It’s obviously going to case a shadow over tonight’s match so, as a reminder, The Guardian is bringing you live updates on the crisis in the Middle East.
“These women are prisoners,” says Cyrus Jones, a human rights activist who will be attending the match. “Iranian security is up on their floor [of the hotel] at night. They can’t leave their rooms. They can’t use the public bathrooms. They’re monitored when they go for breakfast, when they get on the bus. They’re monitored in a way no other players from other teams are.
Some international flavor baked into the national pastime, coming on the heels of an entertaining Olympics. Welcome to the 2026 World Baseball Classic.
This adaptation of the 2022 novel – starring Weisz, Leo Woodall and John Slattery – fits it perfectly to television. It’s a proper show for proper grownups
Vladimir is that rare visitor to the screen – proper television for proper grownups. The eight-part adaptation of Julia May Jonas’s provocative 2022 debut novel of the same name has not shied away from the properties that made the book great – black comedy, bleak insight, evisceration of accepted pieties – and fitted them perfectly to the new form. The screenwriter, Jeanie Bergen, who has obviously absorbed the book into her very bones, retains all of Jonas’s wit, confidence and, crucially, her willingness to dwell in grey areas and luxuriate in the complexities that govern life in middle age.
She also has Rachel Weisz, giving an unswervingly brilliant performance as the unnamed protagonist, a tenured English professor beloved by her students, whose husband, John (John Slattery, playing his one part, but he does it so well and so much better than anyone else, who are we to object to seeing it again?), another tenured academic on the same campus – has just been suspended for sleeping with students. His defence is that this was before the rules changed. “It was a different time” is a recurring phrase – not just from him (for here is the beginning of Jonas and Bergen’s devotion to rug-pulling) but from his wife and other members of their faculty and peer group, male and female.
After major roles in horror hit Smile 2 and the live-action Aladdin, the actor is returning to her first love: music. She talks faith, fame and why singing is more freeing than cinema
When Naomi Scott was 27 she had what she refers to now as a “quarter-life crisis”. She had been working as an actor since she was a teenager, swapping bit parts in adverts for plum roles in high-profile Disney TV shows and big-budget Hollywood blockbusters including Aladdin (she played Princess Jasmine) and Elizabeth Banks’s Charlie’s Angels remake. She had also married young, after meeting her husband, ex-professional footballer Jordan Spence, at her local church in east London. Worried that the path she’d taken had its destination already mapped out, she felt frustrated, as if she hadn’t really “mourned the other versions of my life”, as the now 32-year-old puts it. Part of that process, it turned out, was returning to her first love: music.
“I felt I had to go back to basics, to a childlike writing process,” she explains, sipping a black coffee in a vast, sparsely decorated cafe in Hackney, east London, her faded red hair contrasting with the beige backdrop. “Just me on the piano at 14, allowing whatever comes naturally to come. So that’s what I did.” Music had always been in her orbit, be it via singing in a church choir or later working with the bonkers pop production house Xenomania. Somewhere along the way, however, acting had taken over.
From grappling at corners to VAR, the endless list of complaints reflects a wider sense of dislocation from ‘the product’
A terrible boredom stalks the land. Across the nation’s television studios and podcast armchairs, wearied men grizzle accursedly with forked tongues into branded microphones: entombed by a game they despise and yet are paid so generously to discuss. Out there in the wild digital beyond, the sickness festers still deeper. The game has gone, they type into a little white box. This is not the football I once loved, click send. The beautiful game is broken, pleads the Telegraph. They think it’s all over, and perhaps it always was.
Arne Slot is no longer enjoying himself, and presumably a good proportion of the Liverpool fans at Molineux on Tuesday night know exactly how he feels. John Terry is no longer enjoying himself. Yaya Touré is “disappointed”. Ruud Gullit is so disgusted he has decided to stop watching. Chris Sutton thinks Arsenal will be the ugliest winners in Premier League history. Mark Goldbridge is bored out of his mind, albeit nowhere near as bored as you would presumably need to be to watch a Mark Goldbridge livestream.
Contains spoilers: Emma Stone’s hard-faced corporate CEO has a lot of explaining to do when she is kidnapped by Jesse Plemons’s conspiracy kook. But in this film, asking whether someone is an alien seems an ordinary inquiry
Emma Stone as a kidnapped, shaven-headed pharmaceuticals CEO who might also be the ruler of an alien master race? It says a lot about director Yorgos Lanthimos that Bugonia was arguably his most straightforward film to date.
For this remake of the cult 2003 South Korean movie Save the Green Planet! we were invited into the unkempt home of beekeeper Teddy (Jesse Plemons), a paranoid conspiracy theorist whose internet research has led him to believe that aliens are poisoning his bees – and that only he can save life on Earth from extinction. He enlists his neurodivergent cousin Don (Aidan Delbis) to kidnap high-flying Michelle Fuller (Stone), whose company Auxolith seems to have caused Teddy’s mother some kind of irreversible harm in the past.
New research suggests older people have more progressive views on women’s rights than younger generations. This direction of travel is deeply concerning
It is usually assumed that young people are more liberal than older generations. Not according to startling new research carried out in 29 countries, including the UK, that suggests that almost a third of gen Z men believe that a wife should always obey her husband. A similar number say a husband should have the final say on important decisions.
