And why not, with a gazillion spin options in their team.
“I’m very excited about today’s match,” writes Nick Parish. “This is my favourite line-up in action again, possibly my favourite of all time. I know there were some dodgy moments in Australia, but I’m confident we’re going to get somebody fabulous entertainment today. But anyway, enough about you and Harris. What do you think of the chancers on the pitch?”
Cilic has punched his ticket into round three for the first time since 2022, with the 37-year-old and 2014 US Open champ taking out the 21st seed Shapovalov in straight sets. Decent win, that. He’ll face the winner of Casper Ruud v Jaume Munar.
Stan is still alive! He’s broken Gea in the final game of the fourth set to snatch it 7-5, finishing off with a vicious backhand winner down the line. It’s got to be one of the most devastating shots in tennis hasn’t it? I don’t think even Federer’s single-handed backhand quite had the equal beauty and brutality that Wawrinka’s does. They’re going to a fifth.
Does your movie call for a golden, diamond-encrusted Furby or replica nuclear missile? The prop master will find one for you – or even make it from scratch
The red and blue pills in The Matrix. The Rosebud sled in Citizen Kane. Marsellus Wallace’s briefcase in Pulp Fiction, contents unknown. The (real) severed horse head in The Godfather. Every sword, gun, wand and lightsaber that has been brandished by an actor on a screen or stage. What do these items have in common? Nothing, except that they are a tiny sample of the staggering range of objects, from the iconic to the instantly forgotten, known as props – or, to use their formal name, “properties”.
Props are, properly defined, anything used in a performance that is not part of the set or costumes. Sourcing or fabricating them is the job of a team overseen by the prop master; the term is gender-neutral, although the prim-sounding “prop mistress” is occasionally heard. It’s a massive undertaking, but not one that gets much attention. “It’s nice that you are asking about props, because they’re not really acknowledged,” says Jode Mann, a TV prop master in Los Angeles.
No one is suggesting the sort of decision Brooklyn made is taken lightly, but support networks and the language of therapy seem to lessen the sting
As we continue to unpack the meaning of the Beckham family feud, I don’t think enough attention has been paid to the roast chicken. Perhaps you were busy having a life in December and missed it. But this week’s explosion by Brooklyn Beckham was the culmination of a chain of events triggered last month when Victoria Beckham, advisedly or otherwise, chucked a like at her son’s video of a roast chicken on Instagram.
For some, the takeaway was that Brooklyn’s chicken looked undercooked. For others, it was a reminder that you could draw a face on a balloon and achieve roughly the same level of sentience as Brooklyn in his cooking videos. All of which was to miss the point: that according to the new semiotics of family alienation, Brooklyn’s mother, by liking his post, had crossed a fraught boundary between “NC” (no contact) with her son to “VLC” (very low contact). Had Brooklyn not blocked her and the rest of the family immediately, she may have gone the whole hog and escalated to LC – “low contact” – at which point all bets would’ve been off.
Emma Brockes is a Guardian columnist
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
Gerard Piqué spoke to his former Spain teammate Iker Casillas on his podcast last February and the topic of goalless draws came up. You might expect a centre-back and goalkeeper to be excited about the art of defending but rather Piqué suggested that teams should be punished for participating in goalless draws.
“It can’t be that you go to a football stadium, spend €100, €200 or €300, and the match ends 0-0,” said Piqué. “Something needs to change. One proposal to consider would be that if the match ends 0-0, the teams would score zero points. Then the match would open up in the 70th minute.”
Ambitious owners and financial growth have allowed WSL and WSL2 clubs to assert dominance in the transfer market
“If anyone didn’t take our ambition seriously, I hope they really do after this window, because it shows what we’re pushing for.”
Amy Merricks was answering a question about Birmingham City breaking the second-tier transfer record to sign Wilma Leidhammar from Norrköping, but the head coach’s words could easily sum up the English January transfer window as a whole, as teams in the Women’s Super League, and in WSL2, demonstrate where the financial power lies in the women’s game.
Policy allowed Max Verstappen back into 2025 title race
Team due to unveil new car in Bahrain on 9 February
The McLaren team is to continue its policy of pursuing a rigorous fairness towards Lando Norris and Oscar Piastri for the 2026 Formula One season. That is despite their doing so last season allowed a late challenge from Red Bull’s Max Verstappen which might have prevented the team securing the drivers’ title, which was ultimately won by Norris.
Last year McLaren enjoyed the most competitive car for most of the season and from the off, the team insisted their drivers would be free to race one another and the team would apply what they referred to as their “papaya rules” to ensure they were scrupulously fair to both in racing situations.
GeoKarst is a new EU-funded project highlighting a unique landscape of caves, gorges and medieval villages near Trieste
Our guide turns out the lights and suddenly there is nothing. Just total darkness, the sound of gentle dripping and a creeping feeling of unease. The switch is flicked back on and the shadowy world that lies deep beneath the Karst returns. I’m in Vilenica, thought to be the first cave in the world ever opened to tourists, with records of visitors dating back to 1633. It’s a magical sight: a grand antechamber sculpted through erosion, filled with soaring stalagmites and plunging stalactites streaked in shades of red, terracotta and orange by iron oxide, and dotted with shimmering crystals.
