The Girl, based on Samantha Geimer’s memoir, will revisit ‘one of Hollywood’s most notorious scandals through the eyes of the person most misrepresented by it’
A new movie will explore the notorious Roman Polanski statutory rape scandal from the perspective of the 13-year-old girl, Samantha Geimer.
The Girl, based on Geimer’s 2013 memoir The Girl: A Life in the Shadow of Roman Polanski, will trace her time in the famous director’s orbit in the 1970s, her experience being subjected to sexual assault and the media maelstrom that followed after Polanski, then 43, was arrested in 1977 on charges of statutory rape and lewd and lascivious act with a child.
Counterculture comedy One Battle After Another wins four awards, including best picture, director, screenplay and supporting actor for Sean Penn
Paul Thomas Anderson’s counterculture comedy One Battle After Another continued its march to Oscars glory at the London Critics’ Circle film awards on Sunday evening, taking four awards, including best picture, director, screenplay and supporting actor for Sean Penn.
Auditor calls renewable energy targets ‘unrealistic’ unless ‘EU ups its game’ in mining, refining and recycling of metals such as rare earths
The EU is struggling to free itself from dependence on China and countries in the global south for critical minerals and rare earths needed for everything from smartphones to wind turbines and military jets.
A damning report by the European Court of Auditors (ECA) in Luxembourg found that the bloc’s targets for 2030 were “out of reach” because of lack of progress in domestic production, refining and recycling.
Airports, road signs, animal warnings … Margaret Calvert revolutionised how Britain looked and her brilliantly clear designs are still used today. We meet the font legend and Porsche lover
Stuffed with a barrage of road signs, artful modernist chairs and all the tools of her trade, Margaret Calvert’s studio occupies the ground floor of her trim terrace house in Islington, London. She still draws by hand, using coloured pencils, ink pens and gouaches, echoes of a simpler time when there were neither computers nor gazillions of Pantone colour options. “There was also no such thing as graphic design back then,” she says. “It was just called commercial art.”
Only a handful of graphic designers have had a typeface named after them. One of the earliest was the 18th-century Italian Giambattista Bodoni, whose fonts have conferred on him a kind of immortality. But his efforts were not to everyone’s taste: William Morris was said to have loathed Bodoni’s letters, grumpily raging at their “sweltering hideousness”.
The formidable Mullan delivers a tender performance in Sean Robert Dunn’s first feature, playing a cranky local historian obsessed with his obscure, unscrupulous ancestor
Peter Mullan brings his formidable presence to this quirky dramedy from first-time feature director Sean Robert Dunn: he is angry and weary, disillusioned but kind-hearted, someone who got his feelings hurt a long time ago … but wouldn’t dream of making a fuss about it.
It’s Mullan who gives weight and flavour to a film that might otherwise be a bit watery and unsure quite how sharp a sting it wants to deliver.
Trump supporter Júnior Pena falsely claimed migrants being rounded up, including Brazilians, were ‘all crooks’
A rightwing Brazilian influencer who claimed Donald Trump’s immigration crackdown targeted only “crooks” has been arrested by ICE agents in New Jersey.
Júnior Pena, whose full name is Eustáquio da Silva Pena Júnior, declared his support for the US president in a recent video message to his hundreds of thousands of social media followers.
Famous people who speak out are often derided, but throughout time artists have used the platform they have. And if not now, when?
One of the most discordant and yet banal things about looking to the US today is how celebrity, its greatest cultural output, largely carries on as normal amid scenes of profound distress. Award ceremonies are televised, bespoke couture is pulled for the red carpet, some new film fills your social media timeline. It feels galling that a country can encompass such a sense of anguish at the same time as such glamour and wonder. And given that we are condemned to witness ICE’s transformation into a lethal, paramilitary force, such an event as the 68th Grammy awards, broadcast last night, feels at once insignificant and more important than ever as all the world watches.
The Grammys saw perhaps the most uninhibited and genuinely furious rebuke of ICE and Donald Trump that we have seen so far from celebrity figures – particularly considering that just last month, the Golden Globes was viewed as having largely ignored politics, save for a few “ICE Out” pins worn by stars including Ariana Grande and Mark Ruffalo. Grammy attendees went further. Billie Eilish followed up her call for celebrities to speak up against ICE, saying that “no one is illegal on stolen land … I feel that we just need to keep fighting and speaking up and protesting, our voices do matter and the people matter.” Perhaps most movingly, considering his stated concern around the mass deportation of Latino people, album of the year winner Bad Bunny said: “ICE out. We’re not savages, we’re not animals, we are humans and we are Americans … the only thing that is more powerful than hate is love.” These came alongside celebrations of immigration from Olivia Dean and Shaboozey.
