride” anthem Fly By II but on a Megabus budget.

It makes sense that they would want to tap into modern pop’s deep well of nostalgia, but rather than recalling what made Blue originally stand out, Reflections often feels like a tribute to other evergreen boybands. For most of the album’s 13 tracks, the tempo is mid, with the dreary, Westlife-on-a-bad-day Candlelight Fades a particular nadir. The windswept One Last Time and The Day the Earth Stood Still are attacked with gusto, but both feel like Patience-era Take That, while the pleasingly epic opener The Vow is hindered by very un-Barlow lyrics: “You’re a sweet child of mine / You’re like a grape to my vine.”

The final week of the regular season delivers a winner-take-all clash in the NFC West, while Houston surge, the Rams slide and the race for the No 1 draft pick tips toward farce

Seattle Seahawks (13-3) v San Francisco 49ers (12-4)

Robyn Thomson immunised thousands of animals in Cambodia after shocking death of her mother this summer

It was just a scratch. Among all the feelings and thoughts that she has had to wrestle with since the summer, disbelief is the emotion that Robyn Thomson still struggles with the most. “You never think it would happen to you,” said Robyn. “You don’t really think it happens to anyone.”

Robyn’s mother, Yvonne Ford, had shown no signs of illness in the months after returning from her holiday in Morocco in February. She had spoken highly of the country and its people, and recommended it for future getaways. She had not realised that a seemingly harmless interaction with a puppy while sitting in the sun would cause so much damage.

The Norwegian, 35, overcame elite fields despite time forfeits after knocking over pieces in critical games

The world No 1, Magnus Carlsen, recovered from a series of mishaps to win both the World Rapid and Blitz crowns at Doha, Qatar, last weekend. The global victories were the 19th and 20th of the Norwegian’s illustrious career and may give him the edge in the longstanding debate on whether he, Garry Kasparov, or Bobby Fischer is chess’s all-time greatest master.

Peerless endgame technique was central to the 35-year-old Norwegian’s blitz success. He won a knight ending with Black against Nodirbek Abdusattorov from a position which elite grandmasters would normally have instantly agreed to halve, and also scored in other endings of extraordinary subtlety.

No Muslim leader wants to diminish the suffering of the Jewish community or be seen as engaging in competitive victimhood. We must stand in solidarity with each other

While many Australians remain in a state of anger, grief and reflection due to the devastating Bondi terror attack, Muslim community leaders are in a predicament. What is to be done about the ensuing rise of anti-Muslim sentiment, hatred and racism that their communities face?

Following the 14 December mass shooting, community registers that document Islamophobia have largely been reluctant to speak publicly about the spike in Islamophobia, out of concern of being perceived to trivialise the killing of Jewish Australians, their suffering, or vying for sympathy from the public.

In this week’s newsletter: From geopolitics to populism, multilateralism is under pressure – but climate action cannot succeed in a fractured world

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January might seem a bit too early to propose a word of the year, but I know mine already: multilateralism – the principle that common problems should have common solutions. It rests on the idea that all countries and people have a stake in the future of the planet we share, and that their rights should be respected. That cooperation beats competition, or going it alone.

Multilateralism is what has kept the UN process of climate diplomacy going, but now the principle is under threat as never before, amid a rising tide of populism and conflict. The US, under Donald Trump, explicitly rejects multilateralism, in favour of carve-ups between great powers. But if we are to stave off climate breakdown, only multilateralism will work.

‘Cities need nature to be happy’: David Attenborough seeks out London’s hidden wildlife

EU’s new ‘green tariff’ rules on high-carbon goods come into force

Renewable energy project approvals hit record high in GB in 2025, data shows

Multilateralism faces a toxic brew of debt, climate crisis and war. It’s time for a reboot | Mo Ibrahim

The ‘new world order’ of the past 35 years is being demolished before our eyes. This is how we must proceed | Gordon Brown

Into the void: how Trump killed international law

In this energisingly original novel, an emotionally detached English student at college in New York tells a big lie

Lies offend our sense of justice: generally, we want to see the liar unmasked and punished. But when the deception brings no material gain, we might also be curious about what purpose the lie serves – what particular need of their own the liar is attempting to meet. This is precisely what Grace Murray’s witty, assured debut explores: not just the consequences of a lie but the ways in which it can, paradoxically, reveal certain truths.

At a small liberal arts college in upstate New York, Charlotte begins her final year by claiming that her father has just died of a heart attack. In fact, he is alive and well back in Lichfield, England. This lie is the jumping-off point for an unpacking of Charlotte’s psychology, as well as the catalyst for her relationship with fellow student Katarina, a quasi-love story that forms the book’s main narrative.

Whether it’s for the satisfaction of completing a tough physical challenge or to raise money for charity, our readers select their most memorable adventures

• Tell us about your favourite beach in Europe – the best tip wins a £200 holiday voucher

When tackling a big cycling challenge, choose an event with strong support – it makes all the difference. Riding the full Tour de France route with Ride Le Loop was tough, but the incredible staff turned it into an unforgettable experience (riders can tackle individual stages too). Their infectious enthusiasm and constant encouragement kept spirits high, even on the hardest climbs. They not only looked after logistics but created a warm, positive atmosphere that bonded riders together and amplified the joy of the journey. My advice: pick an organised challenge where the team cares as much about your success as you do. The next one is 27 June to 20 July 2026.
Neil Phillips

Artist’s daughter Marguerite features in most of the pieces, kept in the family until ‘complete surprise’ donation

The Musée d’Art Moderne in Paris has received an “extraordinarily generous” donation of 61 works by Henri Matisse that have been kept in the artist’s family.

Most of the donated art – which includes paintings, drawings, etchings, lithographs and a sculpture – features the painter’s daughter Marguerite.