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His & Hers review – this glossy thriller is ideal new year TV

8 janvier 2026 à 09:01

This six-part adaptation of the bestselling 2020 novel about a murder investigation is twisty, absurd and bingeable. It’s great January viewing

A woman lies bloodied and twitching her last on the bonnet of a car parked deep in a wood. Another woman arrives home bloodied, gasping with fear and for wine, and starts scrubbing her hands before clearing her flat of – well, everything.

A female voiceover intones that there are two sides to every story. “Which means someone is always lying.” Absolute nonsense, obviously, but it sounds great and more importantly it confirms what we were hoping: that we are in the presence of a glossy, efficient adaptation of a bestselling thriller and it is time to switch off our brains and enjoy (unless you are the type who likes to try to solve the mystery before the characters do, in which case, Godspeed and let me know where you get the energy from).

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© Photograph: Courtesy of Netflix © 2025

© Photograph: Courtesy of Netflix © 2025

© Photograph: Courtesy of Netflix © 2025

Girl Taken review – Alfie Allen is incredible in this twisty tale of teen abduction

8 janvier 2026 à 06:00

This tale of a family dealing with a kidnapped daughter is a deeply engaging, psychologically complex thriller that is a cut above the rest

A summary of Girl Taken is disheartening; a teenage girl is abducted by a man she trusted and kept for his own grim purposes in a remote secret location, and must use her wits to survive the depravities and maybe one day escape. But in full, Girl Taken, like the 2016 book Baby Doll by Hollie Overton on which it is based, is something much better. It takes the neglected parts of such stories – the sadder, quieter, far less titillating and voyeuristic aspects of what it means to take a person out of her home, her world and her life, and away from those of the people who love her – and fleshes all that out instead. It makes for a slower burn, but a much more deeply engaging and psychologically complex thriller than we customarily expect from such a setup, and – in asking what it really means to survive an act of profound violence – harrowing in a more valuable way.

Lily and Abby (played with depth and delicacy by Tallulah and Delphi Evans) are twin 17-year-olds, on the cusp of – well, everything really, as you are when you are happy teenage girls. We meet them on the last day of the summer term. Lily is set to enjoy the summer with her lovely boyfriend Wes (Levi Brown, who was so extraordinary in 2024’s This Town) and partying, and Abby is laying plans to go to university. She is the star pupil in Mr Hansen’s English class (“You can start calling me Rick now” he says as the final school bell goes) and the popular young teacher has always encouraged her ambitions.

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© Photograph: Clapperboard TV/Paramount + Paramount Global

© Photograph: Clapperboard TV/Paramount + Paramount Global

© Photograph: Clapperboard TV/Paramount + Paramount Global

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