Although those stats are for a 29-country average, it seems to reflect worries about a masculinity crisis among young men in the UK.What century are we living in? It could be a snapshot from the 1970s, but even back then, men in the UK who expressed such views could expect to be laughed at. They were swimming against the tide, as legislation was passed outlawing sex discrimination and creating a (theoretical) right to equal pay.
Joan Smith is an author, journalist and a former chair of the mayor of London’s VAWG board. Her latest book is Unfortunately, She Was a Nymphomaniac: A New History of Rome’s Imperial Women
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Midfielder tapped into history while frustrated by injury but hopes to help a young side rediscover promising form
Jonathan Varane’s 2026 didn’t get off to the best start. Four days into the new year, the QPR midfielder sprained a knee during a 3-0 win over Sheffield Wednesday and was a frustrated spectator for more than a month.
Varane had been desperate to play his part, with QPR hoping to push for the playoffs, but the 24-year-old took the opportunity to indulge in two of his other passions: reading and history. That included a trip with his teammate Paul Nardi to the British Museum, where the ancient Egyptian artefacts proved of particular fascination.
With many lacking official documentation or unable to speak Ukrainian, the families of men killed in action are struggling to get the compensation they are owed
As a father of four, Viktor Ilchak was not supposed to serve in the army. Ukraine does not mobilise men who have three or more children. His wife and children cried and begged him not to go to war. But he had made up his mind. “A typical Capricorn, so stubborn,” says his wife, Sveta.
It was 2015, the war in Donbas was growing in intensity. “I heard someone on TV complaining that Roma aren’t defending their homeland. This pissed me off, and so I volunteered,” says Ilchak. In the territorial recruitment centre in Uzhhorod the Ukrainian soldiers were surprised, but they had to take him.
John Healey flew into Cyprus on Wednesday night to calm the diplomatic fallout over a drone that evaded detection and hit an RAF base, prompting fury from local ministers.
UK officials believe a drone that hit an RAF base in Cyprus evaded detection by flying low and slow when it was launched by pro-Iranian militia in Lebanon or western Iraq.
The US will "bitterly regret the precedent it has set" after an American submarine sank an Iranian warship, Iran's foreign minister Abbas Araqchi warned Thursday.
With Friday’s trade deadline just about upon the last-place Rangers — and additional deals still likely — Mike Sullivan believes his players have handled the past several weeks of uncertainty well. “I think they’ve done a good job. I think they bring the right energy,” Sullivan said after Wednesday’s practice. “I’m probably stating the obvious,...
Shocking new details have emerged about the agonizing final moments of young Arizona mother viciously mauled to death by a pack of dogs while trying to shield her 6-year-old son. Emily Panuco, 26, was killed at her mother’s home in Big River, Calif., on the Arizona border by a dog previously abandoned by a neighbor,...
Quality camera, good software and long battery life, but you should just buy the Pixel 9a instead
The latest smartphone in the lower-cost A-series Pixel line shows what makes Google phones so good, while undercutting the competition on price. The problem is that it differs little from its predecessor, which is still on sale.
Priced from £499 (€549/$499/A$849), the Pixel 10a is more like a second edition of last year’s excellent Pixel 9a. The two phones share the same Tensor G4 chip, not the newer G5 in the rest of the £799 and up Pixel 10 line; the same memory, storage and cameras; the same size 6.3in OLED screen, though the Pixel 10a reaches a higher peak brightness making it slightly easier to read outside.
As the Peaky Blinders film is released this week, we follow in the footsteps of the Shelbys, make a heavy metal pilgrimage and find the city’s best places to eat, drink and dance
The runaway success of the TV crime drama Peaky Blinders has been credited with boosting tourism to Birmingham and the West Midlands since it first aired in 2013, even though much of the series was actually shot farther north, in Merseyside, Yorkshire and Manchester. The release this week of the Peaky Blinders movie The Immortal Man (much of which was filmed in and around Birmingham this time) will undoubtedly generate a new wave of interest, particularly in the Black Country Living Museum in nearby Dudley, whose authentic recreations of streets, houses and industrial workshops appear in key scenes in the TV show and the film – most notably as the location for Charlie Strong’s yard (pictured below).
From London’s commuter belt to the country village gay club, these portraits of LGBTQ+ life are filled with humour, compassion and observational flair
Generations of readers have loved Armistead Maupin’s Tales of the City novels. His chronicle of queer life began in 1976 in the eclectic glamour of San Francisco’s Barbary Lane, where queer people learned who they were and how to live their lives. But even Maupin relocated in the end. The most recent instalment, Mona of the Manor, saw one of its key characters move to the Cotswolds to navigate a very different kind of village.
The social historian John Grindrod nods to Maupin in this fantastically entertaining alternative history of queer life in Britain, which departs from the usual tales of city-based freedom and discovery to tell the stories of people who grew up in the suburbs. “The suburbs” resist easy definition, and Grindrod handles this lightly. Sometimes they’re marked out by social class, sometimes by geography, each facet blurring into the other. His locations range from London’s commuter belt to hamlets, farms and towns, from the edges of Portsmouth and Hull to pockets of Glasgow and Wilmslow and a tiny village in Lincolnshire, where a gay builder is protected from homophobic abuse in the pub by the local darts team.
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