Not only can Sadie Sink not talk about Spider-Man: Brand New Day, she can’t even say who she’s playing, something she has described as “torture.”

The Stranger Things star has been seen filming opposite Tom Holland, still with her natural red hair — something that has fuelled fan speculation that she's playing a familiar redheaded character from the Marvel comics.

Last month, an alleged look at Spider-Man: Brand New Day appeared online, offering a clue to Sadie Sink's mystery character. The leaked Spider-Man trailer was of extremely low quality, but appeared to show Sadie Sink's character threatening Peter Parker — and claiming to know his secret identity as Spider-Man.

As has become Avengers: Doomsday tradition, the latest teaser trailer has leaked online ahead of its release in theaters, revealing an unlikely teamup in the process.

Warning! Spoilers for the fourth Avengers: Doomsday teaser trailer follows:

The fourth teaser trailer for Avengers: Doomsday, which is doing the rounds on social media, shows off the returning Wakandans. We see Shuri as Black Panther, King M'Baku, Namora, and Namor, with Shuri talking seriously about what sounds like the coming battle with Doctor Doom.

The trailer begins with Shuri saying she’s lost everyone that mattered to her (see the events of Black Panther 2), then, as we switch to a look at Namor, adds: “a king has his duties to prepare our people for the afterlife. I have mine.”

We then get a moment of comedy with a surprise appearance from Ben Grimm / The Thing in full The Fantastic Four costume meeting M'Baku. M'Baku introduces himself as “King M'Baku, of Wakanda.” Grimm replies: “Ben, Yancy Street, between Broome and Grand.”

The trailer ends with the line, 'The Wakandans and The Fantastic Four will return in Avengers: Doomsday.'

The trailer poses a number of questions. Where does this meeting between the Wakandans and The Thing take place? Is Ben Grimm alone here, or with the other members of The Fantastic Four? How did The Thing come to be in the same universe as the Wakandans? And why are they teaming up in the first place? Surely Robert Downey Jr.’s Doctor Doom is at the heart of the answers.

It's worth remembering that last year's Thunderbolts movie teased the arrival of The Fantastic Four in the main MCU universe, when we see The New Avengers, as they're now called, spot an interdimensional spaceship donning the Fantastic Four’s logo head their way. The end of The Fantastic Four: First Steps, meanwhile, ended with Doctor Doom appearing to kidnap Franklin Richards, the son of Reed Richards and Sue Storm.

The leak follows hot on the heels of the official release of last week's Avengers: Doomsday trailer, which teases the arrival of the X-Men. The Avengers: Doomsday trailers have so far followed the same pattern: leak online, release in theaters ahead of Disney's Avatar: Fire and Ash for a week, then run officially online. This fourth trailer was thought to be showing off Doctor Doom. Perhaps Marvel has more teasers up its sleeve.

The X-Men trailer shows Professor X, Magneto, and Cyclops in what looks like a last stand against Sentinels at the X-Mansion. The Avengers: Doomsday hype train kicked off with the Steve Rogers / Captain America teaser, which shows Chris Evans’ character holding a baby, presumably his child with Peggy Carter. This was followed by the Thor trailer, which shows Chris Hemsworth's Asgardian caring for his adopted daughter, Love. The teaser shows Thor (this time with the short-haired look from the much-loved and hugely successful Thor Ragnarok) pray to his father, Odin (played by Anthony Hopkins in the MCU), calling for the “strength of the All-Fathers” so he may “fight once more… defeat one more enemy and return home to her.”

The Wakandans teaser follows a similar theme, with an ominous tone set out by Shuri that, alongside the meeting with The Fantastic Four, suggests a preparation for a significant battle that has our heroes really worried. We expect the trailer to be released officially this time next week. Avengers: Doomsday, meanwhile, is due out December 18, 2026.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Microsoft has made its first Xbox Game Pass announcement of 2026, confirming a number of big hitters for January.

The headline additions are Ubisoft’s Star Wars Outlaws and Capcom’s Resident Evil Village, but there’s plenty more coming to subscribers this month, as confirmed on Xbox Wire. 11 titles in total were announced for this month, taking fans through to January 20.

Available today, January 6, is twin-stick shooter Brews & Bastards (Cloud, PC, and Xbox Series X|S) and Little Nightmares Enhanced Edition (Cloud, Handheld, PC, and Xbox Series X|S), both available across Game Pass Ultimate, Game Pass Premium, and PC Game Pass.

Tomorrow, January 7, Rebellion’s Atomfall (Cloud, Console, Handheld, and PC) hits Game Pass Premium, as does Lost in Random: The Eternal Die (Cloud, Xbox Series X|S, Handheld, and PC), Rematch (Cloud, PC, and Xbox Series X|S), and Warhammer 40,000: Space Marine – Master Crafted Edition (Cloud, PC, and Xbox Series X|S).

Moving on to January 8. Final Fantasy (Cloud, Xbox Series X|S, and PC), a remodeled 2D take on the first game in the series, launches on Game Pass Ultimate, Game Pass Premium, and PC Game Pass.

Then, on January 13, we have Star Wars Outlaws (Cloud, PC, and Xbox Series X|S) on Game Pass Ultimate, PC Game Pass. Two days later, on January 15, My Little Pony: A Zephyr Heights Mystery (Cloud, Console, Handheld, and PC) hits Game Pass Ultimate, Game Pass Premium, and PC Game Pass.

January 20 sees Resident Evil Village (Cloud, Console, and PC) on Game Pass Ultimate, Game Pass Premium, and PC Game Pass, which is good timing given Resident Evil Requiem is out next month. And finally, also on January 20, we have the only day-one launch of the month: MIO: Memories in Orbit (Cloud, Handheld, PC, and Xbox Series X|S) across Game Pass Ultimate and PC Game Pass.

Xbox Game Pass January 2026 lineup:

• Brews & Bastards (Cloud, PC, and Xbox Series X|S) Game Pass Ultimate, Game Pass Premium, PC Game Pass
• Little Nightmares Enhanced Edition (Cloud, Handheld, PC, and Xbox Series X|S) Game Pass Ultimate, Game Pass Premium, PC Game Pass
• Atomfall (Cloud, Console, Handheld, and PC) – January 7 Now with Game Pass Premium
• Lost in Random: The Eternal Die (Cloud, Xbox Series X|S, Handheld, and PC) – January 7 Now with Game Pass Premium
• Rematch (Cloud, PC, and Xbox Series X|S) – January 7 Now with Game Pass Premium
• Warhammer 40,000: Space Marine – Master Crafted Edition (Cloud, PC, and Xbox Series X|S) – January 7 Now with Game Pass Premium
• Final Fantasy – (Cloud, Xbox Series X|S, and PC) – January 8 Game Pass Ultimate, Game Pass Premium, PC Game Pass
• Star Wars Outlaws (Cloud, PC, and Xbox Series X|S) – January 13 Game Pass Ultimate, PC Game Pass
• My Little Pony: A Zephyr Heights Mystery (Cloud, Console, Handheld, and PC) – January 15 Game Pass Ultimate, Game Pass Premium, PC Game Pass
• Resident Evil Village (Cloud, Console, and PC) – January 20 Game Pass Ultimate, Game Pass Premium, PC Game Pass
• MIO: Memories in Orbit (Cloud, Handheld, PC, and Xbox Series X|S) – January 20 Game Pass Ultimate, PC Game Pass

Leaving Xbox Game Pass on January 15, 2026:

As always, a number of games leave Game Pass. You can save up to 20% if you buy them.

• Flintlock The Siege of Dawn (Cloud, Handheld, PC, and Xbox Series X|S)
• Neon White (Cloud, Console, Handheld, and PC)
• Road 96 (Cloud, Console, Handheld, and PC)
• The Ascent (Cloud, Console, Handheld, and PC)
• The Grinch Christmas Adventures (Cloud, Console, Handheld, and PC)

Microsoft described today's lineup as Wave 1 of January 2026, so expect more games to hit Game Pass later in January.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Marvel has officially released the X-Men teaser trailer for Avengers: Doomsday, after a week spent in theaters ahead of Avatar: Fire and Ash.

