NASA completed its first-ever medical evacuation from space, bringing four astronauts back to Earth early after a health issue aboard the International Space Station.
Federal court approves California House map that could boost Democrats in 2026 midterms, rejecting Republican GOP challenge to the redistricting process.
Protesters clashed with federal agents in Minneapolis after a second ICE shooting, with tear gas and pepper balls deployed as demonstrators demand the agency leave the city.
Martin Freeman does his best to lift this three-parter, but it feels like Enid Blyton – made for an international market that thinks Paddington Bear is holding the queen’s hand in heaven
‘Tis the season, just, for your annual Agatha Christie. In recent years, the adaptations have been infused with the grief and instability of the postwar backdrop against which they all exist, and been given rich, dark, adult inflections by Sarah Phelps for the BBC.
The latest, however, is for Netflix by Chris Chibnall and we are back in the world of period costume, clipped vowels and dialogue infused with nothing but plot, designed to get the puzzle pieces recited into the right position for the next bit then the next bit then the solve – this time at the end of three very hour-long episodes.
Critics and curators are reframing great artists, from Gentileschi to Soutine, to fit with modern ethical narratives. But this ignores the glorious ambivalence of their creations
One rainy afternoon last winter, sitting under a blanket with a cup of tea, I found myself Googling paintings by Chaïm Soutine. It’s a pastime I’ve indulged ever since visiting an exhibition of his portraits of hotel staff on the French Riviera during the 1920s – paintings that combine such a mixture of tenderness and debasement that it’s as if his brush is kissing and beating his subjects at the same time.
I flicked through images of hopelessly innocent cooks and bellboys, with complexions the colour of raw sausage and ears that look as if they have been brutally yanked. And as I did, I came across a review of the very show where I had first encountered Soutine’s works. Ah, I thought, looking forward to luxuriating in literature about his particular genius for kindly sadism.
Real Madrid and Manchester United put their faith in familiarity but the lesson of Ferguson is dynastic greatness rests not in tradition but ditching principles
“It is all too easy to make mistaken inferences unless the process involved is already very well understood.” Francis Crick, molecular biologist
“This club is about winning, winning and winning again. It’s in our DNA.” Álvaro Arbeloa
The EU must be more robust in order to stem the tide of international disorder, or it risks falling to authoritarian imperialism
Donald Trump is threatening to take over Greenland, the territory of a Nato ally, possibly by military force, as Vladimir Putin is trying to take over Ukraine. Even if he doesn’t actually do it, this is a new era: a post-western world of illiberal international disorder.
The task now for liberal democracies in general, and Europe in particular, is twofold: to see this world as it is and to work out what the hell we’re going to do about it.
Timothy Garton Ash is a historian, political writer and Guardian columnist
Roger Federer hailed the dominance of Carlos Alcaraz and Jannik Sinner as the six-time champion returned to the Australian Open for the first time since his retirement in 2022.
Federer, who last travelled to Australia in 2020, will headline the inaugural opening ceremony with a doubles exhibition match alongside Andre Agassi, Patrick Rafter and Lleyton Hewitt.
Alisa Efimova and her partner — and husband — Misha Mitrofanov are heading overseas for their next competition, but it won’t be to Milan for the Olympics.
Lufthansa said on Wednesday that it would bypass Iranian and Iraqi airspace until further notice while it would only operate day flights to Tel Aviv and Amman from Wednesday until Monday next week.
David Moyes is a keen admirer of massive centre-forwards, so it should not come as a surprise that Everton want to bring in all 6ft 2in of Youssef En-Nesyri from Fenerbahce. An initial loan offer, with a £20m option, is on the table for the Moroccan, leaving a decision to made in Istanbul. There is a chance Callum Wilson could swap West Ham for Merseyside to join up with Moyes, too.
Nottingham Forest are also interested in En-Nesyri but their main striking target is Olympiakos’ veteran forward, Mehdi Taremi. Sean Dyche was hoping for a quiet month but needs must and that could include sending Oleksandr Zinchenko back to Arsenal after a very forgettable loan spell at the City Ground.
From amused texts to awkward introductions, the run-up to the release of awards-tipped Shaker biopic The Testament of Ann Lee has been a strange experience
The messages started over a year ago. “The title cracked me up,” my film-loving friend Matt texted me, along with a tweet announcing a new musical called Ann Lee, starring Amanda Seyfried and directed by Mona Fastvold, about an 18th-century leader of the Shaker movement. Why would such innocuous film news delight him so much? Well, because my name is Ann Lee too.