The president called the ceremony ‘garbage’, but in reality it was a celebration of artists whose commercial success was matched by boundary-pushing boldness
Donald Trump, it seems, did not much enjoy the 2026 Grammys. Shortly after the conclusion of the ceremony’s live broadcast in the US, there he was on Truth Social, calling it “the worst”, “garbage”, “unwatchable” and threatening to sue host Trevor Noah.
Perhaps that was the reaction the Recording Academy wanted. You could, if you wished, divine a certain Maga-baiting intent not just in the decision to give the album of the year award to Bad Bunny – a Puerto Rican who attracted criticism from the Trump administration after he was booked to headline the SuperBowl LX half-time show – but the choice of the Buena Vista Social Club, a Broadway hit based on the 1997 album of the same name featuring veteran Cuban musicians, as the best musical theatre album: the latter two weeks after the New York Times reported that Cubans settled in Florida are being deported in record numbers.
Charge is designed to protect much-loved monument from overtourism, but not all visitors like the idea
Teresa Romero is in Rome to celebrate a milestone birthday and one of the first things she did on Monday was visit the Trevi fountain to participate in the ritual of tossing a coin into the waters of the late baroque masterpiece.
Speaker Mike Johnson faces narrow margins for House passage after Senate split off DHS funding amid backlash over fatal immigration enforcement shootings
House speaker Mike Johnson is set to swear in Christian Menefee, a Democrat who recently won a runoff election for a reliably blue seat in Texas.
Menefee’s victory, however, means the margin in the House is even more slim: 218 Republicans to 214 Democrats. His current term will end at the end of the year, and he’ll have to start campaigning almost immediately for the 2026 midterms. But this time, it will be for a new district, after the GOP-controlled legislature successfully gerrymandered the state’s congressional map.
Spain’s prime minister has pushed back against critics of plans to regularise 500,000 undocumented migrants and asylum seekers, asserting that Spain is choosing the path of “dignity, community and justice”.
The 46-second video, which features Pedro Sánchez speaking in English with subtitles in Spanish, was posted on social media at the weekend. “Some say we’ve gone too far, that we’re going against the current,” he said. “But I would like to ask you, when did recognising rights become something radical? When did empathy become something exceptional?”
Wael Tarabishi, who has a lifelong muscle disorder, died after Maher, his father and primary caretaker, was detained
Until three months ago, Wael Tarabishi and his father, Maher, were inseparable. It was a necessity; in addition to being best friends, Maher was the caretaker for 30-year-old Wael, who was diagnosed with a progressive muscle disorder called Pompe disease when he was a child.
As Wael’s mother said in November, Maher was his son’s “case manager, his equipment company, his doctor, his everything”.
For a quarter century, In the Mood for Love has remained one of cinema’s most romantic texts; it only makes sense that audiences swooned when Brisbane’s Gallery of Modern Art programmed the Wong Kar-wai film at its Australian Cinémathèque in late 2025. Two sessions in the venue’s 220-seat main cinema sold out swiftly. A third session was added at short notice on a night the 20-year-old site isn’t usually open, and neared capacity, teeming with eager viewers.
And not just classic cinephiles, either. The film, says Amanda Slack-Smith, Australian Cinémathèque’s longstanding curatorial manager, “got out to a lot of communities. We’re seeing a lot of intergenerational families coming in – older parents with their 50-year-old kids, and they’re bringing their kids.”
Demand by US that it take control of Arctic island is for many a reminder of troubling imperial past
On a bitterly cold recent morning in the Canadian Arctic, about 70 people took to the streets. Braving the bone-chilling winds, they marched through the Inuit-governed territory of Nunavut, waving signs that read: “We stand with Greenland” and “Greenland is a partner, not a purchase.”
It was a glimpse of how, for Indigenous peoples across the Arctic, the battle over Greenland has become a wider reckoning, seemingly pitting the long-fought battle to assert their rights against a global push for power.
Itoje missed start of camp to attend mother’s funeral
Arundell makes first England start in three years on wing
Jamie George will captain England in their Six Nations opener against Wales on Saturday with Maro Itoje named on the bench while Henry Arundell has been selected for a first start in three years.
Itoje missed the start of England’s training camp in Girona to attend his mother’s funeral in Nigeria and Steve Borthwick has opted to name the second row among the replacements. Itoje has a remarkable record of appearing in every minute of England’s matches for the last six Six Nations campaigns but Alex Coles and Ollie Chessum assume second-row duties against Wales.
Peter Mandelson has resigned from the Labour party over his links to the convicted child sex offender Jeffrey Epstein. Here’s how the depth of their relationship – both before and after Epstein’s conviction for sexual crimes – has come to light.
