Overshadowing the Matildas’ return home is the dire state of the domestic league.
As Sam Lewis explains, the A-League Women has stagnated and its players are the lowest-paid professional athletes in the country, according to a report from earlier this month.
(Hyperdub) The dancefloor producer weaves seductive and steely lyrics with their trademark production in a convincing embrace of pop
Sad represents a total reinvention for Ikonika, theproducer, songwriter and singer also known as Sara Chen. Putting their own vocals at the forefront of their music for the first time, Chen becomes a charismatic and haunting pop presence. Sometimes, they play the role of warm R&B vocalist (Listen to Your Heart); at other times, such as on the nervy, hypnotic Whatchureallywant, they’re seductive and steely, commanding the dancefloor over production that draws equally from bass music and South African amapiano.
Ikonika has long been an established presence in underground electronic music. They have been signed to the Hyperdub label for nearly 20 years; muscular, sprightly releases such as 2020’s Your Body and 2018’s The Library Album have contributed to their reputation as a brash, warm-spirited producer. But Sad has the feel of a debut, centring sounds from northern and southern Africa (Chen is part-Egyptian) on tracks like Sense Seeker and Gone. Their lyrics draw on ideas of safety and care, pushing their persona past “party starter” and into more complex territory.
Andriy Yermak said authorities given ‘full access’ to his apartment, and that he is cooperating with the officers, with his lawyers present
Ukrainian anti-corruption authorities are searching properties linked to president Volodymyr Zelenskyy’s powerful chief of staff Andriy Yermak.
In a post on Telegram, Yermak confirmed the authorities were given “full access” to his apartment, and that he is cooperating with the officers, with his lawyers present.
Libertadores Cup final sees the latest chapter in a rivalry that is dominating the continent thanks to European levels of funding and player recruitment
To the surprise of few and the despair of many, it will be either Palmeiras or Flamengo lifting the Copa Libertadores trophy on Saturday at Lima’s Estadio Monumental. With this year’s final, one of these two Brazilian giants will have won five of the last seven editions, a run that underlines how both clubs have transformed themselves into South American super clubs, reshaping the competitive landscape in the process.
Yet this final is more than another chapter in Brazil’s dominance, broken only by River Plate’s 2018 triumph in the past nine years. It marks the latest peak in a decade-long evolution that has seen Palmeiras and Flamengo grow into institutions with European-scale reach, resources and expectations. Their rise has altered the logic of the Libertadores itself, its transfer market, its competitive balance, even its sense of what is attainable for South American clubs.
The Uzbek won $120,000 and qualified for the 2026 Candidates in Cyprus, which will decide the official challenger for Gukesh Dommaraju’s world crown
Javokhir Sindarov, 19, became the youngest ever winner of the Fide knockout World Cup on Wednesday when the Uzbek teenager defeated China’s Wei Yi 2.5-1.5 in the final at Goa. Ukraine’s Ruslan Ponomariov had been a year younger in 2002, but that World Cup had also doubled as the Fide world championship in a period when the global title was disputed.
Wei was the favourite, but handicapped himself by poor time management in the decisive game. He declined a draw and could have gained a near-decisive edge by 52 g4! when Black’s king is trapped on the back row, and right at the end could have drawn by 57 Kg2! Qh4 58 Rf8+! when White can force perpetual check. Instead, he blundered into a checkmating attack.
SW19 champion baffled by post-match suggestions she should have let Amanda Anisimova win one game in grand slam final as she turns focus to Australian Open in 2026
In the coming months, if and when her schedule allows, Iga Swiatek will make a pilgrimage to London and the All England Club, the scene of her biggest and, she admits, most surprising triumph. In July, the 24-year-old won her first Wimbledon title and sixth grand slam title in all, crushing a hapless Amanda Anisimova 6-0, 6-0 in the final.
It was the undoubted highlight of an up-and-down year for the Pole, who struggled on her best surface of clay but who will end 2025 ranked No 2, her fourth year in a row finishing inside the world’s top two.
The SailGP championship harnesses sailors’ competitive instincts in the cause of sustainability as teams vie to be the greenest of them all
British sailors have always been a belligerent bunch. Francis Drake, Lord Nelson, Admiral Cunningham … and, of course, Sir Ben Ainslie. The most successful Olympian in sailing’s history is also the sport’s equivalent of The Hulk: you really don’t want to make him angry.
So perhaps it’s a good thing that there has been plenty to annoy him this year, not least that acrimonious split from his America’s Cup team owner, Sir Jim Ratcliffe. In true Ainslie style, it only seems to have made him more dangerous. His Emirates GBR team top the SailGP championship going into this weekend’s grand final. And on Wednesday, they were named 2025 winners of its Impact League, which ranks the racing teams on the contribution they have made to their social and natural environment.