“Yes! Fame at last!” I replied. I’ve answered in a similar vein to all the messages since then from other friends eager to break the news to me that my name was getting top billing in a prestigious Hollywood film. And I was genuinely amused and excited; for most of my life Ann Lee had seemed the beigest of names. Lee, or Li as it’s also spelled, is one of the most common surnames in the world and shared by more than 100 million people in Asia. I was sure there were many many Ann Lees out there. But when you get a film title dedicated to it? Now that’s when you start to feel your name might be special after all.
A fascinating deep dive into the discovery, use and implications of a revolutionary new treatment
Few aspects of being human have generated more judgment, scorn and condemnation than a person’s size, shape and weight – particularly if you happen to be female. As late as 2022, the Times’scolumnist Matthew Parris published a column headlined “Fat shaming is the only way to beat the obesity crisis” in which he attributed Britain’s “losing battle with fat” to society’s failure to goad and stigmatise the overweight into finally, shamefacedly, eating less. The tendency to equate excess weight with poor character (and thinness with grit and self-control) treats obesity as a moral as well as physical failing – less a disease than a lifestyle choice.
One of the great strengths of Reuters journalist Aimee Donnellan’s first book is its insistence on framing the discovery of the new weight-loss drugs within the fraught social and cultural context of beauty norms, body image and health. For those who need them, weekly injections of Ozempic, Wegovy or Mounjaro can be revolutionary. Yet for every person with diabetes or obesity taking the drugs to improve their health, others – neither obese nor diabetic – are obtaining them to get “beach-body” ready, fit into smaller dresses, or attain the slender aesthetic social media demands of them. Small wonder some commentators have likened the injections to “an eating disorder in a pen”.
For the first time in the UK, the photographer’s magnum opus is going on display in its entirety – introducing new viewers to New York’s edgy downtown scene and a generation lost to Aids. Here, she looks back at the ‘fearlessness and wildness’ of her life and times
Dipping in the freezing waters of Scandinavia, Greenland and Finland was life-changing – and full of warmth thanks to saunas, hot springs and like-minded people
Warm lights shine from the houses that dot the wintry slopes of Mount Fløyen and a cold wind blows as I stand in a swimming costume trying to talk myself into joining my friends in Bergen harbour. Stars are already appearing in the inky mid-afternoon sky.
Life-changing moments are easy to spot in retrospect, but at the time they can feel so ordinary. I didn’t know then that my wintry swim would lead to a year of adventures. I was a hair’s breadth from wimping out, but then I was in. The water was so cold it burned. I gasped for breath. The bones in my feet ached with cold as I trod water, legs frantic under the dark surface. It lasted under a minute and then we were out.
Mathilde Aurier’s 65 Rue d’Aubagne looks at the 2018 house collapse in Marseille and how the city healed itself through ‘love and solidarity’
“It was a turning point for Marseille, and it spotlighted the politics of France’s second city. There’s still a lot of things that have been left unsaid, things that aren’t pretty. But it set things into motion too.”
Playwright and director Mathilde Aurier is talking about what has been referred to as France’s Grenfell moment: the collapse of two dilapidated houses on 5 November 2018 on the Rue d’Aubagne in the Noailles neighbourhood, just a few hundred metres from the magnificent Old Port. Eight people were killed, causing a national outcry about urban inequality and social deprivation.
A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart
Here is a workplace drama, of sorts. Like many people, Daisy (Lili Reinhart) works a desk job using a computer. Unlike most people, fainting at work is a rite of passage; she moderates videos on social media that have been reported for violating the terms of service. That means watching everything from horrible porn to horrible politics to horrible accidents and everything in between, a non-stop diet of videos with titles such as “fetus in blender” or “strangulation but she doesn’t die”.
Her boss takes her to task for deleting a graphic video showing a suicide, which supposedly has news value and should have been left up. But the tipping point for Daisy is a really nasty video titled “nailed it”, which shows violence and cruelty that she believes is real and non-consensual. So begins a low-key quest to track down the perpetrator, though she is far from sure what she will do when she finds them. Nor is she altogether sure why it is this particular video, of all the trash and hatred washing over her, day in, day out, that has inspired her obsession. Her colleagues and boss shrug off her concerns: this video is nothing special.
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