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Every generation gets the Wuthering Heights it deserves. And Emerald Fennell’s is for the always-online | Nadia Khomami

Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste

It’s hard to think of any book with a stronger hold on its admirers than Wuthering Heights. Almost 200 years after publication, Emily Brontë’s tale of forbidden love and ruthless revenge inspires a devotion that makes any reinterpretation feel like a personal and proprietary affront.

Into this sea of sensitivities has plunged the director Emerald Fennell, whose new adaptation has become one of the year’s most debated films. Dubbed “50 shades of Brontë”, everything about it has been scrutinised: from the casting of Aussies Margot Robbie and Jacob Elordi as Cathy and Heathcliff to the anachronistic costumes and music, and the overt sexualisation of the plot.

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© Photograph: AP

© Photograph: AP

© Photograph: AP

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Berlin film festival defends Wim Wenders after Arundhati Roy attacked ‘jaw-dropping’ comments

Berlinale head says artists should not be pushed into soundbites after author quit over president’s remarks that film-makers should ‘stay out of politics’

The Berlin film festival has issued a lengthy statement “in defence of our film-makers, and especially our jury and jury president”, after what it described as a “media storm that has swept over the Berlinale” in its first few days.

The defence follows criticism levelled at the jury, in particular president, Wim Wenders, for comments made when fielding questions about the war in Gaza. Asked during the opening press conference if films can effect political change, the German film-maker said that “movies can change the world” but “not in a political way”, adding that film-makers “have to stay out of politics”.

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© Composite: Alamy, Getty

© Composite: Alamy, Getty

© Composite: Alamy, Getty

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