Federal immigration enforcement sweeps Charlotte months after Ukrainian refugee killing shocked nation

































The 46-19 shellacking against Ireland is a stark reminder of how far behind the best teams Australia still sit
Three weeks ago, Australia arrived in Europe self-assured and quietly confident of taking a few prized scalps. And why not? They had come within a single refereeing call at the breakdown of claiming a British & Irish Lions series win. They had hammered the world champion Springboks in Johannesburg. They had shown great chutzpah to beat Argentina after the hooter and they still carried the glow of last November’s win over England.
This was a side developing shape and steel, a side capable of the sublime, a side beginning to coax long-dormant fans back to the code while tempting home several stars who had crossed to rugby league. This tour was supposed to confirm, unequivocally, that the Wallabies were back. Instead, they’ve gone backwards after a sorry performance against Ireland in Dublin where they received a 46–19 shellacking that still managed to flatter them on the scoreboard.
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© Photograph: Lorraine O’Sullivan/Shutterstock

© Photograph: Lorraine O’Sullivan/Shutterstock

© Photograph: Lorraine O’Sullivan/Shutterstock
































Philip Barantini’s single-take special follows the star mooching around Manhattan, guitar ever ready for ad hoc turns, ahead of his evening show
Ed Sheeran floats through New York on a cloud of his own sunny high spirits in this hour-long Netflix special. He is the Candide of the music business, smiling benignly, strumming and singing, seamlessly pausing for selfies and fist-bumps and high-fives; he almost visibly absorbs energy from the saucer-eyed fan-worship shown by gobsmacked passersby and radiates it back at them.
Maybe you have to be a Sheeran fan to really appreciate it, but this is another single-take bravura special from film-maker Philip Barantini (who directed Netflix’s searing single-take drama Adolescence) and his director of photography Nyk Allen. With no cuts (though there’s an allowable fast-forward bit, and the audio might have been tweaked in post-production) they follow the unselfconscious Ed as he completes a late-afternoon soundcheck at the New York theatre where he’s playing a concert later on, and then for the next hour, and with fans pretty much always swarming around him, he wanders through the city with his guitar for various encounters, some planned, some (supposedly) not.
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© Photograph: Courtesy of Netflix 2025 ©

© Photograph: Courtesy of Netflix 2025 ©

© Photograph: Courtesy of Netflix 2025 ©
Commons committee report challenges ‘lazy narrative’ used by ministers that scapegoats wildlife and the environment
Nature is not a blocker to housing growth, an inquiry by MPs has found, in direct conflict with claims made by ministers.
Toby Perkins, the Labour chair of the environmental audit committee, said nature was being scapegoated, and that rather than being a block to growth, it was necessary for building resilient towns and neighbourhoods.
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© Photograph: Samuel Foster/Alamy

© Photograph: Samuel Foster/Alamy

© Photograph: Samuel Foster/Alamy


















© Mike Blake/Reuters