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National Dog Show champ Soleil shocked even her handler in the drive to become top dog: ‘It’s like she can feel the crowd’




Diners flocking to happy hour, ordering appetizers and skimping on entrees as affordability hits US restaurants nationwide





I’m a neurologist — 6 easy ways to boost your brain over the holidays, especially if you’re lonely



Harvard hit with federal complaint over ‘race-restricted’ scholarship program: ‘Enough is enough’





F grades handed to 14 colleges in antisemitism ‘report card’ as Jewish students forced to hide identities







Trump warns Netflix’s $83bn deal for Warner Bros poses competition concerns
President vows to get involved in controversial takeover described as ‘unprecedented’ by ex-chair of regulator
Donald Trump has warned of potential competition problems over Netflix’s $83bn (£62bn) deal to buy Warner Brothers’ movie studio and streaming networks.
The US president, speaking at an event in Washington DC on Sunday, confirmed he would be involved in deciding whether the government approved the takeover.
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© Photograph: Dado Ruvić/Reuters

© Photograph: Dado Ruvić/Reuters

© Photograph: Dado Ruvić/Reuters
Trump’s ‘affordability’ bombast won’t solve his very real economic problems




‘I wanted to be one of them’: why Bring It On is my feelgood movie
The latest in our series of writers paying tribute to their most loved comfort films is an ode to the 2000 teen classic
The opening sequence of Bring It On is – in a word – unapologetic. A dozen cheerleaders scream “I’m sexy, I’m cute, I’m popular to boot” in synchronicity – and I have yet to meet anyone (and I have tried) who has the willpower to look away.
It’s certainly not an exaggeration to say I wanted to be one of them – that is, one of the Toros, Rancho Carne high school’s premier cheer squad. But, as a six-year-old watching in north London, I was a world away from the cornucopia of herkies, suggestive dance moves and hair flips of competitive cheerleading in San Diego.
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© Photograph: Universal/Allstar

© Photograph: Universal/Allstar

© Photograph: Universal/Allstar
Silenced by China, Hong Kong struggles to voice its grief over the Tai Po fire disaster | Antony Dapiran
The pain is visceral, but civil society, media and the creative community have been sent into retreat since the 2019 pro-democracy protests
Antony Dapiran is the author of two books on Hong Kong politics and protest
White flowers at makeshift shrines and messages of support posted in a public square. A rainbow of folded paper cranes. Boxes of donated goods for the those in need. Hongkongers’ responses to the Tai Po fire disaster – in which at least 159 people have died and 31 are still unaccounted for – have, on the surface, resembled similar community expressions of solidarity last seen during the 2019 protests. But beneath the surface, Hong Kong civil society is struggling to respond to this latest collective trauma in a city that has deeply changed in the past five years.
The cauterisation of Hong Kong’s civil society that has occurred under Beijing’s national security crackdown has meant that the types of grassroots activism that would traditionally have occurred in response to such a tragedy – as they would in any other open society – are no longer possible.
Antony Dapiran is the author of two books on Hong Kong politics and protest
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© Photograph: Tyrone Siu/Reuters

© Photograph: Tyrone Siu/Reuters

© Photograph: Tyrone Siu/Reuters
The one change that worked: I started bringing my own takeaway box to every meal – and sparked a mini movement
Every year, 1bn tonnes of food are wasted. I value my meals and the work that has gone into them, so I am now always prepared and ready to take home delicious leftovers
I’ve always loved catching up with friends and family over a meal out. Not only is it a chance to find out the latest gossip and what everyone’s up to, but it’s also an opportunity to try out new foods and share that experience together.
But looking back, I’ve realised that I’ve been guilty of contributing to food waste by leaving meals unfinished. Sometimes, I didn’t realise how big portions would be or I’d get so focused on chatting to everyone that I would forget to eat everything until it was time to go.
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© Photograph: Alicia Canter/The Guardian

© Photograph: Alicia Canter/The Guardian

© Photograph: Alicia Canter/The Guardian
Ancient Egyptian pleasure boat found by archaeologists off Alexandria coast
First-century luxury vessel matches description by the Greek historian Strabo, who visited city around 29-25BC
An ancient Egyptian pleasure boat that matches a description by the first-century Greek historian Strabo has been discovered off the coast of Alexandria, to the excitement of archaeologists.
With its palaces, temples and the 130 metre-high Pharos lighthouse – one of the seven wonders of the ancient world – Alexandria had been one of the most magnificent cities in antiquity. The pleasure boat, which dates from the first half of the first century, was 35 metres long and constructed to hold a central pavilion with a luxuriously decorated cabin.
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© Photograph: DEA/S. VANNINI/De Agostini/Getty Images

