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Iran protest doctor: ‘In one street, I saw blood pooled in a gutter with a trail stretching several metres’ | Anonymous

I’ve worked as a surgeon in disaster zones. Nothing compares to the nightmare I saw in Iran’s hospitals when the state started shooting protesters

By 8 January, Iran’s anti-regime protests that began in late December had spread across the country with reports of at least 45 people killed by security forces. Over the next three days the regime appears to have instigated a brutal crackdown on protesters that is now estimated to have led to the deaths of more than 5,000 people.

By the time I reached the hospital in Tehran on Thursday (8 January) night, the sound of the city had already changed.

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© Photograph: Mamlekate

© Photograph: Mamlekate

© Photograph: Mamlekate

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‘This is what fascism looks like’: terror in Minneapolis reminiscent of civil war

Alex Pretti’s death could be a moment of reckoning for Democrats to call time on Trump waging war on his people

Wearing helmets, gas masks and camouflage fatigues, the federal agents took aim and prepared to open fire. “It’s like Call of Duty,” one could be heard saying via a TV mic, referring to a first-person shooter military video game. “So cool, huh?”

This was the scene on the streets of Minneapolis on Saturday after armed agents, wearing masks and tactical vests, wrestled 37-year-old Alex Pretti to the ground and shot him dead. The killing took place just over a mile from where Renee Good was fatally shot on 7 January, a scene that itself was less than a mile from where police murdered George Floyd in May 2020.

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© Photograph: Kerem Yücel/AFP/Getty Images

© Photograph: Kerem Yücel/AFP/Getty Images

© Photograph: Kerem Yücel/AFP/Getty Images

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‘People can be cruel – I learned that early’: US pop star Madison Beer on child fame and fan attacks

Signed at 13 and dropped by 16, Beer’s path to stardom has not been easy. Now 26, she says she’s finally making music for herself and happy to wear her heart on her sleeve

Madison Beer may only be 26, but she is something of a veteran in the pop industry. She got her start at 13, after Justin Bieber tweeted a link to a YouTube video of her covering Etta James’s At Last, and has spent the intervening decade-plus toiling away in mainstream pop, amassing a huge gen Z fanbase in the process – including more than 60 million followers between Instagram and TikTok. It’s an understatement to say that her career has been a slow burn: the day before we speak, it’s announced that her single Bittersweet, released in October, has become her first song to reach the US Hot 100 chart, entering at No 98. When I suggest congratulations are in order, she shrugs off the achievement. “I’m obviously super excited and thankful whenever a song performs well, but I think I’m at the point where I love what I make, and I’m proud of it regardless,” she says amiably, before laughing. “Only took me like, 15 years! But it’s cool.”

Beer’s attitude is indicative of someone whose career has progressed in fits and starts, a far cry from the kind of meteoric rise that fans and onlookers sometimes expect to see in aspirant pop stars. As she prepares for the release of her third album, Locket, she is in prime position to break through to pop’s upper echelon: Her 2023 album Silence Between Songs featured the sleeper hits Reckless and Home to Another One, the latter a sorely underrated Tame Impala-inspired cut, and in 2024 she released Make You Mine, a Top 50 single in the UK which was nominated for a best dance pop recording Grammy.

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© Photograph: Morgan Maher

© Photograph: Morgan Maher

© Photograph: Morgan Maher

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‘I don’t go around telling people I love the Spice Girls’: Mo Gilligan’s honest playlist

The comedian’s dad got him into Bob Marley, and Jamiroquai takes him to another dimension. But which girl band classic does he secretly love?

The first single I bought
Rollout (My Business) by Ludacris from HMV in Lewisham Shopping Centre. I played it over and over.

The first song I fell in love with
I grew up listening to a lot of reggae – my dad was a Rastafarian – so Get Up, Stand Up by Bob Marley was always playing in the house when my mum was dishing out the chores. It’s ironic that it’s a song about redemption when you’re being told to clean the house.

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© Photograph: Thomas Morgan

© Photograph: Thomas Morgan

© Photograph: Thomas Morgan

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Van Poortvliet leads way before limping off as maddening Harlequins flop again | Michael Aylwin

Leicester cope remarkably after illness swept through their squad but Quins cannot bring Champions Cup form to the Prem

English rugby long ago gave up trying to explain the phenomenon that is Harlequins. Quantum physicists would struggle. Two weeks ago here, we watched this same team put 60 past the thitherto unbeaten Stormers from South Africa on the way to qualifying from the Champions Cup, a competition for the best domestic sides in Europe and, as if that were not enough, South Africa, a land of frightening beasts and double World Cup-winners.

This is the same team that won in La Rochelle only last weekend to clinch that home tie in the last 16. Ridiculously, it was Quins’ win against all odds on the west coast of France that afforded Leicester last-gasp entrance by default into that very same elite of the elite. Well, you would never have guessed it, had you been here to witness the latest capitulation at the Stoop, a 34-7 humiliation on Saturday.

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© Photograph: Steve Bardens/Getty Images

© Photograph: Steve Bardens/Getty Images

© Photograph: Steve Bardens/Getty Images

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