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Bulk review – Ben Wheatley’s quirky sci-fi brings small-budget charm to big questions

14 janvier 2026 à 10:00

Wheatley’s engaging tale sends Sam Riley’s tough-guy reporter to the home of a reclusive oligarch who has invented a ‘Brain Collider’

On a modest budget, director Ben Wheatley gives us a retro sci-fi with much tongue-in-cheek paranoia, questioning of reality and proliferation of multiverses, and featuring comic-book dialogue that’s been re-recorded, giving the whole thing a sheen of dreamlike unreality. There’s also a lot of quirky lo-fi special effects work with Airfix models.

Bulk is a movie indebted to a mountain of pop culture references listed in Wheatley’s own handwriting in block capitals over the closing credits. Space: 1999 is one – it is good to see it there, and see it reflected in the preceding film – and with the monochrome cinematography, Dutch angles and looming closeups there’s a bit of John Frankenheimer and a little of Chris Petit. The film is massively self-indulgent, often funny, rescued from its not infrequent longueurs by its stars, those very likable performers Alexandra Maria Lara and Sam Riley, who are a real-life married couple.

28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zombie horror

The Guardian

Par :Peter Bradshaw

13 janvier 2026 à 22:00

A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile

It’s very rare for a fourquel to be the best film in a franchise, but that’s how things stand with the chequered 28 Days Later series. In this one, which follows immediately on from the previous episode, 28 Years Later, Ralph Fiennes and Jack O’Connell bring pure death-metal craziness. There is real energy and drama in this latest iteration of the post-apocalyptic zombie horror-thriller saga, created by director Danny Boyle and screenwriter Alex Garland back in 2003, with Nia DaCosta taking over directing duties for this film. Fiennes’s dance to Iron Maiden’s The Number of the Beast is basically one of the most extraordinary moments of his career. At the screening I attended, we were on our feet, looking for a speaker bin to headbang into. The band surely has to rerelease this track with Fiennes’s performance as a new official video. His Voldemort was never so freaky.

It is just so exhilarating to see this intergenerational face-off between such superb actors as Fiennes and O’Connell. That brings us to the point of my agnosticism about this whole franchise; Bone Temple is the best for an interesting reason – because the zombies are almost entirely irrelevant and are at a minimum. The always slightly dull business of zombieism is de-emphasised, and what counts is the conflict between sentient human beings. Even the one important zombie here is interesting because he is being transformed into something else.