The trailer, which had leaked last week, shows Professor X, Magneto, and Cyclops, with a fourth teaser thought to be headed to theaters now. It follows the Steve Rogers / Captain America teaser for Avengers: Doomsday, which shows Chris Evans’ character holding a baby, presumably his child with Peggy Carter, and the Thor trailer, which shows Chris Hemsworth's Asgardian caring for his adopted daughter, Love.

As we know, Avengers: Doomsday is confirmed to feature a number of X-Men characters played by their original actors, including Kelsey Grammer (Beast), Patrick Stewart (Professor X), Ian McKellen (Magneto), Alan Cumming (Nightcrawler), Rebecca Romijn (Mystique), and James Marsden (Cyclops).

In the trailer, we see Ian McKellen reprise his role as Magneto, although not in battle costume. Patrick Stewart’s Professor X wears a costume that bears a resemblance to the militaristic suit he wore in the comics, although his much-loved yellow chair is nowhere to be seen. Overall, it looks like Avengers: Doomsday is looking to the 90s for inspiration for the X-Men's design, which will no-doubt delight veteran fans of the mutant superhero team and align with the popular animated X-Men series.

The footage we see is set in the X-Mansion, also known as Xavier's School for Gifted Youngsters. In one shot, we see Cyclops let rip with an optic blast, and near him is a giant boot, which we presume belongs to a mutant-hunting Sentinel. Like with the Thor trailer, the tone here is dead serious. Magneto talks about death coming for everyone eventually as he and his old friend Charles hold hands, perhaps awaiting their demise at the hands of Doctor Doom.

This ties into leaked set photos that appeared to tease a huge battle at the X-Mansion. At the time, fans speculated that this battle would feature Robert Downey Jr.'s Doctor Doom controlling Sentinels that attack the X-Men as part of an incursion, and that it would go very badly for the X-Men, potentially even wiping the mutants out. The theory is that this would establish the universe-ending potential of Doctor Doom, in a similar way Avengers: Infinity War kicked off with Thanos beating Hulk so badly Hulk basically went into hiding for the rest of the MCU phase.

But the highlight is a comic book accurate live-action version of Cyclops. This is something fans have been waiting 20 years for, after Fox’s X-Men movies made a point of distancing themselves from the comics by going with black suits. Cyclops tears off his visor and lets rip as the X-Mansion erupts in flame around him. It feels like a hail mary, and some fans are worried Cyclops is going to sacrifice himself to save some of his fellow mutants in the attack.

The question is, who makes it out of this battle alive? Will whoever’s left of the X-Men team up with the Avengers and other superheroes confirmed to appear in Doomsday to take on Doctor Doom, or do they spend most of their time fighting each other throughout Doomsday, only putting their differences aside for 2027’s Avengers: Secret Wars? Either way, the X-Mansion looks like it’s toast — again.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Stranger Things star Sadie Sink has offered her interpretation of Eleven’s ending in the wake of the finale of Season 5.

The biggest talking point coming out of the Stranger Things finale relates to the fate of its central character, Eleven, played by Millie Bobby Brown. Stranger Things ends with a definitive wave goodbye to all the central characters except Eleven, who appears to sacrifice herself to ensure she cannot be used to create super weapons, another Vecna / Henry, or another bridge between our world and The Abyss.

18 months after that traumatic event, we see the central characters meet up for graduation and say their goodbyes. It’s at this point that Mike Wheeler, played by Finn Wolfhard, has a thought: what if Kali Prasad, also known as Eight (Linnea Berthelsen), used her dying breath to create the illusion of Eleven’s death, leaving her free to escape unseen?

Mike teases this revelation to the Dungeons & Dragons group as their final campaign comes to an end, suggesting Eleven cooked up a plan with Kali to fake her own death, then traveled to a far away small village — bordered by three waterfalls — to live out her days in peace. But this ending is unconfirmed. Mike and the others choose to believe it, and it’s left up to the audience to decide what they choose to believe as Stranger Things finally comes to an end.

In an interview with Josh Horowitz, the Duffer Brothers confirmed they wrote the story knowing the truth of Eleven's fate, which they’ve told to only one cast member: Millie Bobby Brown herself. So that means Sadie Sink, who played Maxine "Max" Mayfield, does not know the Duffer Brothers’ truth, leaving her to interpret the events of the ending just as fans are.

Appearing on The Tonight Show Starring Jimmy Fallon, Sink was asked for her take. Replying, she said she does indeed think Eleven is dead, and Mike’s story and the Dungeons & Dragons crew choosing to believe in it is part of coping with her death.

“I think she's dead,” she said. “Is that like a hot take or something? I think Mike's story is like just one last story, and that's like — then they say goodbye to childhood. But that's just one final tale, and that's it.

“I think it's just like a coping thing. I think it's stronger, right? That's my interpretation.”

So there you have it: Sadie Sink thinks Eleven is dead, even if her character believes she’s alive.

Ever since Cyberpunk 2077 came out in 2020, fans have debated Act 1, which sees V befriend Jackie Welles and attempt to make it big in Night City before the infamous heist mission goes horribly wrong. Some feel the game would have been better had Act 1 been extended and given players more time with the much-loved — but short-lived — companion character. But what does the creative director of Cyberpunk 2 think?

Taking to social media, CD Projekt's Igor Sarzynski said extending Act 1 before the heist wouldn’t have made Cyberpunk 2077 a better game, and he used Star Wars to back up his point: “it's like saying we should spend more time on Tatooine with farmer Luke before he got involved with all this Jedi stuff.”

Then: “the motivation / goal in this section of the game is pretty vague — 'get to the top' — which, prolonged and without stakes or pressure would result in meandering, unfocused experience.”

Act 2 picks up after the shocking events of Act 1 and Jackie’s untimely death, with V desperate to find a cure for the Relic in their head. Part of the story involves V grieving for Jackie and helping other characters deal with his death in their own ways.

Some Cyberpunk 2077 players, determined to spend as much time as possible with Jackie before the inevitable happens, focus on Watson, the Act 1 playable area, and little else — something Sarzynski acknowledged in his posts. “It's an open world game, some manage to squeeze 20 hours out of Watson,” he said. “Pick your own pace.”

But Sarzynski acknowledged the ongoing debate around how much time players get to spend with Jackie. “Is it enough time to bond with Jackie?” he asked. “For some it is, for some it isn't. All things considered I think we struck a good balance.”

And finally, “No, half-year montage is not cut content. We always planned it like this. But more on 'cut content' notion in some other post.”

Sarzynski has moved on to Cyberpunk 2, and there’s no indication that anything he’s said here on Jackie has a bearing on what to expect from the hotly-anticipated sequel. Cyberpunk creator Mike Pondsmith has been chatty about it, however. In May last year, Pondsmith teased some previously unknown details when he was asked about the scope of his involvement with Cyberpunk 2 (then known as Project Orion) at the Digital Dragons 2025 conference.

Pondsmith admitted he wasn’t as involved this time around, but said he does review scripts and had been to CD Projekt to check out the ongoing work. “Last week I was wandering around talking to different departments, and seeing what they had, ‘Oh look, this is the new cyberware, what do you think?’ ‘Oh yeah, that’s pretty good, that works here,’” he said at the time.

And then, the morsel on the sequel: that it features a brand new city in addition to the Night City we know from Cyberpunk 2077. Pondsmith described this new city as “like Chicago gone wrong.”

“I spent a lot of time talking to one of the environment guys, and he was explaining how the new place in Orion, because there’s another city we visit — I’m not telling you any more than that but there’s another city we visit. And Night City is still there. But I remember looking at it and going, yeah I understand the feel you’re going for this, and this really does work. And it doesn’t feel like Blade Runner, it feels more like Chicago gone wrong. I said, ‘Yeah, I can see this working.'”

It’s worth pointing out that Pondsmith’s comments do not necessarily suggest the Cyberpunk sequel will feature a future Chicago, rather a city that has the feel of a dystopian version of the city. It may well be a take on future Chicago, but that isn’t confirmed based on these comments. There is also some debate about whether Cyberpunk 2 will expand upon the Night City that’s in Cyberpunk 2077 or feature a new version, and the extent to which it is playable.

It sounds like we'll have to wait some time to find out. CD Projekt is of course focusing on The Witcher 4, and CD Projekt co-CEO Michał Nowakowski has suggested Cyberpunk 2 won’t be out until at least 2030.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Actor Mickey Rourke has distanced himself from the GoFundMe reportedly set up with his blessing to help him pay rent.

