The acclaimed US opera singer refuses to restrict himself or his audience. His current Barbican residency sees him range across genres. Always ask questions, always engage, he says. He talks ‘capital O opera’ and big ideas

In performance, Davóne Tines is electrifying. In the first concert of the US bass-baritone’s 2025-26 residency at London’s Barbican Centre, he appeared at the back of the auditorium and then slowly descended towards the stage, spotlit and subtly miked. His unaccompanied voice fractured into stentorian booms, spat-out consonants and the violent crackle of mouth noises. This, unmistakably, was the musician whom the New Yorker announced back in 2021 was “changing what it means to be a classical singer”.

Since then, Tines has been named Musical America’s vocalist of the year, he has won a 2024 Chanel next prize for “international contemporary artists who are redefining their disciplines”. And he was awarded the 2025 Harvard arts medal for distinguished alumni of the Ivy League university who have demonstrated achievement in the arts. Recent winners of the latter include architect Frank Gehry and novelist Margaret Atwood. Unlike those cultural figureheads, Tines is not yet 40.