Vilenica is just one of a network of thousands of caves located in the Karst region of western Slovenia and eastern Italy, which is known for its porous, soluble limestone rock. Above ground, this creates a distinctive landscape, filled with rocks bearing lined striations and pockmarked by hollows known as dolines, where the limestone has collapsed underneath. But below ground is where it’s really special, with enormous caves, sinkholes and subterranean rivers. Later in the day, I visit the region’s other main visitor cave, Škocjan, where I’m amazed to see an underground river thunder through a chamber almost 150 metres high. It’s an almost surreal sensory experience, with the rush of the rapids echoing around the walls.
Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past
The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed.
Saipan is a movie about masculinity, about men and their egos. It’s also about an era in Irish history; the roaring of the Celtic tiger, where questions of national identity came to the fore. What it’s not, really, is a movie about football. Which might be a canny choice, because while the world’s most popular sport only continues to grow its audience, football’s track record on the big screen is, how shall we say, like Manchester United after Sir Alex.
China isn’t the only country imposing limits on creative expression, argues the provocative artist
‘Chinese culture is the opposite of provocation,” Ai Weiwei once told an interviewer. “It tries to seek harmony in human nature and society.” Harmony has never been his bag. Provocation though? In spades. As a student at the Beijing Film Academy in the late 1970s, he joined an artist group called Stars that had a slogan: “We Demand Political Democracy and Artistic Freedom”. In the 1990s, returning to Beijing after a decade in downtown New York, he and a couple of friends published and distributed samizdat-style books devoted to off-piste, often-political art of the kind that government censors tend to fear.
Ai’s own work was bolshie and anathema to custodians of good taste. His Study of Perspective series showed him raising a middle finger at global sites – among them Tiananmen Square, the Eiffel Tower, the White House – that are expected to produce awe, delight, reverence. In the self-explanatory photographic sequence Dropping a Han Dynasty Urn (1995), itself the follow-up to Han Jar Overpainted with Coca-Cola Logo (1994), he asked viewers to decide who was the bigger cultural vandal: himself, a mere artist – or a Chinese state for whom iconoclasm was a defining feature of its modernising project. A 2000 exhibition in Shanghai that he helped to stage bore the name Fuck Off. (Its Chinese subtitle was “Ways to Not Cooperate’”.)
Australians perform good deeds, say prayers and hold each other close on Thursday as they remember the 15 victims of the mass shooting at the Hanukah event in Bondi on 14 December
Superintendent says Liam Ramos and his father were taken into custody while in their driveway and sent to Texas
US Immigration and Customs Enforcement (ICE) detained a five-year-old Minnesota boy on Tuesday as he returned home from school and transported him and his father to a Texas detention center, according to school officials.
Liam Ramos, a preschooler, and his father were taken into custody while in their driveway, the superintendent of the school district in Columbia Heights, a Minneapolis suburb, said at a press conference on Wednesday. Liam, who had recently turned five, is one of four children in the school district who have been detained by federal immigration agents during the Trump administration’s enforcement surge in the region over the last two weeks, the district said.
‘Salah was fit to play 90 after one day’s training’
Liverpool manager highlights Joe Gomez’s contribution
Arne Slot saluted Mohamed Salah’s professionalism and singled out Joe Gomez for praise after Liverpool climbed to fourth in the Champions League table with a commanding win in Marseille.
Liverpool, who host Qarabag at Anfield next week in their final group game, delivered a fine performance and result against Roberto De Zerbi’s team to record a ninth win in 11 European away fixtures.
The band went on hiatus after outrage over onstage joke in 2024, but Gass confirms the band will return, saying: ‘It was hard. It is like a marriage’
Tenacious D member Kyle Gass has confirmed that he and bandmate Jack Black have reconciled and will reunite, after outrage over an onstage joke about the assassination attempt on the US president, Donald Trump, lead to the band going on hiatus.
While performing in Sydney in July 2024, when Black suggested he make a wish for his birthday while blowing candles on stage, Gass responded, “Don’t miss Trump next time”, referring to the assassination attempt on Trump in Pennsylvania earlier that week.
OpenAI, Anthropic, SpaceX and Stripe are rumoured to be among ten of the biggest companies considering IPOs
You’ve probably heard of “unicorns” – technology startups valued at more than $1bn – but 2026 is shaping up to be the year of the “hectocorn”, with several US and European companies potentially floating on stock markets at valuations over $100bn (£75bn).
OpenAI, Anthropic, SpaceX and Stripe are among the big names said to be considering an initial public offering (IPO) this year.
Manual for building design aims to encourage low-carbon construction as alternative to steel and concrete
An airport made of bamboo? A tower reaching 20 metres high? For many years, bamboo has been mostly known as the favourite food of giant pandas, but a group of engineers say it’s time we took it seriously as a building material, too.
This week the Institution of Structural Engineers called for architects to be “bamboo-ready” as they published a manual for designing permanent buildings made of the material, in an effort to encourage low-carbon construction and position bamboo as a proper alternative to steel and concrete.