The Hollywood Reporter revealed the GoFundMe, which was being used to raise money to pay $59,100 in owed rent after the 73-year-old star of Sin City and Iron Man 2 had received an eviction notice from his Los Angeles rental home.

The fundraiser was set up by his longtime manager allegedly with Rourke's permission. But in a video posted to Instagram, below, Rourke said he wasn’t behind the GoFundMe, called on fans who have already donated to get their money back, and threatened legal action. At the time of this article's publication, $97,609 was raised of the GoFundMe's $100,000 target from 2,600 donations.

“Something’s come up that I’m really frustrated, confused and I don’t understand,” Rourke said. “Somebody set up some kind of foundation or fund for me to donate money, like charity. And that’s not me, OK? If I needed money I wouldn’t ask for no f***ing charity. I’d rather stick a gun up my ass and pull the trigger. So whoever did this... I don’t know why they did it. I don't understand it. I wouldn’t know what a GoFund foundation is in a million years. My life is very simple. I don't go to outside sources like that.”

He continued: “Yeah, it is embarassing, but I'm sure I'll get over it like anything else." Rourke went on to admit he’d done a “terrible job” managing his career, and confirmed a friend had lent him money. “Eventually, I’ll say who it was,” he said. “He helped me out of a jam. Covid and the writer’s strike killed my money.”

"Don’t give any money," he told his fans. "And if you gave money, get it back. I’m going to talk to my lawyer… and get to the bottom of this.”

He then described the situation he found himself in with a prior rental home (presumably the one he moved out of before renting the home at which he was threatened with eviction), making a number of accusations about the conditions he was living in.

“I was in a really bad situation with the place I was renting. Everything was good for five or six years and then two scumbags from New York bought the house and they wouldn’t fix anything," he said. "So I said, 'I’m not paying rent because there’s mice, there’s rats. The floor’s rotten. One bathtub, there’s no water. In two different sinks, there was no water.'

"But I would never ask strangers or fans or anybody for a nickel. That's not my style. It's humiliating and it's really f***ing embarassing. They said it's up to $100,000. I wouldn't take a f***ing nickel of charity from anybody. So we'll get to the bottom of this, and like all storms, it will pass. And I'll go to work and things will get back to whatever normal is."

He then said he was “very grateful” for what he currently has. “I got a roof over my head. I’ve got food to eat,” he said, before holding a banana skin up to the camera. "Everything's ok, just get your money back. Please. I don't need anybody's money, and I wouldn't do it this way. I got too much pride, man."

Stranger Things fans have concocted a theory that suggests a true, secret ending episode to the series is coming out this week — and now the community is having to issue a warning not to get upset when it turns out to be false.

Warning! Spoilers for Stranger Things Season 5 Episode 8, The Rightside Up, follow:

In the wake of Stranger Things Season 5’s divisive finale, the so-called ‘Conformity Gate’ theory has spread like wildfire across social media, especially TikTok. It posits that the lengthy epilogue we saw in the final episode was an illusion created by villain Vecna, who remains alive and well. So the theory goes anyway.

The ”clues” fueling this theory include students having their hands positioned in the same way Henry Creel does during the graduation scene at Hawkins High, the shorter hairstyles worn by the likes of Nancy, Mike, and Karen, and the appearance of the “WHATZIT?” board game (the kidnapped children knew Henry as Mr. Whatsit).

The Duffer Brothers could make Stranger Things the greatest series if the Conformity Gate theory is real. This could be the ultimate cinematic illusion, a dream sequence. What if Mike is inventing his own ending or Vecna is creating an illusion? Nothing in the finale feels right. pic.twitter.com/hsOItizWj9

— Fzy (@leofzy) January 5, 2026

If that sounds like a stretch to you, there’s more. Fans are fussing over a blank yellow poster spotted in the background of the graduation, and the final shot of the Dungeons & Dragons books, which appear to spell out “X A LIE.” The Abyss was once known as Dimension X, the world from which the Mind Flayer and all the demo monsters originate. Oh, and if you're wondering why all those characters (where is Vickie?) were mysteriously absent from the epilogue, Vecna doesn’t know they exist, so they’re not part of his illusion. The theory even includes a supposed release date for the true final episode of Stranger Things: January 7, 2026.

this conformity gate theory is INSANEEE, if it doesn’t happen we truly are better writers than the duffers #conformitygate #StrangerThings5 pic.twitter.com/xskLExHXIe

— Adnan (@AdnanLovesCats) January 4, 2026

The Conformity Gate theory sounds like a spot of harmless fun, but now some Stranger Things fans are warning each other not to get upset when it turns out to be absolute nonsense.

“Don’t be mad at the Duffer Brothers tomorrow,” one concerned fan told the Stranger Things fan in a thread posted to the show’s subreddit (Matt and Ross Duffer are the creators and showrunners of Stranger Things). “Nobody is at fault except for the fans themselves. Before the finale, people fell bait to theories and then were disappointed at the show for not delivering what they expected.

“What more could you want? They left El’s ending open to interpretation, and made a beautiful ending for all characters. We don’t need to know what happened to Erica, or Mr Clarke or a random military dude who had a screen time of four seconds. Just use common sense, everyone returned to their normal lives.

“Sure there were inconsistencies, but just be grateful we got an on par finale. Sure the Duffer Brothers said some stuff in interviews but I’m just ignoring it. All I have to say is that there is no final, final episode. None of your gates are real. The gate to the show is closed.”

A lot of this has to do with a dissatisfaction from some fans at the way Stranger Things ended. Some have taken issue with the final battle with Vecna and the Mind Flayer, wondering why the demo monsters weren’t around to help out. Others aren’t happy with the ambiguity of Eleven’s ending. Some have pointed out various “plot holes” that they believe diminish the fifth and final season in various ways (what happened to the military?). Some fans really want this Conformity Gate theory to be true because they just don’t like the way Stranger Things ended.

“Absolutely delusional,” said one fan. “There is no evidence,” said another. “Please think critically and stop buying into dumb conspiracies.” “This is some Mass Effect 3 ending levels of cope,” one fan of both Stranger Things and BioWare’s sci-fi role-playing series suggested. “I remember back in 2012, fans like myself were so fucking dissatisfied with Mass Effect that it resulted in many fans creating the Indoctrination theory as a way to cope. It entails the main character Shepard was being mind controlled by the Lovecraftian machines which meant that the shitty ending was nothing more than a trick. That’s how bad Mass Effect’s ending was.”

The Duffer Brothers have done the rounds in the wake of the finale’s release, explaining their thinking in multiple interviews. They’ve even confirmed a spinoff will answer one burning question from Season 5. Perhaps it’s time to let it go. And if you’re really desperate for more, there’s the Stranger Things documentary, One Last Adventure: The Making of Stranger Things 5, due out January 12.

Image credit: Netflix.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Jack Black has revealed his regret at turning down the role of Syndrome in The Incredibles, admitting he shouldn’t have been so difficult and just accepted the part.

Speaking on Capital Breakfast's Christmas day show to promote his new movie, Anaconda, Black said he thought Syndrome was a one dimensional character and asked for a rewrite, which writer and director Brad Bird declined.

“I was offered — and I do regret it, saying no — I was offered Syndrome in that fantastic movie, The Incredibles,” Black revealed. “One of my favorites of all time by the way. And I said no, because I was like, ‘Er, Brad Bird, never heard of him. This character that you’re offering me is a villain but he’s kind of one dimensional. I’m interested but I’d like to see a rewrite. Will you add some dimensions to this character?’ And he was like, ‘You’re done. Get out of here.’"

The Jumanji, School of Rock, and Kung Fu Panda star continued: “And I learnt a valuable lesson. Because then the movie came out and it was one of the best movies ever made. I was like, ‘Why was I being so difficult?’”

The role of Syndrome, Mr. Incredible's obsessed fan turned supervillain, went to Jason Lee (My Name Is Earl, Mallrats). Pixar’s The Incredibles came out in 2004 and enjoyed critical and commercial acclaim, making over $630 million at the global box office. The Incredibles did so well it spawned a sequel, with The Incredibles 3 confirmed to be in the works. Anaconda, meanwhile, is now up to $88.4 million at the global box office.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Netflix has announced One Last Adventure: The Making of Stranger Things 5, a behind-the-scenes documentary on the show’s fifth and final season.

