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Guillermo del Toro’s ‘jazz hands’ at Oscar lunch a recreation of Shining photo, director says

The picture, taken with Paul Thomas Anderson at this year’s Oscar nominee lunch, recalls the eerie image that closes Kubrick’s 1980 horror classic

Frankenstein director Guillermo del Toro’s “jazz hands” pose in the Oscar nominee luncheon photo was part of his and fellow director Paul Thomas Anderson’s attempt to recreate the celebrated group shot, featuring Jack Nicholson, that appears at the ending of The Shining.

Del Toro responded to a post – in which he and Anderson had been inserted into the image from the 1980 horror film directed by Stanley Kubrick – by saying: “[Y]ou got it! PTA and I said: Let’s do the Shining pose and we tried.”

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© Photograph: Richard Harbaugh/The Academy

© Photograph: Richard Harbaugh/The Academy

© Photograph: Richard Harbaugh/The Academy

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Forget Jim Ratcliffe’s half-apology: to speak of immigrants ‘colonising’ Britain is wrong and sinister | Sunder Katwala

He fused an echo of Enoch Powell with the spirit of the far right’s great replacement theory. This is no way to progress a humane migration debate

Has Britain been colonised by immigrants? That is what the Manchester United co-owner Jim Ratcliffe claimed in an interview with Sky News. He later said that he was sorry that his “choice of language has offended some people”, saying that what he had intended was to talk about how to control and manage immigration to promote growth.

While Ratcliffe did not define the immigrants by race, to talk about Britain being “colonised” will inevitably be heard that way by many people. After all, the fact that Britain is a multiethnic and multifaith society today reflects the imperial and post-imperial history of Britain colonising much of Africa, and south and south-east Asia – and of postwar immigration from colonies and newly independent Commonwealth states.

Sunder Katwala is director of British Future

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© Photograph: Christopher Furlong/Getty Images

© Photograph: Christopher Furlong/Getty Images

© Photograph: Christopher Furlong/Getty Images

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Dolomites diary: lederhosen, late buses and the anatomy of an Olympic ski jumper

Covering the first week of events at Milano Cortina 2026 has been enlightening but not straightforward

It’s a seven-hour trip from one end of the opening ceremony to the other. I leave Milan at midday and arrive in Cortina just as the athletes are making their parade around the town square. Cortina’s a one-street town, and it’s been closed down, but everyone’s hanging off the balconies. I see three men in lederhosen, five in identical Wayne Gretzky jerseys, and more people than I can count in luxurious furs. The first person I talk to is a member of the Qatari police force, who is working here as part of a security agreement between the two countries. This is the sixth Olympics I’ve worked on, but the others all took place in summer. I’m pleased to see he looks even more out of place than me.

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© Photograph: Tom Jenkins/The Guardian

© Photograph: Tom Jenkins/The Guardian

© Photograph: Tom Jenkins/The Guardian

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LeBron James, 41, makes more NBA history as oldest player to post triple-double

  • Star has 28 points, 12 assists, 10 rebounds in Lakers win

  • Record stood for 22 years since being set by Karl Malone

  • First triple-double for James since February 2025

Deep in the 23rd season of the longest career in NBA history, LeBron James is still dropping triple-doubles – on the Dallas Mavericks and on Father Time.

James became the oldest player to have a triple-double Thursday night, accomplishing the feat at 41 years and 44 days old during the Los Angeles Lakers’ 124-104 victory at home over the Mavericks.

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© Photograph: Mark J Terrill/AP

© Photograph: Mark J Terrill/AP

© Photograph: Mark J Terrill/AP

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Starmer condemns Reform UK’s ‘racist rhetoric’ – UK politics live

PM says country’s discourse is being poisoned and polluted by rhetoric ‘pitting communities against one another’

The Equality and Human Rights Commission has welcomed a high court ruling defending the interim guidance it issued to organisations about the implications of the supreme court judgement saying that, when the Equality Act refers to sex, it means biological sex.

The guidance – described as an “interim update” – was controversial because it was seen as over-prescriptive, and the Good Law Project launched a legal challenge.

We welcome the court’s conclusion that the interim update was lawful and the EHRC did not act in breach of its statutory duties.

We issued the interim update in response to a high level of demand immediately after the supreme court’s ruling. We were concerned that organisations and individuals could be subject to misinformation and misrepresentation of the judgment and its consequences. That might have led to them failing to comply with the law: adopting or maintaining discriminatory policies or practices, to the detriment of those the law is supposed to protect.

It is wrong because it reduces trans people to a third sex. It is wrong because it gives little or no weight to the harm done to trans people by excluding them. And it is wrong because it is not interested enough in the rights of people who are trans to keep their status private.

The tragic irony for [Morgan] McSweeney [Starmer’s chief of staff until Sunday] was that Starmer’s 18 months as prime minister have only vindicated Blair’s central analysis of their project. McSweeney and Starmer might have identified what they disliked most about the excesses of New Labour, but they never developed an alternative political economy of their own that might replace it. In place of Blairism there was no theory of political reform or coherent critique of British state failure, no analysis of Britain’s future place in the world or any kind of distinct moral mission. All there was was a promise to “clean things up” as Starmer put it to me. The mission became, in essence, conservative: to protect the settlement erected by Blair and eroded over the 20 years since his departure. Britain could thrive if it could only begin to live within its means, attract more foreign investment, reassure the bond markets and return a sense of “service” to government. After years of chaos, mere stability would be change. And this would be enough.