© Photograph: DEA/S. VANNINI/De Agostini/Getty Images

© Photograph: DEA/S. VANNINI/De Agostini/Getty Images
The Effingers by Gabriele Tergit review – a vivid portrait of Berlin before the Nazis
Written in 1951 and now translated into English for the first time, this family saga by the acclaimed German author recaptures a golden age for Jewish life
In 1948, the German Jewish author Gabriele Tergit travelled to Berlin. There, in ruins, was the city in which she was born and grew up, reported on, then chronicled in fiction. Tergit had been one of the shining lights of interwar Berlin’s flourishing journalistic scene; she had also married into one of the city’s most prominent Jewish families. In 1931 her debut novel announced her as a literary phenomenon.
Then the Nazis came to power. Tergit was on an enemies list. She fled, first to Czechoslovakia, then to Palestine, and finally to London, where she lived from 1938 until her death in 1982. Never again did she call Berlin home. When she visited after the war, she found no real place in the conservative postwar German literary world – and no real audience for The Effingers, her newly completed magnum opus. A version was printed in 1951, but to little acclaim; only recently has a critical rediscovery in Germany established Tergit as one of the country’s major authors. Now, thanks to an excellent translation by Sophie Duvernoy, The Effingers is appearing in English.
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© Photograph: INTERFOTO/Alamy

© Photograph: INTERFOTO/Alamy

© Photograph: INTERFOTO/Alamy
The Tale of Silyan review – farmer adopts stork in delightfully cockle-warming mud-caked folk tale
This story set in North Macedonia stars non-professional actors and follows ageing farmers trying to survive in a cockle-warming family film
Like director Tamara Kotevska’s previous feature Honeyland (which she co-directed with Ljubomir Stefanov), this sly, delightful film is neither a pure documentary nor a work of fiction. Instead, working with non-professional actors and a story clearly premeditated enough to earn a credit for its authors (Kotevska and Suz Curtis), this blends folk tale, improvisation and mud-caked vérité to tell the story of a contemporary farming family, the Conevs, in economically depressed North Macedonia.
Sixtysomething paterfamilias Nikola and his wife, Jana, have been growing watermelons, tomatoes and tobacco on the family land for years. However, the wholesale prices have recently dropped through the soil, prompting a mini riot by irate agricultural workers who take out their frustrations by destroying their own crops. Nikola and Jana’s daughter Ana decides to emigrate to Germany with her husband, taking their preschool-aged daughter with them, only to discover that most of their wages will be eaten up by childcare fees. They implore Jana to come out and be their childminder, leaving Nikola to try to sell the farmland for a pittance and find a job at a local landfill. Melancholy video-calls to the family abroad underscore his loneliness, but at least he has old mucker Ilija to talk to and share the odd bottle of hooch.
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© Photograph: Jean Dakar/Ciconia Film

© Photograph: Jean Dakar/Ciconia Film

© Photograph: Jean Dakar/Ciconia Film
Pipeline politics are making strange bedfellows, as Bloc leader and B.C. premier meet up
Marjorie Taylor Greene spars with ‘60 Minutes’ host Lesley Stahl over ‘accusatory’ questions




Parents and young people: share your concerns about ultra-processed foods (UPFs)
We’re particularly interested in hearing from parents in low- and middle-income countries where the rise in childhood obesity is steepest
This month, the Lancet published the world’s largest review on the health threats of ultra-processed foods (UPFs), showing that they are replacing fresh food on every continent and are exposing millions of people to long-term harm. Globally one in 10 children are considered obese, as junk food overwhelms childhood diets. Previous research has shown how susceptible children are to junk food advertising.
Parents and young people, are you concerned about the level of UPFs in your diet? Is it easy and affordable to find fresh food and eat healthily where you live? What changes do you think would help encourage healthy eating habits? We’re particularly interested in hearing from parents in low- and middle-income countries where the rise in childhood obesity is steepest.
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© Photograph: Alamy/PA

© Photograph: Alamy/PA

© Photograph: Alamy/PA
Michelle Obama is 'absolutely correct' saying America not ready for a woman president, Dem lawmaker says

Lenient judges ignore red flags, cave to soft-on-crime pressures as they release repeat offenders: attorney

Minnesota's $70 million fraud exposes how Democrats built a system designed to be robbed

'He revealed himself to me': Treasure hunter unearths 900-year-old figure of Jesus in windswept field

Zelensky to Meet With European Leaders as Ukraine Peace Talks Drag On

© Valentyn Ogirenko/Reuters
Japanese hip hop group XG’s Cocona comes out as transmasculine non-binary
‘I was born and perceived as female but that label never represented who I truly am,’ rapper says

© Getty Images for Coachella