(Ghostly International) Sharon Van Etten, Stephen O’Malley, Perila and more transform the duo’s gloomy, sensual songs on an album of covers and remixes
HTRK have been making their gloomy, sensual brand of music, at the intersection of electronic pop and noise rock, for 22 years. To mark the milestone comes String of Hearts, a collection of covers and remixes featuring an all-star cast of friends and collaborators, from next-gen underground favourites like Coby Sey to fellow old-school experimentalists Liars. This brilliant, genre-agnostic record allows you to trace the breadth of the Melbourne band’s shapeshifting sound, echoes of which can now be found all over underground and commercial music, without leaning too hard on nostalgia.
The record spans HTRK’s early hits right up to their most recent album Rhinestones, a period in which they’ve shifted from a darker, industrial palette to warmer territory. Not that you’d be able to tell here: instrumentals are reshaped by Loraine James’s IDM-style glitches and Zebrablood’s atmospheric breaks, while Jonnine Standish’s disaffected vocals are transformed into desperate alien wails by Liars.
In this week’s newsletter: Ultimately, climate progress will come from real-world action, and this year’s summit made some promising strides on that front
Some commentators have called Cop30 a failure. An attempt to insert plans for a route to the phaseout of fossil fuels into the legal text was stymied, consideration of how to improve countries’ emissions-cutting plans was put off till next year, and although developing countries got the tripling of finance for adaptation that they were seeking, it will not be delivered in full until 2035 – and will come out of already promised funds.
Look beyond the headlines, however, and the Cop achieved a great deal more. Take the outcome on fossil fuels – it seems absurd, but until 2023 three decades of annual climate summits had failed to address fossil fuels directly.
This collection of macabre stories set across England explores class, hierarchy and the enduring nature of inequality
Folk horror may have had a dramatic resurgence in recent years, but it has always been the backbone of much of our national storytelling. A new anthology of 10 stories set across England, Bog People, brings together some of the most accomplished names in the genre.
In her introduction, editor Hollie Starling describes an ancient ritual in a Devon village: the rich throw heated pennies from their windows, watching those in need burn their fingers. Folk horror by its nature is inherently connected to class and hierarchy. Reverence for tradition is a double-edged sword – or a burning-hot coin.
The rain stops, the sun shows, another night comes dark and flowing with energy. I don’t sleep; I feel my way through the landscape, the trees that reach and catch my shirt sleeves, holding on to me, saving me from slipping on mossy roots, the unfriendly gorse keeping me at a distance, saying don’t step here, stopping me from tearing my feet on its throne of thorns. Stars alive, alight, I wish you could see them…
First light fattened like a dying star and formed the signature of an industrial town already at toil predawn, its factory stacks belching the new day black, the mills dyeing the forked-tongue river sterile inside that Hellmouth north of Halifax where paternal cotton kings had housed their workers in spoked rows of blind back-to-backs quick to tilt and rot.
Incident north of Tokyo comes after a record 13 deaths from bear attacks in Japan since the start of April
A man has been attacked by a bear in a public toilet in Japan, local media reported on Friday – the latest in a record-breaking wave of attacks this autumn, including those in populated areas.
The victim, a 69-year-old security guard, told police he had noticed the bear, which was 1-1.5 metres long, peering inside as he was about to leave the building in Gunma prefecture, north of Tokyo, in the early hours of Friday, Kyodo news agency and broadcaster NHK reported.
As navies seek to counter submarines and protect cables, startups and big defence companies fight to lead market
Flying drones used during the Ukraine war have changed land battle tactics for ever. Now the same thing appears to be happening under the sea.
Navies around the world are racing to add autonomous submarines. The UK’s Royal Navy is planning a fleet of underwater uncrewed vehicles (UUVs) which will, for the first time, take a leading role in tracking submarines and protecting undersea cables and pipelines. Australia has committed to spending $1.7bn (£1.3bn) on “Ghost Shark” submarines to counter Chinese submarines. The huge US Navy is spending billions on several UUV projects, including one already in use that can be launched from nuclear submarines.
Lati-Yana Brown’s parents had asked for application to be expedited so she could join them in UK after house ruined
An eight-year-old girl left destitute in Jamaica after Hurricane Melissa has been barred from coming to the UK to join her parents.
The Guardian reported on the case of Lati-Yana Stephanie Brown after the hurricane. Her mother, Kerrian Bigby, a carer, moved from Jamaica to be with Lati-Yana’s British father, Jerome Hardy, a telecommunications worker, in April 2023, leaving their daughter to be cared for by her grandmother.
Fast bowler deemed not ready to return for Gabba day-night Test
Opener Usman Khawaja retains place in 14-man squad
The opportunity that England squandered in Perth has presented itself once more after Australia opted to play it safe with Pat Cummins and name an unchanged squad for next week’s day-night second Test at the Gabba.
Beyond their match-defining collapse on the second afternoon, one of the most galling aspects of England’s eight-wicket defeat in the first Test was the fact that both Cummins and Josh Hazlewood – two longstanding members of their fabled fast bowling group – were missing.