Where there was distinct radicalism – from McSweeney’s Blue Labour instincts – there was no mandate. McSweeney and Starmer had not fought an ideological battle to bring Blue Labour to government, as Wilson had done for socialist modernisation in the 1960s and Blair for liberal progressivism 30 years later. This was largely because Starmer never really believed in it in the first place and McSweeney, though a reflective thinker, was always more of an operator than political theorist. And so, the pair offered a programme without a programme, a government without ideas or the mandate to enact them.

Another of those who worked for [Stamer] adds: ‘He’s completely incurious. He’s not interested in policy or politics. He thinks his job is to sit in a room and be serious, be presented with something and say “Yes” or “No” – invariably “Yes” – rather than be persuader–in-chief.’ Even before he fell out with Starmer, Mandelson told friends and colleagues that the Prime Minister had never once asked him ‘What really makes Trump tick?’ or ‘How will he react to this?’.

Others dispute the claim of incuriosity. ‘There are subjects when he drills down and he’s really, really good,’ says another aide. ‘The idea he can’t think politically is also wrong. He will often think ahead.’ But even these loyalists admit Starmer lacks a ‘philosophical worldview’.

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© Photograph: Suzanne Plunkett/Reuters

© Photograph: Suzanne Plunkett/Reuters

© Photograph: Suzanne Plunkett/Reuters

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‘It’s over for us’: release of new AI video generator Seedance 2.0 spooks Hollywood

An AI clip featuring Tom Cruise and Brad Pitt fighting has caused concern among industry figures

A leading Hollywood figure has warned “it’s likely over for us”, after watching a widely disseminated AI-generated clip featuring Tom Cruise and Brad Pitt fighting.

Rhett Reese, co-writer of Deadpool & Wolverine, Zombieland and Now You See Me: Now You Don’t was reacting to a 15-second video showing Cruise and Pitt trading punches on a rubble-strewn bridge, posted by Irish film-maker Ruairí Robinson, director of 2013 sci-fi horror The Last Days on Mars. Reposting the clip on social media, Reese wrote: “I hate to say it. It’s likely over for us.”

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© Photograph: Samir Hussein/WireImage

© Photograph: Samir Hussein/WireImage

© Photograph: Samir Hussein/WireImage

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Dual nationals to be denied entry to UK from 25 February unless they have British passport

New border controls require ‘certificate of entitlement’ to attach to second nationality passport that costs £589

Dual British nationals have been warned they may be denied boarding a flight, ferry or train to the UK after 25 February unless they carry a valid British passport.

The warning by the Home Office comes amid scores of complaints from British people living or travelling abroad who have suddenly found themselves at risk of not being allowed into the country.

If you are affected by the change and want to share your story, email lisa.ocarroll@theguardian.com

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© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

© Photograph: NurPhoto/Getty Images

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Michael Kors celebrates 45-year career with show toasting chic women of New York

Night at the opera theme for Kors’ autumn-winter collection features elegant gowns draped in opulent coats

Five years ago, Covid prevented Michael Kors celebrating 40 years as a fashion designer, so nothing was going to stop him partying when that figure reached 45. “It’s crazy, I’ve been in fashion 45 years, but I’m only 32,” said Kors, 66.

The sweeping double staircase of the Metropolitan Opera House in New York became the catwalk for a fashion week show dedicated to the chic women of the city. On Kors’ best dressed list is the “amazing, remarkable” Rama Duwaji, the city’s first lady as wife of the mayor, Zohran Mamdani.

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© Photograph: Jeenah Moon/Reuters

© Photograph: Jeenah Moon/Reuters

© Photograph: Jeenah Moon/Reuters

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Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph

Alexandra Palace, London
Following a six-night stint in NYC, Fred Gibson returns to London for a brilliant, five-hour melange of his own tracks and wildly energising guest-star mini-sets

Fred Again, AKA Fred Gibson, has been on an impressive run in recent months: a tour from Madrid to Mexico City, a six-night residency in New York, and the emergence of dozens of the songs forming his unfolding album, USB002. He now comes home to the UK; literally with this four-show residency at Alexandra Palace in London, and also in the musical homages he pays on the opening night.

In succession, Gibson plays Arctic Monkeys’ When the Sun Goes Down, a techno mix of EsDeeKid’s 4 Raws, and a blend from Spice’s dancehall track So Mi Like It to the Chariots of Fire theme over a drum’n’bass beat – comedy patriotism, but very enjoyable for it, and all showing absolute disregard for any sense of purism in electronic music.

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© Photograph: PR

© Photograph: PR

© Photograph: PR

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New clues in search for Savannah Guthrie’s mom, border czar announces end of Minneapolis ICE surge

Authorities in Arizona say they have a lot of new potential evidence in the disappearance of Savannah Guthrie’s mom Nancy, including brand new video of a man they want to speak to. Meanwhile, the ransomer who says they know the ID of the kidnapper is getting impatient. President Trump’s Border Czar Tom Homan says the...

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Love in a cold climate: Winter Olympic village runs out of condoms after three days

  • Athletes in Italy have been ‘promised more will arrive’

  • Free condoms have been provided since 1988 Olympics

Free condoms for competitors at the Winter Olympics have run out within a record-breaking three days, according to La Stampa.

“The supplies ran out in just three days,” an anonymous athlete told the Italian newspaper. “They promised us more will arrive, but who knows when.”

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© Photograph: fabioberti.it/Alamy

© Photograph: fabioberti.it/Alamy

© Photograph: fabioberti.it/Alamy

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