‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

15 février 2026 à 11:00

He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor

David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.”

We meet on a Friday afternoon at a photo studio in Islington, closer to where Jonsson lives now in north London than to Custom House in the East End, where he grew up. He arrives wearing a beanie pulled tight over his cornrows and a windbreaker. He looks stylish but carries a delicate shyness that mirrors his character’s air of desperation. Wasteman, which opens this month after a critically acclaimed festival run that netted five British Independent Film awards (Bifa) nominations including best lead performance for Jonsson, tells the story of Taylor, a young father who has spent 13 years in prison for a crime he committed as a teenager. In the film’s unflinching depiction of the British prison system, he’s referred to as a “nitty” – UK slang for a desperate, pathetic drug addict. Jonsson lost 1.8 stone to embody Taylor’s “wasted” physique. “I was mawga, properly skinny,” he says, slipping into patois.

‘It launched a million fantasies’: the greatest ever TV romances

The Guardian

Par : Lucinda Everett · Chitra Ramaswamy · Hollie Richardson · Michael Hogan · Michael Cragg · Ann Lee · Sarah Dempster · Jack Seale · Lucy Knight · Alexi Duggins · Phil Harrison · Sasha Mistlin · Coco Khan and Kate Abbott

13 février 2026 à 11:27

From sparks flying during The OC’s Spider-Man snog to love stories so powerful they make you weep, Guardian writers pick the television couples whose tales never fail to make hearts pound

As TV romances go, it’s not the most original. Nerdy teen boy finally gets the queen bee he’s loved since they still had baby teeth – and off we pop on a four-season cycle of dramatic breakups and grand-gesture-fuelled reunions. Yet through all of the faintly ridiculous plotlines, their romance is anchored by that most elusive of on-screen tricks: actual, palpable chemistry. There is the sarcastic sparring, the physical spark (who could ever forget that Spiderman snog?) but also a feeling of deep care and genuine friendship – one that helps both characters grow into promising mini-grownups by the end. Watching the pair navigate insecurities, battle identity crises and generally make some spectacularly poor choices, lets us all feel better about the emotional dumpster fires of our own adolescence. And the fact that they keep on choosing each other speaks to that part of our teen selves that longed to find someone who might jump on to a coffee cart and declare their love for us – or at least wait around all summer while we campaigned to save sea otters. Lucinda Everett

The tunnel runway at the Super Bowl – and the rise of the ‘unicorn bag’

The Guardian

Par : Sasha Mistlin

13 février 2026 à 08:00

On game day, where fashion has become a huge part of athlete identity, professionals are reaching for codified displays of their wealth

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On Sunday night the Seattle Seahawks beat the New England Patriots in Super Bowl LX, Bad Bunny put on a spectacular half-time show, and multiple players all walked down the tunnel from the car park to the dressing rooms carrying the same logo’d bag. The bag in question, by luxury French brand Goyard, isn’t part of any official uniform – and isn’t really known outside of its 0.1% customer base. But it has become as ubiquitous a status symbol among American football players as their AirPods Max headphones and Richard Mille watches – and is part of a brave new world of tunnel fits.

Most primetime NFL games’ coverage start hours before kick-off, as photographers, fans and pundits alike pore over players’ sartorial choices just as they would their missed tackles and spectacular catches.

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