Due out on Netflix on January 12, the film follows the cast, creators, and crew as they bring the final season to life — and say goodbye. One Last Adventure: The Making of Stranger Things 5 is directed by Martina Radwan, who commented:

“I’m endlessly grateful to the Duffer Brothers for trusting me with a front-row seat to this incredible journey. Spending a full year on set with them was a true privilege — and an absolute thrill. Being able to get close and watching them bring this beloved show to life in real time, was pure joy. I only wish I could travel back in time and document Seasons 1 through 4. From the cast to their long-time collaborators, everyone welcomed me with remarkable generosity, openly sharing their personal and collective experiences from a decade of creative filmmaking. The Duffers always push boundaries and inspire everyone to be better, including myself. Their process and the show represents everything I love about filmmaking.”

The trailer, below, teases the film, which touches on the Duffer Brothers' internal discussion around the fate of Eleven, played by Millie Bobby Brown. This is something the pair have discussed in detail in various post-release interviews.

One last time. Watch the never-before-seen behind-the-scenes documentary on the making of Stranger Things 5. Premiering January 12. pic.twitter.com/5FNvTNlvuz

— Netflix (@netflix) January 5, 2026

The Duffer Brothers also issued a comment: “Growing up in Durham, North Carolina, we dreamed of becoming filmmakers — but Hollywood felt impossibly far away. Everything changed when we watched the behind-the-scenes documentaries for The Lord of the Rings — on-the-ground films that showed the real nuts and bolts of how a massive production actually gets made. We saw how stressed Peter Jackson was and thought: yep, that’s the dream. With the decline of physical media, that kind of behind-the-scenes storytelling has largely disappeared. We wanted to bring it back.

"One Last Adventure: The Making of Stranger Things Season 5 — beautifully captured and directed by Martina Radwan — is our attempt to do just that. If you love Stranger Things, or if you’re simply curious how a major Hollywood production comes to life, this one’s for you.”

Peter Jackson’s The Lord of the Rings also influenced the Season 5 finale. Last week, the Duffer Brothers said the lengthy Season 5 finale epilogue and its end credits were inspired by The Lord of the Rings: The Return of the King.

“We thought about [The Lord of the Rings] Return of the King a lot, just in terms of the length of the epilogue,” Matt Duffer told Deadline. “I always defend the Return of the King epilogue, but I’m one of those hardcore Lord of the Rings fans, to the point where I’ve watched all extended editions in a row on a single day. If you do that, the epilogue feels absolutely perfect and not long at all. In fact, if it felt shorter, it would feel absolutely distressing.

“I think, Stranger Things, if you watch Season 5 all the way through, it’s going to feel great. You just want to spend extra time with these characters. Anyway, that was sort of the reference for the epilogue. Then we love the credits at the end of Return of the King. So that was the initial idea, and they were these very simple illustrations.”

Stranger Things may have come to an end, but we’ve got plenty more on the show, including the Duffer Brothers explaining why the demogorgons didn’t help Vecna out in the final battle, and first details on the live-action spinoff.

Image credit: Netflix.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

The X-Files is back in the conversation after all 11 seasons were made available to stream for free — sparking an influx of newcomers and veterans rewatching and reappraising their favorite episodes and moments from the series.

Mulder and Scully’s spooky sci-fi adventures were made available on free streamer Pluto TV last week, with 218 episodes including the 2016 revival on demand and on a 24/7 linear channel dedicated to the series. This has fueled renewed interest in one of the most popular TV shows of the 90s from fans, who are — as they did 30 years ago — venturing online to discuss its various plot twists.

As a veteran X-Files fan myself, I’ve enjoyed seeing newcomers express their delight in watching the show for the first time, getting to grips with its overarching alien abductions and government cover-ups storyline, as well as its classic ‘Monster of the Week’ episodes.

“We just finished episode one of season one and...wow! We loved it,” said one fan. “It even looks and sounds better than modern TV shows, I suppose because it was shot on location and not on sets. But it just feels better acted, as well as looking better. If going back in time to enjoy TV is going to be even HALF as good as this experience, then that is what we will be doing from now on! I want to believe.”

Veteran fans are expressing their jealousy at those experiencing the X-Files for the first time, knowing what is to come — and issuing warnings for the occasional spoof episode in which David Duchovny’s Mulder and Gillian Anderson’s Scully let their hair down. “Mulder and Scully are quite the comic duo when they want to be,” one fan told a newcomer.

i love when im watching the x-files and they causally drop some of the most cinematic shots in history pic.twitter.com/Y3UgO10zuq

— nika⸆⸉ 🦔🍁 (@guiltyasScout) January 4, 2026

Of course, fans are re-ranking their favorite episodes as well as monsters (no spoilers here!). They’re also wondering whether the series would have been better off ending before its divisive ninth season. And there is of course plenty of healthy… debate about the rights and wrongs of poor old Krycek.

It’s worth remembering that X-Files was one of the first shows with an online “fandom,” with its reaction culture perhaps foreshadowing the future of the internet. X-Files promoted theorycrafting, in-jokes, and memes. There were plenty of hoaxes, the odd backlash, and… shipping. The fandom became as big a part of the experience as watching the show itself, laying the groundwork for 30 years of discourse.

And perhaps the X-Files will get to do it all over again. Ryan Coogler, the director of Creed, Black Panther, and Sinners, is currently working on an X-Files revival for television, and Gillian Anderson has expressed her interest in reprising her role.

“We intend on having both Monsters of the Week and the overarching conspiracy,” Coogler recently said of X-Files. “I’m grappling with that. But that's what I'm doing now. Panther comes after that. I’m blessed to be working on things this cool.”

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Michael B. Jordan has revealed he went to therapy after playing Killmonger in Marvel movie Black Panther.

Jordan’s Erik Killmonger is considered one of the best MCU villains, with his performance opposite the late Chadwick Boseman’s T'Challa / Black Panther winning plaudits from critics and fans alike. Killmonger is a Wakandan prince raised in Oakland, California, after his father, N'Jobu, was killed by King T'Chaka. A brilliant black-ops operative and former U.S. Navy SEAL, Killmonger seeks revenge on Wakanda for abandoning his father and aims to use its vibranium to arm oppressed people worldwide, eventually challenging T'Challa for the throne.

But it was a role that clearly took its toll on Jordan, who told CBS Sunday Morning that he needed therapy to help shake off the character after the movie came out in 2018.

"Each character kind of lives with you. They don’t go anywhere. They’re there," Jordan said. "Some piece of that character… it’s a blurred line between yourself and the character, for me, anyway. With Killmonger, Erik, it was a complex, layered antagonist. I don’t look at him as a villain. I look at him as an antagonist, because you understood him a bit. He was the other side of a conversation. Him and T'Challa were a lot alike, they both cared about their people, deeply, and would do anything to protect them. They just had two different approaches and strategies and mentalities around it all, shaped by their childhood trauma.

"And Erik didn’t really know a lot of love. Erik didn’t experience that. He had a lot of betrayal. He had a lot of failed systems around him that shaped him, and his anger and his frustration, and looking at history and how it seemed to always repeat itself, and how was he going to break that cycle?

“So for a while in preparation for that role, I didn’t really speak to my family that much. I was kind of isolated a bit. I went to my hole and tried to live like he would have lived for a bit, whatever that process was. After the movie, it kind of stuck with me for a bit. Went to therapy, talked about it, found a way to kind of just decompress. I think at that point, I was still learning that I needed to decompress from a character.

“Again, there’s no blueprint to this. There wasn’t a lot of people that… acting is a solo journey a lot of times. There’s a lot of auditioning by yourself, practicing by yourself. There’s a lot of preparation and the experience, the journey. So learning as I went, I [realized] that, ‘Oh man, I still got a little something on me that I need to get off.’ You know, talking is really important.”

Jordan went on to say that seeking therapy is “necessary for people, especially men.” “I think it’s good for them to go and talk and get that off,” he added. “That’s something I’m not ashamed of at all and very proud of. It definitely helped me throughout the years and to this day, of trying to be a good communicator and well-rounded person inside and out.”