Exclusive: Beijing, Delhi, Los Angeles and Rio de Janeiro among worst affected, with demand close to exceeding supply
Half the world’s 100 largest cities are experiencing high levels of water stress, with 39 of these sitting in regions of “extremely high water stress”, new analysis and mapping has shown.
Water stress means that water withdrawals for public water supply and industry are close to exceeding available supplies, often caused by poor management of water resources exacerbated by climate breakdown.
It’s not just Tunbridge Wells – a country famous around the world for its rain is in danger of self-imposed drought
You get up and go to the loo, only to find the flush doesn’t work. You try the shower, except nothing comes out. You want a glass of water, but on turning the tap there is not a drop. Your day stumbles on, stripped of its essentials: no washing hands, no cleaning up the baby, neither tea nor coffee, no easy way to do the dishes or the laundry. Dirt accumulates; tempers fray.
The water company texts: we are so sorry; colleagues are working to restore connection; everything should soon be normal. You want to believe them, but the more it’s repeated, the more it becomes a kind of hold music. There’s no supply the next day, and the day after, and the day after that. Each morning brings with it the same chest-tightening question: what will happen today? Buckets and bottles don’t stop you feeling grubby and smelly, or from noticing the taint on your family and friends and neighbours. You’re not quite the people you thought you were and nothing feels normal.
This bean and pasta dish has always taken on variations from around Italy – and even Thailand
Throughout the 1990s and into the early 2000s, under the banner of story, art and folklore, the Roman publishing house Newton Compton published a series of 27 books about regional Italian cooking. Some, such as Jeanne Carola Francesconi’s epic 1965 La Cucina Napoletana, were reprints of established books, while others were specially commissioned for the series. There is considerable variation; some of the 20 regions occupy 650 densely filled pages, sometimes spread over two volumes, while other regions have 236 pages with larger fonts, with everything in between. All of which is great, although I can’t help feeling affectionate towards the regions with 14-point font.
In the face of the vast variation of regional culinary habits, knowledge and rituals, I also feel affectionate towards the common traditions; those that are specific to a place, but at the same time that cross local and national borders, as well as for the stories of the ingredients. Take pasta e fagioli, for which beans are boiled in water with fat, maybe fragrant herbs and vegetables, then pasta is added for a dense dish that probably needs a spoon. Almost all regions (and towns and individuals) have a version that is both extremely general, and specific – white beans, potato, no rosemary in Lazio, say; lardo, sage and plenty of rosemary in Piedmont; nutmeg, bread and pasta in Liguria; lardo, marjoram, tomato and chilli in Abruzzo – inviting a sort of pick and mix. And the embracing of new ideas, too, because cooking is a living, evolving thing.
The Gangs of London star returned to the stage alongside Ben Whishaw in a 2024 production of Samuel Beckett’s masterpiece. In this diary of the first preview, he describes passing the point of no return
I step into the wings and the state of it all hits me. The hum of a packed, expectant crowd ready for a show. I inch my way down along the short passage and there, standing in the cubbyhole space backstage like a beautiful lost waif, is Ben Whishaw. It hits me how different he looks in full costume. We lock eyes and hug. We hold each other for a few moments, trying to breathe in sync and to connect. We can both feel the adrenaline pumping and rushing through each other. A final squeeze and I turn away and walk back to the edge of the wings where we are to make our entrance.
My breathing is steady, but my heart is pump-pump-pumping. This is as close as I get to full-on nervous. I am not afraid though. It’s excitement; anticipation; a sexy, knowing thrill. I know there will be a split second of sheer terror when the call comes though. The moment you know you’re past the point of no return. That thought-memory passes through with the next inhale-exhale. It’s as if I can feel the giddy heat coming off the crowd even back here in the wings, behind the soon-gone shelter of a curtain, feet away from where Vladimir and Estragon will come to life. It’s new and familiar all at once.
In 1978, Soviet scientists stumbled upon a family living in a remote part of Russia. They hadn’t interacted with outsiders for decades. Almost half a century later, one of them is still there
In the summer of 1978, a team of geologists exploring southern Siberia found something rarer than diamonds. While searching for a helicopter landing site amid the steep hills and forested canyons of the western Sayan mountains, their pilot caught sight of what appeared to be a garden, 150 miles from the nearest settlement. Hovering as low as he could, he saw a house. No people were visible, but someone was clearly tending the garden. He and his geologist passengers were shocked to find a dwelling in an area long considered too remote for human habitation.
When the four geologists set up camp 10 miles away, it was the mysterious homestead that was first in their mind. Who could live here? Were the inhabitants the last Mohicans of the Brezhnev era? The geologists ventured to the settlement bearing gifts – and a pistol, just in case. They were greeted by a disheveled old man dressed in patched-up sacking cloth. This was Karp Osipovich Lykov, the patriarch of the family. Inside a tiny, dark cabin, the geologists found Karp’s two adult daughters, Natalia and Agafia, weeping and praying. Four miles away, by the riverside, lived Karp’s two middle-aged sons, Savin and Dmitry. It soon became apparent that none of the members of this ageing family had interacted with outsiders in decades.
Connexion
