As a teenager I wondered what I would have in common with this Nordic island. Then my teacher gave me a book of poetry

Lying in my bed, I listened to what sounded like a woman screaming outside in the dark. I picked up my pen. A month of living in this Icelandic village and I was still unaccustomed to the impenetrable January gloom and the ferocity of the wind; its propensity to sound sentient. I had started to feel like the island was trying to tell me something, had a story it wanted me to write.

Sauðárkrókur, a fishing town in the northern fjord of Skagafjörður, was all mountain, sea and valley. There were no trees to slow the Arctic winds, and I had already been blown sideways into a snowbank while walking home from Fjölbrautaskóli Norðurlands vestra, my new high school whose name I could not yet pronounce. At night, my dreams were filled with a soundscape of weeping women. When I woke, their wailing continued in the gusts outside. That was when I wrote. I wrote to understand myself in this new place. I wrote to understand Iceland, its brutality and its beauty.