Jordan went on to reprise his role as Donnie Creed in Creed III, which he also directed, and play twin brothers Elijah "Smoke" Moore and Elias "Stack" Moore in 2025’s hit horror movie, Sinners.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Mickey Rourke, star of Sin City and Iron Man 2, has launched a fundraiser to pay $60,000 in rent after a threat of eviction.

The Hollywood Reporter revealed that 73-year-old Rourke is using GoFundMe to raise money to pay $59,100 in owed rent after receiving an eviction notice from his Los Angeles rental home.

Rourke enjoyed superstardom in the '80s before leaving acting to pursue professional boxing. He made a comeback to mainstream Hollywood with the lead role in 2005 neo-noir action thriller Sin City, then starred in 2008's critically acclaimed The Wrestler, for which he was nominated for an Academy Award and won a Golden Globe, and 2010 MCU sequel Iron Man 2 as main villain Whiplash.

The biggest talking point coming out of the Stranger Things finale relates to the fate of its central character, Eleven, played by Millie Bobby Brown. While Season 5, Episode 8, dubbed The Rightside Up, leaves her fate ambiguous, creators the Duffer Brothers know the truth — and the only cast member also in the know is Millie Bobby Brown herself. But don’t expect either the Duffer Brothers or Millie Bobby Brown to spill the beans — they’ve sworn her to secrecy.

Stranger Things ends with a definitive wave goodbye to all the central characters except Eleven, who appears to sacrifice herself to ensure she cannot be used to create super weapons, another Vecna / Henry, or another bridge between our world and The Abyss.

18 months after that traumatic event, we see the central characters meet up for graduation and say their goodbyes. It’s at this point that Mike Wheeler, played by Finn Wolfhard, has a thought: what if Kali Prasad, also known as Eight (Linnea Berthelsen), used her dying breath to create the illusion of Eleven’s death, leaving her free to escape unseen?

Mike teases this revelation to the Dungeons & Dragons group as their final campaign comes to an end, suggesting Eleven cooked up a plan with Kali to fake her own death, then traveled to a far away small village — bordered by three waterfalls — to live out her days in peace. But this ending is unconfirmed. Mike and the others choose to believe it, and it’s left up to the audience to decide what they choose to believe as Stranger Things finally comes to an end.

Matt and Ross Duffer have explained the Stranger Things ending already, but in an interview with Josh Horowitz, they confirmed they wrote the story knowing the truth of Eleven's fate, and they’ve told only one cast member: Millie Bobby Brown herself.

“You're writing from a point of view of understanding what the truth is, right? And the reality is?” explained Matt Duffer. “So yeah, Ross and I know. And we were just talking to Millie about it. But I think it takes away the power of the ending if you tell people what you were thinking as you were writing it.”

During the interview, Matt revealed the Duffers had just texted Millie Bobby Brown about this exact subject — and she promised not to spill the beans. “She's not going to tell you either!” Matt Duffer said. “Don’t waste your time! Millie swore herself to secrecy.”

It then occurred to the creators that Millie Bobby Brown is very close to Noah Schnapp, who plays Will Byers in Stranger Things, so she might end up telling him. That prompted a text during the interview from Matt to Millie, warning her against doing so. “I’m not even joking,” Matt Duffer said, “I’m literally going to text her right now!”

In the same interview, the Duffers revealed that they did explore the possibility of Eleven having a “full happy ending” where she ends up married to Mike, living a happy life with the government off their backs and the lab experiments ended for good, “and we just couldn't figure out a way for that to work.”

In a Netflix Q&A published as the finale aired, Ross Duffer went into more detail on the thinking behind the Stranger Things ending: “there was never a version of the story where Eleven was hanging out with the gang at the end. For us and our writers, we didn’t want to take her powers away. She represents magic in a lot of ways and the magic of childhood. For our characters to move on and for the story of Hawkins and the Upside Down to come to a close, Eleven had to go away. We thought it would be beautiful if our characters continued to believe in that happier ending even if we didn’t give them a clear answer to whether that’s true or not. The fact that they’re believing in it, we just thought it was such a better way to end the story and a better way to represent the closure of this journey and their journey from children to adults.”

“And the reality is, if Eleven is out there, the most that they could hope for is a belief that it’s true because they can’t be in contact with her,” Matt concluded. “Everything falls apart if that were the case. So if that’s the narrative, this is really the best way to keep her alive. And it’s about Mike and everyone finding a way to move past what’s happened.”

We've got plenty more on Stranger Things, including the Duffer Brothers explaining why the demogorgons didn’t help Vecna out in the final battle, and first details on the live-action spinoff.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Avatar: Fire and Ash has become the third film in the franchise to surpass $1 billion at the global box office, but questions remain on whether it will end up matching Avatar 1 or 2 by the end of its theatrical run — or convince Disney to green light Avatar 4 and 5.

On weekend three, James Cameron’s Fire and Ash made another $40 million domestically, marking a 37% drop week on week. It’s now up to $306 million domestically. Fire and Ash is proving a bigger hit internationally — particularly in China — with $777.1 million so far from theaters. That makes for a grand total of $1.083 billion. Disney said Fire and Ash pushes the Avatar franchise total past $6.35 billion globally.

The special effects-heavy Avatar films cost a huge amount of money to produce, but they have historically made billions of dollars at the box office. Avatar 1 remains the highest-grossing movie of all time (not adjusted for inflation), and has earned a staggering $2.9 billion across several theatrical runs. Avatar: The Way of Water has earned $2.3 billion, meanwhile, cementing it as the third-highest grossing film of all time — just ahead of Cameron's own Titanic.

Will Fire and Ash end up matching the box office hauls of its predecessors? Fire and Ash is slower to $1 billion than both Avatar 1 and 2, but not by much. The Way of Water, released in 2022, hit $1 billion 14 days after launch, and Avatar, released in 2009, reached $1 billion after 17 days. Fire and Ash managed $1 billion 18 days after release.

The Avatar films typically show impressive staying power at the global box office, particularly internationally, so the coming weeks will be crucial. Adding a helping hand, Disney is drip-feeding Avengers: Doomsday teaser trailers ahead of Fire and Ash in theaters in a bid to encourage repeat viewings (the X-Men trailer is set to be replaced by a fourth next week).

Perhaps the pertinent question is, will Avatar 3 end up making enough money theatrically to convince Disney to greenlight Avatar 4 and 5? Disney has given both sequels release dates already: Avatar 4 currently has a December 21, 2029 release date, with Avatar 5 due out December 19, 2031. Cameron, now 71, would be close to 80 years old by the time it all wraps up.

But will he get the chance? In the run up to Fire and Ash’s release, Cameron admitted he was feeling nervous about the film’s box office performance and expressed concern about the “forces” working against theatrical releases in 2025.

Speaking on The Town with Matthew Belloni podcast, Cameron said there was potential for “sequelitis.” He added: "people tend to dismiss sequels unless it’s the third Lord of the Rings film and you want to see what happens to everybody, which in my mind this is — this is the culmination of a story arc, but that may not be how the public sees it.” And there’s the “one-two punch” of streaming and Covid, which means fewer people are going to the movies — 75% of the number in 2019, Cameron suggested.

When pressed on how much Avatar: Fire and Ash cost to make, Cameron wouldn’t be drawn into divulging a figure, only suggesting it was a lot of money, and so the movie will have to make a lot of money to turn a profit.

“It is one metric f**k ton of money, which means we have to make two metric f**k tons of money to make a profit,” he said. “I have no doubt in my mind that this movie will make money. The question is, does it make enough money to justify doing it again?”

One of the lingering questions Stranger Things fans having coming out of the Season 5 finale relates to the series’ famous monsters, the demogorgons. Or, perhaps put more accurately, the lack of them.

In the final battle (Season 5 Episode 8, The Rightside Up), which Stranger Things has built up to for nine years and five seasons, our heroes battle against Vecna and the Mind Flayer, but not the demogorgons, the demodogs, or the bats we’ve seen previously. Where were they? Surely Vecna and the Mind Flayer would have had a better time of things if they’d had their pals help them out against Eleven, Steve, and the others. Were they sleeping on the job? A revolt, perhaps?

