Valentina Magaletti drummed for her life, Sarz got hips swinging and Daniel Avery got slinky and serpentine: our writers pick their favourite unsung LPs from 2025
• The 50 best albums of 2025
• More on the best culture of 2025

Towards the end of Tether, there is a song called Silk and Velvet; its sound is characteristic of Annahstasia’s debut album. Fingerpicked acoustic guitar and her extraordinary vocals – husky, expressive, elegant – are front and centre. The arrangement is subtle but not drearily tasteful: arching noise that could be feedback or a distorted pedal steel guitar, which gradually swells into something climactic before dying away. The lyrics, meanwhile, concern themselves with selling out: “Maybe I’m an analyst, an antisocial bitch,” she sings. “Who sells her dreams for money.”

Strange folk, lost pop, disco oddities and, um, Dido – here are the forgotten tracks that became this year’s most replayed revelations
• The 50 best albums of 2025
• More on the best culture of 2025

I grew up listening to the Mamas and the Papas’ hits but had never heard their albums before this year. I had no idea anything as creepy as Mansions lurked within their sunny oeuvre. Its sound is ominous, its mood one of stoned paranoia, its subject rich hippies sequestered in the titular luxury homes, haunted by the sensation that the flower-power dream is going wrong.

Middlesbrough-born musician had hits with Driving Home for Christmas, On the Beach and The Road to Hell

• Chris Rea – a life in pictures
• Driving Home for Christmas captures the season’s true spirit

Chris Rea, the British singer-songwriter whose hits included Driving Home For Christmas, has died at the age of 74, a spokesperson for his family said.

The statement said that he died “peacefully in hospital … following a short illness”.

A breakout star of the underground rap scene shows vulnerability and wit in her genre-bending tracks

From Cambridgeshire
Recommended if you like Manga Saint Hilare, Kojey Radical, Little Simz
Up next Happiness from Agony out now

“One of the coldest writers but man don’t say it ’cause I’ve got vagina,” JayaHadADream raps on her recent track Bug, calling out those who underestimate her talent – and laying bare her lyrical confidence. In a fertile underground rap scene, the Jamaican-Irish, Cambridge-via-Nottingham artist has cut through thanks to her command and vulnerability, as well as a sharp eye for bullshit. The track Main Characters (featuring Big Zuu), also from her recent mixtape Happiness from Agony, is a critique of the fake love and hollow posturing that saturates the music industry.

Topped by Rosalía’s multilingual, ultra-ambitious Lux, here are the best albums of the year as voted for by 30 Guardian music writers
• More on the best culture of 2025

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