WWE stars says bystander gave them middle finger in Los Angeles for driving Tesla









Photographers Mathias Braschler and Monika Fischer capture the families, farmers and fishers who have been forced to leave their homes by extreme weather – and the landscapes they left behind. Introduction by Dina Nayeri
In 2009, Swiss photographers Mathias Braschler and Monika Fischer set out to document the people suffering the first shocks of the climate crisis. They had just returned from China, where rapid, unregulated development has ravaged the natural landscapes. Back home, though, the debate still felt strangely theoretical. “In 2009, you still had people who denied climate change,” Braschler recalls. “People said, ‘This is media hype.’” So the couple, working with the Global Humanitarian Forum in Geneva and supported by Kofi Annan, began The Human Face of Climate Change, a portrait series that showed the people on the frontline of a warming world.
Sixteen years later, climate change is no longer up for debate; the urgent discussions now revolve around solutions. Braschler and Fischer, too, have shifted their focus. “This is going to be one of the central issues for humanity,” says Braschler, “and we want to make sure that people know that the major effect of climate change will be displacement.”
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© Photograph: Mathias Braschler & Monika Fischer

© Photograph: Mathias Braschler & Monika Fischer

© Photograph: Mathias Braschler & Monika Fischer
Venues promoting destruction as stress relief are appearing around the UK but experts – and our correspondent – are unsure
If you find it hard to count to 10 when anger bubbles up, a new trend offers a more hands-on approach. Rage rooms are cropping up across the UK, allowing punters to smash seven bells out of old TVs, plates and furniture.
Such pay-to-destroy ventures are thought to have originated in Japan in 2008, but have since gone global. In the UK alone venues can be found in locations from Birmingham to Brighton, with many promoting destruction as a stress-relieving experience.
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© Photograph: Martin Godwin/The Guardian

© Photograph: Martin Godwin/The Guardian

© Photograph: Martin Godwin/The Guardian
US descendants of Harris Neck’s Gullah Geechee families seek the return of ancestral land seized for a wartime airfield
A once thriving Black community along the Georgia coast called Harris Neck is now covered with greenery. During its heyday in the late 19th and early 20th centuries, the area boasted a school house, general store, firehouse and seafood processing plants, and supported 75 Black households on 2,687 acres. The inhabitants were Gullah Geechee people, the descendants of formerly enslaved west Africans, who remained on the Sea Islands along the south-east US where they retained their distinct creole language and culture following the civil war.
In 1942, though, the community was leveled to the ground when the federal government kicked the families off of the land using eminent domain to build an army airfield. For nearly 50 years, the descendants of the Harris Neck community have fought to regain their ancestral land through peaceful protests and lobbying local and federal governments to no avail.
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© Photograph: Mya Timmons

© Photograph: Mya Timmons

© Photograph: Mya Timmons



















North Melbourne 9.2.56 defeat Brisbane 2.4.16 in grand final
Roos create history with first perfect VFL/AFL/AFLW season
North Melbourne have completed a perfect season and become the first AFLW team to win back-to-back premierships with a 40-point win over the Brisbane Lions in the grand final.
Ash Riddell starred in the Kangaroos’ 9.2 (56) to 2.4 (16) triumph at a sold-out Ikon Park on Saturday night, the league’s best-and-fairest winner breaking yet another record with 39 disposals.
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© Photograph: Daniel Pockett/Getty Images

© Photograph: Daniel Pockett/Getty Images

© Photograph: Daniel Pockett/Getty Images




© Illustration: Sarah Akinterinwa/The Guardian

© Illustration: Sarah Akinterinwa/The Guardian

© Illustration: Sarah Akinterinwa/The Guardian

© Illustration: Tom Gauld/The Guardian

© Illustration: Tom Gauld/The Guardian

© Illustration: Tom Gauld/The Guardian