In an interview with TheWrap, Stranger Things co-creators Matt and Ross Duffer offered a detailed explanation, which involves a few factors. One, Vecna was caught unawares. He did not expect a sneak attack in The Abyss, so was not prepared for what was coming. Related, he had the Mind Flayer helping him out, so why would he need any more help? (This was, obviously, a bad decision.)

Meanwhile, all those demo monsters aren’t just hanging around Vecna at any given moment, the Duffer brothers said. There are not a lot of them in The Abyss.

And then we get to what I think is probably the most important reason, which has to do with what Stranger Things had done earlier in the season. The Duffers were mindful of what they called “demo fatigue,” having had a dramatic fight against the demogorgons at the end of Season 5, Volume 1, when Will’s powers awaken and he kills a handful of the things with his mind.

“Mainly it’s just that Vecna was not expecting this sneak attack on his home turf,” Matt Duffer explained. “Never in a million years could he even imagine that. They’re there somewhere. We obviously discussed having a demo battle on top of the Mind Flayer battle, but it felt more right to us that why does he need the demos when the Mind Flayer is this giant thing and can attack them? He doesn’t need his little ant army to attack, he’s going to take care of this himself.

“It’s a giant, desolate planet. If you recall, you see Henry wandering the planet back in Season 4 and at some point in his journey, he does see a demo far in the distance, but it’s not like they’re hanging out in little huts. There’s not like a giant civilization of demos up there.”

Matt Duffer continued: “one of the other things we talked about was just demo fatigue. I felt like we did everything we wanted to do with them in Sorcerer, and wanting to keep the focus on Vecna and the Mind Flayer, who’s been absent this season.”

So there you have it. Vecna’s confidence was his undoing, it seems — and a touch of “demo fatigue.”

According to Matt Duffer, there was an idea to have the heroes encounter a giant field of demo eggs in The Abyss in a scene reminiscent of Aliens, “but you can’t get all your ideas in there.” Apparently the demos were going to come out of the eggs and everything.

Some fans have suggested the fight against the Mind Flayer would have been made all the more epic by the addition of demogorgons. Having Will control them and turn them against the Mind Flayer and Vecna is a popular fan suggestion, too. But there’s no going back now. With the Upside Down destroyed, the demogorgons are stranded in The Abyss — hopefully forever.

We've got plenty more on Stranger Things, including the Duffer brothers explaining what they were going for with the Season 5 finale and Eleven's ending, and first details on the live-action spinoff.

Image credit: Netflix.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Arc Raiders developer Embark Studios has confirmed one of the community’s biggest questions since the game came out: it does indeed feature ‘aggression-based matchmaking.’

This means that if you’re big into PvP, you’ll be matched up with players who are like-minded. Similarly, if you prefer PvE, you’ll be matchmade with players who tend to avoid conflict with other players.

Arc Raiders’ player versus environment versus player gameplay has resulted in a number of viral clips showing how friendly encounters can quickly devolve into a fight to the last. Yes, you can play solo or in parties up to three, working as a team to progress through the game. However, other players are a constant threat. This has sparked a vociferous debate within the community about the etiquette that has formed in-game, with a retired pro gamer going viral for relentlessly killing casual Arc Raiders players.

It turns out that Arc Raiders will lean on your playstyle when it comes to matchmaking. This ‘aggression-based matchmaking,’ however, is not an exact science, Patrick Söderlund, CEO of Embark Studios told Games Beat in a recent interview / video playthrough of the game.

“Obviously first it's skill-based of course,” Söderlund said of Arc Raiders matchmaking. “Then you have solos, duos, and trios. And then we also, since a week ago or so, we introduced a system where we also matchmake based on how prone you are to PvP or PvE. So if your preference is to do PvE and you have less conflict with players… you'll get more matched up [with similar players]. Obviously it's not a full science.”

Söderlund said the term ‘aggression-based matchmaking’ is “exactly” the system Arc Raiders currently uses. That puts to bed high-level questions about how Arc Raiders matchmaking works for the community, which had wondered about it in recent months. “I can finally stop arguing on Reddit, thank you for the vindication,” said one player.

However, it’s worth noting that Söderlund confirmed Arc Raiders prioritizes "skill" when it comes to matchmaking, then groupings. Aggression-based matchmaking is a factor, but we don’t know how much influence it has on your lobbies compared to other factors. And even Söderlund admitted it doesn’t always works as you’d think.

And how, exactly, does Arc Raiders determine if you’re “prone” to PvE or PvP? If you’re a kill on sight player, sure, you’re probably prone to PvP. But what if you only shoot back at those who shoot at you first? Does that make your lobbies more aggressive? If so, is that fair?

So, one big question answered, but many more remain. As for Embark Studios, it always hoped Arc Raiders would have a tension between both playstyles. Arc Raiders is a multiplayer extraction adventure in which players scavenge the remnants of a devastated world, but the main threats are Arc’s machines and, as Embark Studios puts it, “the unpredictable choices of fellow survivors.”

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

The future of cinemagoing is top of mind as 2026 kicks off, with Netflix, which is buying Warner Bros. for $72 billion, reportedly interested in a 17-day window for theatrical releases before they hit the streaming platform. Meanwhile, box office revenue is struggling, with even Marvel movies — previously guaranteed hits — having trouble getting fans into theaters. The big question right now is, are we witnessing the beginning of the end of going to the cinema?

Hollywood legend Leonardo DiCaprio has expressed concern about the future of cinemagoing, wondering whether it will become a niche pursuit. In an interview with The Sunday Times, the Titanic, Inception, and The Wolf of Wall Street star wondered whether “people still have the appetite” for theaters, and, if not, whether they might “become silos — like jazz bars.”

“It’s changing at a lightning speed,” DiCaprio said. “We’re looking at a huge transition. First, documentaries disappeared from cinemas. Now, dramas only get finite time and people wait to see it on streamers. I don’t know.”

Then: "Do people still have the appetite? Or will cinemas become silos — like jazz bars?" While expressing this concern, DiCaprio said he hoped “real visionaries” continue to make unique movies that are seen in theaters, "But that remains to be seen.”

DiCaprio, who starred in 2025’s critically acclaimed One Battle After Another, isn’t alone in worrying for the future of cinemagoing. But some have gone even further. Last year, Netflix co-CEO Ted Sarandos said the theatrical experience is “an outmoded idea for most people,” and claimed Netflix is “saving Hollywood.”

One Battle After Another ended its theatrical run making $205 million globally. According to Variety, Warner Bros. needed it to make roughly $300 million to break even on the film, which means it’s looking at a $100 million loss, give or take.

And while James Cameron’s Avatar: Fire and Ash has crossed the $1 billion mark at the global box office, it’s not going to get anywhere near the money the previous two Avatar movies made in theaters. In the run up to Fire and Ash’s release, Cameron admitted he was feeling nervous about the film’s box office performance and expressed concern about the “forces” working against theatrical releases in 2025.

Speaking on The Town with Matthew Belloni podcast, Cameron said there was potential for “sequelitis.” He added: "people tend to dismiss sequels unless it’s the third Lord of the Rings film and you want to see what happens to everybody, which in my mind this is — this is the culmination of a story arc, but that may not be how the public sees it.” And there’s the “one-two punch” of streaming and Covid, which means fewer people are going to the movies — 75% of the number in 2019, Cameron suggested. In the same interview, Cameron said Netflix buying Warner Bros. would be a “disaster.”

One report has claimed Netflix is particularly keen to obtain Warner Bros.' vast content library as the streamer ramps up its potential to offer AI-generation tools and content in the future.

Photo by Stuart C. Wilson/Getty Images for Warner Bros.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Babylon 5 fans are hoping Netflix’s big-money acquisition of Warner Bros. means the chances of a continuation of the much-loved sci-fi series will improve. But creator J. Michael Straczynski has calmed excitement, insisting there’s a long road ahead for any positive developments.

Warner Bros. owns Babylon 5, which has remained largely dormant since the iconic space opera ended in 1998 after five seasons. Despite efforts to get a revival off the ground, nothing new appears to be in the works, but some fans have expressed hope that Netflix may be interested in Babylon 5 should its deal to buy Warner Bros. goes through.