Marius Borg Høiby arrested on suspicion of assault and threats with knife as mother faces questions over Epstein
The son of Norway’s crown princess, Marius Borg Høiby, has been arrested on new charges just days before the start of his rape trial, as his mother continues to face questions over her relationship with Jeffrey Epstein.
The Oslo police district said Høiby had been arrested on Sunday evening on suspicion of assault, making threats with a knife and violating a restraining order.
Rightwing populist elected in landslide after promising to crack down on rising violence linked to cocaine trade
The rightwing populist Laura Fernández has won Costa Rica’s presidential election in a landslide after promising to crack down on rising violence linked to the cocaine trade.
Fernández’s nearest rival, centre-right economist Álvaro Ramos, conceded defeat as results showed the ruling party far exceeding the threshold of 40% needed to avoid a runoff.
Online gaming legend Mark Fischbach writes, directs and stars in this feature about a convict on a vague intergalactic mission – but his barebones production has nothing to show
William Goldman’s old showbiz maxim continues to apply that nobody knows anything. Independently financed horror movie Iron Lung has been smuggled into multiplexes without the usual promotional hoopla, where it was keenly awaited by the massed followers of its Hawaiian writer-director-star Mark Fischbach, better known as YouTube gaming legend Markiplier. Many of us have long sensed culture is making a decisive break with the analogue in favour of the (perhaps terminally) online and Fischbach’s film makes that paradigm shift not just visible but visceral; it feels not unlike spending 12 hours on Twitch with all the curtains closed.
Though Markiplier is approaching the horror genre from a notionally fresh angle – by adapting Dave Szymanski’s eponymous space-submarine sim – he lands on the narratively rusty idea of an astronaut straying beyond his depth; this is Moon in dimmer light. Beset by ominous rumbles and mounting doubts about the state of mankind, the begrimed and squalid craft singlehandedly piloted by Fischbach’s straggle-haired convict Simon is indistinguishable from the average teenage bedroom. Our hero staggers round this intergalactic deathtrap completing vaguely specified missions – ram this, repair that, download something or other – like a harassed dad ticking off his Sunday to-do list. In this, Simon proves more proficient than Fischbach’s offscreen self, who is either stumped by or oblivious to the film’s fundamental issues.
Trump’s presidency has brought a windfall to billionaires while hurting the poor. In these conditions, democracy cannot survive
Trump ran on a promise to lower costs on day one, but a year into his presidency, the real beneficiaries are his billionaire donors. Instead of making life more affordable for everyday Americans, Trump has used the presidency to enrich himself and his billionaire allies, while making the largest cuts to Medicaid and food assistance in history and leaving working families behind.
As families struggle with rising costs, Trump has effectively turned the White House into a slush fund, running the federal government like a personal ATM. Public money, political favors and government power are funneled to his friends and family businesses, while regulatory agencies and enforcement mechanisms are hollowed out or weaponized for profit. His oligarch allies, from big tech executives to big oil barons, are already seeing massive returns on their political investments. This is not democracy. It is a hostile corporate takeover and working people are being exploited.
Joseph Geevarghese is the executive director of Our Revolution. Rashida Tlaib is a US representative for Michigan
A rather luxuriant cheat’s way to fill that savoury pie/tart hole in your life
No time to make shortcrust? Bought puff pastry makes an instant (and decadent) alternative. Yes, I know you can buy ready-rolled shortcrust, but I wouldn’t: it’s trash. If this column didn’t have a 30-minute time constraint, I’d blitz 200g plain flour and 100g cold cubed salted butter to sand, then add one egg yolk and a tablespoon of cold water, then blitz for a few seconds, and no longer, until it just comes together. I’m unorthodox, so I then tip the pastry straight into a pie dish, quickly pat it into place and freeze for 15 minutes. Blind bake for 10 minutes at 180C(160C fan)/350F/gas 4, before removing the paper and baking beans and tipping in the filling – it’s really not very much work. But it does add 20 minutes to proceedings, which disqualifies the recipe from this column. So it’s bought, pre-rolled puff pastry instead.
There were tears after a nonsensical draw with Atalanta but young possession-based team is heading places
For the second time in less than three weeks, Cesc Fàbregas found himself in front of the TV cameras, trying to explain a scoreline that made no sense. “It’s not normal,” he said last month, after Como lost 3-1 to Milan despite “making 700 passes to their 200” (659 to 320, actually, but who’s counting?).
There was more than a hint of deja vu on Sunday as his team drew 0-0 at home to Atalanta while holding 79% of possession and attempting 28 shots. Opta put Como on 5.24 expected goals – the second-highest by any Serie A team in a shut-out since the analytics company started tracking such data 15 years ago. An astonishing number, against opponents who finished third last season and had taken 13 points from their previous five games.
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