Vue lecture

Buddy review – high-concept horror misfire dares to wonder: what if Barney killed kids?

23 janvier 2026 à 22:19

Sundance film festival: there’s a dearth of both laughs and scares in this one-joke comedy horror that feels like it would have made for a better short film

Before we get Ayo Edebiri and Daniel Kaluuya’s take on an A24 Barney movie, a project that’s been in some various level of development hell for seven years, here comes Buddy. Like an off-brand ripoff from the 90s (anyone remember Ricky’s Room?), he’s another friendly, furry friend to wide-eyed young children, the main star of a TV show we’re thrown straight into, neatly styled to feel like we’re suddenly transported back to that era (similar to 2024’s far darker and far superior Sundance throwback I Saw the TV Glow).

The formula is familiar – lessons, singing, syllables overpronounced – but there’s something off. The persistence of Buddy, an orange unicorn with undying enthusiasm, is bordering on aggressive as his playful suggestion to dance suddenly devolves into something far more sinister. What if Buddy isn’t really our friend after all?

Buddy is screening at the Sundance film festival and is seeking distribution

Carousel review – Chris Pine and Jenny Slate are lost in static romance drama

The Guardian

Par :Benjamin Lee in Park City

23 janvier 2026 à 05:14

Sundance film festival: an often lushly made yet frustratingly undercooked small town indie kicks off this year’s festival with disappointment

And so this year’s Sundance has officially begun, with grief over the loss of founder Robert Redford and its move from long-running home Park City likely to drown out the sounds of anyone talking about the first narrative premiere. It wouldn’t be the first time it has started with a whimper (unofficial opening day films have previously included misfires like After the Wedding, Freaky Tales, Netflix’s Taylor Swift doc and last year’s Jimpa) but there’s something specifically disappointing about a film such as Carousel showing at a festival such as Sundance.

It’s the sort of small, character-driven American indie that has served as the festival’s lifeblood for almost 50 years and, as the system has expanded in some ways and shrunk in others, the sort that has often struggled to make it far out of Park City. Back in 2023, a quiet, disarming and perfectly Sundance film called A Little Prayer premiered yet didn’t get released until late last summer and was seen by a precious few. The world is not kind to films like Carousel at this very moment and while I would love to see this particular subgenre flourish in the way it used to back in the 90s and 00s, it’s hard to muster up much in the way of strong feelings here.

Carousel is screening at the Sundance film festival and is seeking distribution