It’s important to express your disagreement: for their sake as much as yours, writes advice columnist Eleanor Gordon-Smith. But first decide on what you aim to accomplish
How do I respond to someone who contributes to a conversation with “I’m not racist, but … ” and then inevitably proceeds to say something racist, such as talking about immigrants on benefits or getting priority for housing?
I’m referring to social occasions with people that I am not necessarily close to but rather acquaintances I may bump into semi-regularly. I feel myself getting simultaneously angry and tongue-tied and I mostly sit with my frustration to maintain some sense of harmony in the group.
The death toll from the Hong Kong apartment complex fire that began on Wednesday has risen to 128 with as many as 200 missing, officials have said, as rescue operations were declared over.
Firefighters were combing through the high-rises on Friday morning, attempting to find anyone alive after the massive fire that spread to seven of eight towers in one of the city’s deadliest ever blazes.
The number of women globally who commit violent crimes is very small – in 2021 they were responsible for just 10% of homicides. Indeed, women are far more likely to be victims than perpetrators. But when women do kill, in many cases the victim is a male partner or family member and there is a history of domestic abuse.
Data and research suggests the majority of women on death row around the world have been sentenced to death for the crime of murder, and that most of these were committed in the context of gender-based violence. Women kill to save themselves – only to face abuse and death again.
Make all the individual elements ahead of time, then, on the day, as if by magic, you can conjure up this amazing tower of choux buns and smother it in boozy chocolate sauce
Christmas is the perfect time for something a bit more extravagant and theatrical. And a very good way to achieve this is to bring a tower of puffy choux buns to the table and pour over a jugful of boozy chocolate sauce and coffee caramel while everyone looks on in awe. To help avoid any stress on the day, most of the elements can be made ahead: the chocolate sauce and caramel can be gently reheated before pouring, while the choux shells can be baked the day before and crisped up in the oven for 10 minutes before filling.
In a social media post sent late on Thanksgiving, US president said he would ‘end all federal benefits and subsidies to noncitizens’ following Washington DC shooting
Donald Trump has said he will “permanently pause migration from all third world countries,” a day after two national guard members were shot in Washington DC in an attack that has become a political flashpoint in the president’s ongoing crackdown on immigration.
In a social media post beginning with “a very happy Thanksgiving,” sent after 11pm on Thursday, the US president said his administration would “end all federal benefits and subsidies to noncitizens” and remove “anyone who is not a net asset to the United States”.
Our student theatre group had the bright idea of using actual knives on stage for authenticity. The blade missed my aorta by about a centimetre
As someone committed to my craft, I’ve always believed that the show must go on. An accident in my second year of university took it to new extremes. It was the Exeter University theatre society’s annual play at the Edinburgh fringe and I’d landed the part of Cassius in Julius Caesar. The director decided that instead of killing himself, Cassius would die during a choreographed fight with his rival, Mark Antony. We also chose to use real knives, which sounds absurd, but we wanted to be authentic. The plan was for the actor playing Antony to grab my arm as I held the knife, and pretend to push it behind my back. We must have rehearsed the sequence 50 times.
We were about halfway through our month-long run, performing to a decently sized audience. Dressed in our togas, with the stage dark and moody, we began the fight as usual. Then something went wrong.
The war in Ukraine is a crime. But European leaders should be working for peace, not preparing young people to fight and die
When I was growing up, the most German sentence imaginable was: “We’ve lost two world wars and we’re proud of it.” We were so anti-military, we even gave our policemen green uniforms, to make them look more like foresters than soldiers. Now, the chancellor, Friedrich Merz, wants our army to become the strongest in Europe. I mean, what could go wrong?
After we lost the second world war – or, as we prefer to say, after we were liberated by the allies – we swore “never again”: never again to war, and never again to Auschwitz. Admittedly, Germany rearmed in 1955, but just as “citizens in uniform”, not as soldiers following orders. Mind you, that didn’t mean that you could say “no” to an order; it just meant that we had conscription for most young men until 2011.
Kanal is 95% complete and on schedule but plans to slash its budget mean conversation around its opening have moved from ‘when’ to ‘if’
A year before its scheduled opening on 28 November 2026, building works at Kanal, a new contemporary art museum in Brussels, are running on time.
Housed in a remodelled former Citroën garage on the north-western edge of the city centre, the centre is 95% complete. Curators are putting the finishing touches to an opening show that will feature works by Matisse, Picasso and Giacometti on loan from the Centre Pompidou in Paris. Trilingual wall texts in English, Dutch and French have already been signed off.
Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills
‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston. “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.”
It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chatting until dawn. The talk laid the ground for what would eventually become Before Sunrise, a star-crossed romance that channelled an off-screen bromance as it sent Hawke and Julie Delpy wandering around mid-90s Vienna, walking and talking and stopping to kiss. “Yeah, that was the moment. That set the tone,” says Linklater, remembering. “Meeting Ethan backstage, then flying out to Vienna.”
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