However, Straczynski outlined the many hurdles Babylon 5 must overcome before Netflix — or any company for that matter — might greenlight its return. As for now, there is nothing in the works. “The studio is contractually required to notify me if anything is put forward on B5,” Straczynski tweeted. “No such call has come.”

Netflix reportedly wants to keep movies in theaters for just 17 days after it buys Warner Bros.

In a report from Deadline on the Stranger Thing Season 5 finale, which made $25 million in theaters after it released at the same time theatrically as it did on Netflix, Hollywood was said to be worried about what the streamer considers to be “industry-standard windows” before movies are made available on its platform.

And then the bombshell:

Sources have told Deadline that Netflix have been proponents of a 17-day window which would steamroll the theatrical business, while circuits such as AMC believe the line needs to be held around 45 days.

It’s worth noting this isn’t confirmation that Netflix will settle on a 17-day window for Warner Bros. movies if and when its deal is approved. The theater companies may end up negotiating a lengthy window, perhaps somewhere between 45 days and the 17 days Netflix reportedly is a fan of. But what’s clear is that there will be a great deal of tension within Hollywood as this is all worked out, with Netflix’s priority — as you’d expect — bolstering streaming.

If Netflix does force through a 17-day window, it could affect everything from James Gunn's DC Universe movie, Man of Tomorrow (July 9, 2027), to The Lord of the Rings: The Hunt for Gollum (December 17, 2027). Then there's Matt Reeves' The Batman: Part 2, which is due out October 1, 2027, and Godzilla x Kong: Supernova, due out March 26, 2027. How would the likes of James Gunn, Andy Serkis, Matt Reeves and other directors of Warner Bros. movies react to their work having less than three weeks in theaters before hitting Netflix?

The $82.7 billion Netflix / Warner Bros. deal has sparked a tough response from some members of Congress, and it is expected to face significant scrutiny under antitrust laws. Meanwhile, at least one HBO Max subscriber has already sued Netflix, claiming the deal threatens to reduce competition in the U.S. subscription video-on-demand market. Warner Bros.-owned streaming platform HBO Max includes everything from Game of Thrones to Harry Potter, James Gunn's DC Universe to Barbie, and its content is expected to be added to Netflix if and when the deal goes through.

After its announcement, Netflix sent subscribers an email of reassurance amid concern over potential price rises. The email — reviewed by IGN — promised subscribers that nothing was changing “today,” and confirmed that HBO Max and Netflix would continue to operate separately until the deal closes. It did not rule out future price rises, but did promise that current membership plans would remain in place at least until the deal goes through. As for when that will be, Netflix said it expects to close the transaction in 12-18 months — so, at the earliest December 2026, but it could be as late as summer 2027.

In an investor call attended by IGN, Netflix chief Ted Sarandos struck a confident tone when asked about the deal’s chance of success. "We're highly confident in the regulatory process," he said. "This deal is pro-consumer, pro-innovation, pro-worker, it's pro-creator, it's pro-growth.”

As part of the same call, Sarandos said Netflix would continue to release Warner Bros. movies in theaters for now, though expected theatrical release windows to shorten over time to become "more user friendly."

"We've released about 30 films into theaters this year, so it's not like we have got this opposition to movies into theaters," Sarandos said. "My pushback has been mostly in the fact of the long, exclusive windows that we don't think are that user friendly."

"I wouldn't look at this as a change in approach for Netflix movies, or for Warner movies for that matter," Sarandos continued. "I think over time the windows will evolve to be much more consumer friendly, to be able to meet the audience where they are, quicker. All those things we'd like to do. But I'd say right now you should count on everything that is planned as going to the theaters through Warner Bros., will continue to go to the theaters through Warner Bros."

Last month, Rian Johnson expressed frustration at the limited theatrical release of his new Benoit Blanc Netflix film, Wake Up Dead Man: A Knives Out Mystery. Netflix released Wake Up Dead Man: A Knives Out Mystery in theaters on November 26, in time for the Thanksgiving holiday, before releasing it on Netflix itself on December 12. But it only released in “select” theaters, as opposed to nationwide — something that left the Star Wars: The Last Jedi writer and director unimpressed.

Meanwhile, Avatar director James Cameron has said Netflix buying Warner Bros. would be a “disaster.”

“Sorry, Ted [Sarandos], but geez,” he said on The Town podcast. “Sarandos has gone on the record saying theatrical films are dead. ‘Theatrical is dead. Quote, unquote.’” Indeed, Cameron remains unconvinced that Netflix would truly commit to any meaningful theatrical distribution if it expanded. “It’s sucker bait," he said. "‘We’ll put the movie out for a week or 10 days. We’ll qualify for Oscar consideration.’ See, I think that’s fundamentally rotten to the core. A movie should be made as a movie for theatrical, and the Academy Awards mean nothing to me if they don’t mean theatrical. I think they’ve been co-opted, and I think it’s horrific.”

That said, Cameron isn't opposed to Netflix playing the game if it actually, well, plays the game. “They should be allowed to compete if they put the movie out for a meaningful release in 2,000 theaters for a month,” Cameron noted.

One report has claimed Netflix is particularly keen to obtain Warner Bros.' vast content library as the streamer ramps up its potential to offer AI-generation tools and content in the future.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

The Stranger Things Season 5 finale epilogue and its end credits were inspired by The Lord of the Rings: The Return of the King, creators the Duffer brothers have revealed.

Warning! Spoilers for Stranger Things Season 5 Episode 8, The Rightside Up, follow:

Stranger Things ends with Season 5 Episode 8, dubbed The Rightside Up, and an epilogue set 18 months after the events that showed the destruction of the Upside Down, the death of Vecna, the apparent death of Eleven, and the rescue of the kidnapped children.

We see relatively happy endings for pretty much all the main characters as they move on with their lives, kicking off with the core characters’ graduation from Hawkins High School. The show comes to a close with the end of the Dungeon and Dragons campaign that kicked off the Netflix series nine years ago, and the passing of the torch to a new generation of D&D fans made up of Holly Wheeler, Derek Turnbow, and more.

A decent chunk of the final episode’s 2-hour 8-minute runtime is devoted to this epilogue, which even finds room for a successful marriage proposal from David Harbour’s Jim Hopper to Winona Ryder’s Joyce Byers. Fans are then treated to end credits that show famous scenes as D&D illustrations, characters in the style of D&D character profiles, maps of locations from the show, and a final image showing Stranger Things as a D&D players manual.

the ending credits was so cool though #StrangerThings5 pic.twitter.com/63rHUdpFMD

— clueified 🤍 (@clueified) January 1, 2026

The epilogue and the end credits were inspired by The Lord of the Rings: The Return of the King, Matt and Ross Duffer told Deadline.

“We thought about [The Lord of the Rings] Return of the King a lot, just in terms of the length of the epilogue,” Matt Duffer said. “I always defend the Return of the King epilogue, but I’m one of those hardcore Lord of the Rings fans, to the point where I’ve watched all extended editions in a row on a single day. If you do that, the epilogue feels absolutely perfect and not long at all. In fact, if it felt shorter, it would feel absolutely distressing.

“I think, Stranger Things, if you watch Season 5 all the way through, it’s going to feel great. You just want to spend extra time with these characters. Anyway, that was sort of the reference for the epilogue. Then we love the credits at the end of Return of the King. So that was the initial idea, and they were these very simple illustrations.”

And on the end credits, Ross Duffer confirmed: “we wanted to be able to pay tribute to our cast and how much they’ve grown through the years. Obviously, it’s not to say the whole show was a D&D campaign. It was just a way to pay tribute to everyone and also let the audience, hopefully, take in this journey that they’ve been on for nine years.”

If you’ve watched The Return of the King you’ll know what the Duffers are talking about here. Peter Jackson’s epic trilogy ends with an epilogue set four years after the hobbits return to the Shire. Frodo leaves Middle-earth for the Undying Lands with Bilbo, Gandalf, and the remaining Elves. He gives Sam the Red Book of Westmarch, detailing their adventures, bids farewell to Sam, Merry, and Pippin, and departs. A saddened Sam returns home and is comforted by his family.

As for the end credits, The Return of the King shows the main characters in illustrative form, also as a goodbye following their extensive adventures.

