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Crampons, crashes and creativity: Tom Jenkins’ best photos from the Winter Olympics

23 février 2026 à 14:54

Our photographer shares his favourite images from the Games in Italy

I’ve been lucky enough to attend six summer Olympic Games, but I’d never before photographed a Winter Olympics. They’ve always been too far away and the UK has never been a major snowsport country, which has limited their news appeal. This time it was different. With Team GB anticipating a record medal haul and the Games staged in northern Italy, I headed off with nervous excitement, lured by the promise of fast action sports occurring amid beautiful snowy vistas. I covered ski jumping, big air, ice hockey, biathlon, curling and much more. A lot of it was alien to me but it was very enjoyable. There were new rules to learn, new challenges to face – I’ve certainly never had to wear sharp crampons at a football match.

The Games were full of contrasts. From a sporting perspective, the gentle gracefulness that I observed at the figure skating was offset by the full-on brutality of ice hockey brawls, while the delicate precision of curling was juxtaposed by the frantic chaos of short-track speed skating. From a geographical and cultural perspective, Livigno, which is perched high up in the Alps close to Switzerland, seemed like a giant playground for modern snow sports – geared towards those who like to twist and twirl high in the sky – while Cortina, in the Dolomites, was far more old-fashioned and populated by the traditional skiing establishment. Milan, meanwhile, featured a cluster of modernist, edge-of-town arenas, with international fans happily catching the metro to and from the events. But, in my experience, transportation wasn’t always so convenient. The huge amount of travelling between venues – I went to all but one – was exhausting and getting a late night bus over the mountains between Livigno and Bormio in a blizzard felt a bit hairy.

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© Photograph: Tom Jenkins/The Guardian

© Photograph: Tom Jenkins/The Guardian

© Photograph: Tom Jenkins/The Guardian

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