We've got plenty more on Stranger Things, including the Duffer brothers explaining what they were going for with the Season 5 finale and Eleven's ending, and first details on the live-action spinoff.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

The creators of Stranger Things have responded to a conspiracy theory that claims there exists a ‘Snyder Cut’ of Season 5 Volume 2 amid a petition with nearly 400,000 signatures.

Earlier this week, Stranger Things actor Randy Havens, who plays school teacher Mr. Clarke, pushed back on claims there is a secret 'Snyder cut' of Season 5 Volume 2, as a petition calling on Netflix and the show's creators the Duffer brothers to respond garnered hundreds of thousands of signatures online.

Ahead of the Stranger Things Season 5 finale on New Year’s Eve, Havens appeared to respond to an unverified, fan-made Google Doc detailing allegedly shortened storylines that had gained attention on social media. The Change.org petition that calls on Netflix to release the alleged “unseen footage” has over 378,000 signatures, at the time of this article’s publication.

The most-liked comment on the petition comes from someone who seems convinced that footage was cut from Season 5 Volume 2 for nefarious reasons. “We have been waiting since 2022 to see this last season,” they wrote. “To be robbed of scenes by Netflix which really could have gelled the show all together is absolutely unacceptable, and I speak on behalf of all fans that we have been betrayed for the show we love. We don’t sit down and do nothing, we need to show the Duffer brothers, Netflix, and especially Shawn Levy. We want our full episodes, we want the scenes which change everything. We want our show back.”

Stranger Things fans have slammed the petition and the Google Doc that appears to have inspired it, while praising Havens for hitting back on social media. Now, in a Variety interview, the Duffer brothers insisted the Google Doc is “obviously… not a real thing,” confirmed no scenes were cut from Season 5, and denied accusations of interference from Netflix.

“I don’t think there’s a single cut scene in the entire season,” Ross Duffer said, before Matt Duffer added: “The show has just grown so massive. Online, there’s just so much misinformation. Just tons of it. We would be here for hours trying to bat down the stuff that was not true. But at the end of the day, hopefully the work speaks for itself, and it is the show that Ross and I wanted to make. Netflix was, and has always been, incredible. I mean, there’s no interference or direction at all from them on us. They really trust us, and that’s been true from Season 1 on. It’s never changed, even though the show and the size of the audience have grown.”

Meanwhile, Stranger Things has suffered from review bombing after Season 5 Episode 7 met with lower audience scores than the Netflix series has typically seen. While the fifth and final season of Stranger Things had sparked complaints from some fans about the exposition-heavy writing, the varying quality of the actor's performances, and the plot armor some of their characters seemingly enjoy, Episode 7, called ‘The Bridge,’ became the focal point of a vociferous debate that spilled over into review aggregate websites.

Will Byers' coming out scene appears to have fueled this review bombing. In it, Will, played by Noah Schnapp, issues a lengthy monologue in which he tells a gathering of characters that he “doesn’t like girls.” The scene, which takes place as supervillain Vecna applies the finishing touches to his masterplan for world domination, ends with an emotional Will comforted by his friends.

The Duffer brothers were asked about the review bombing in the Variety interview, and explained Will’s coming out scene shouldn’t have come as a surprise. “The coming out scene is something we’ve been building to for nine years now,” Ross Duffer said. “It was a really important scene for us, and a really important scene for Noah — not just from a thematic point of view, but also a narrative point of view. This show has always been about our characters overcoming evil, and in order to overcome this evil, Vecna, in so many ways, represents all the dark thoughts and the evil of society. And for our characters to overcome that, it really becomes about embracing themselves, and then also embracing one another and coming together.”

Matt Duffer called the scene “the final step in Will’s journey.” He continued: “and Will is, in so many ways, the key to defeating Vecna. Volume 1 is really about self-acceptance, right? I mean, that’s sort of step one. And then step two is Will is talking to Robin — it’s something that he wants to do. He’s trying to figure out how to come out, and he knows that he needs to do that, and that that’s the final step for him. And he finds the courage to be able to do it. And it’s really the ultimate fuck you to Vecna. That was the intention.”

As for the review bombing campaign, Matt Duffer said the creators were not prepared for it. “Because it is, as Ross said, something we’ve been building for a really long time. I always say, Ross and I are many things, but subtle is not one of those things!”

Matt revealed that he’s been texting with Noah Schnapp after the coming out scene aired, “and he’s in a really good place. He’s very proud of the scene, and we’re proud of the scene.”

We've got plenty more on Stranger Things, including the Duffer brothers explaining what they were going for with the Season 5 finale and Eleven's ending, and first details on the live-action spinoff.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

If you’re all caught up on Stranger Things, you’ll be aware of a plot thread left dangling in the Season 5 finale that has to do with a briefcase. It turns out this will be addressed in a live-action Stranger Things spinoff — although there’s no word when.

Warning! Spoilers for Stranger Things Season 5 Episode 8, The Rightside Up, follow:

In the Season 5 finale, we see Henry Creel / Vecna finally face his greatest fear: the traumatic memory of the day he was infected by the Mind Flayer and gained his powers. In this scene set inside Henry’s mind, we finally find out what was inside the briefcase that child Henry opens after bludgeoning its previous owner, an unnamed scientist, to death. Inside is a mysterious rock, which glows with an unknown energy before fusing with Henry. This, we understand, is how Henry became one with the Mind Flayer, and sets in motion all the events of Stranger Things that followed.

Stranger Things creators the Duffer brothers have explained the Season 5 finale and its ending, which has sparked much debate among fans.

Warning! Spoilers for Stranger Things Season 5 Episode 8, The Rightside Up, follow:

Stranger Things ends with a definitive wave goodbye to all the central characters except Eleven, played by Millie Bobby Brown, who appears to sacrifice herself to ensure she cannot be used to create super weapons, another Vecna / Henry, or another bridge between our world and The Abyss.

18 months after that traumatic event, we see the central characters meet up for graduation and say their goodbyes. It’s at this point that Mike Wheeler, played by Finn Wolfhard, has a thought: what if Kali Prasad, also known as Eight (Linnea Berthelsen), used her dying breath to create the illusion of Eleven’s death, and an invisibility spell on Eleven herself, leaving her free to escape unseen?

Mike teases this revelation to the Dungeons & Dragons group as their final campaign comes to an end, suggesting Eleven cooked up a plan with Kali to fake her own death, then traveled to a far away small village — bordered by three waterfalls — to live out her days in peace. But this ending is unconfirmed. Mike and the others choose to believe it, and it’s left up to the audience to decide what they choose to believe as Stranger Things finally comes to an end.

So, why did Matt and Ross Duffer decide to leave Eleven’s ending on such an ambiguous note? Netflix published a Q&A with the brothers to accompany the season finale, and in it they explained what they were going for here.

“What we wanted to do was confront the reality of what her situation was after all of this and how could she live a normal life,” Matt Duffer said. “These are the questions that we’ve been posing this season that Hopper just doesn’t even want to think or talk about. Mike’s obviously talked about it a lot, but it’s sort of this fantasy version that would never work. There are two roads that Eleven could take. There’s this darker, more pessimistic one or the optimistic, hopeful one. Mike is the optimist of the group and has chosen to believe in that story.”

Ross Duffer added: “There was never a version of the story where Eleven was hanging out with the gang at the end. For us and our writers, we didn’t want to take her powers away. She represents magic in a lot of ways and the magic of childhood. For our characters to move on and for the story of Hawkins and the Upside Down to come to a close, Eleven had to go away. We thought it would be beautiful if our characters continued to believe in that happier ending even if we didn’t give them a clear answer to whether that’s true or not. The fact that they’re believing in it, we just thought it was such a better way to end the story and a better way to represent the closure of this journey and their journey from children to adults.”

“And the reality is, if Eleven is out there, the most that they could hope for is a belief that it’s true because they can’t be in contact with her,” Matt concluded. “Everything falls apart if that were the case. So if that’s the narrative, this is really the best way to keep her alive. And it’s about Mike and everyone finding a way to move past what’s happened.”

It sounds like Eleven’s ending will never be resolved, but there is more Stranger Things to come via a spinoff with completely new characters, a new town, and a new mythology. And if you’re now feeling at a loss for what to watch this year, check out The Biggest TV Shows Coming to Every Streaming Service in 2026.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.