Paradise Season 2 Spoiler-Free Review
This article contains spoilers for Paradise Season 1; Paradise Season 2 debuts on Hulu on February 23.
The first season of Hulu’s Paradise was extremely hard to talk about before it was released, particularly because the premiere episode’s big twist – that the show takes place entirely inside a suburban-style bunker under a mountain in Colorado after the apparent end of the world – was expressly forbidden from being mentioned in reviews. Well, the secret is out, and while there are plenty more twists and turns in Season 2 of the series – including a likely game changer in the finale (seven of the season’s eight episodes were provided to critics for review) – it’s a little easier to talk about this time around. With Season 2, Paradise continues to be one of the most propulsively binge-worthy dramas on TV.
To revisit Season 1 just a bit: After the murder of third term President Cal Bradford (James Marsden), Secret Service agent Xavier Collins (Sterling K. Brown) went down a conspiracy rabbit hole, unraveling some of the truth behind the bunker community of Paradise and how Samantha "Sinatra" Redmond (Julianne Nicholson), the billionaire behind its construction, was maybe not being so truthful about what went down outside its walls.
Specifically, after a bit of the ol’ insurrection led by Xavier, he discovered that not only are there people alive outside Paradise, his wife – who he thought died the day a super-volcano exploded, causing a tsunami to wreck most of the world – is alive as well, and living in Atlanta. There’s a lot more that happened as the show jumped backwards in time to show how we got here, as well as moving the conspiracy plot forward in the present, but the most important bit of info to know is that the season ended with Sinatra on life support, Xavier exiting the bunker via a small airplane to go find his wife, and Cal (ostensibly the third lead of the show) still very much dead, though often popping up via flashback to give ghostly advice.
With the dual secrets of the premise and how the world ended out of the way, we’re in literal and figurative uncharted territory in Season 2. Granted, showrunner Dan Fogelman has a fair amount of post-apocalyptic TV shows and movies to pull from, as well as mystery box/flashback-heavy shows like Lost, which he picks and chooses from liberally as we explore more of the world outside as well as how life continues inside Paradise. But what characterizes the new season more than anything is that while Fogelman lays in new mysteries and new sci-fi concepts to replace the ones tied with a bow in Season 1, he also leans straight into his comfort zone: emotionally charged character studies.
The thing is that Paradise is an odd note on Fogelman’s resumé. He hasn’t shied away from more fantastical concepts in the past; he wrote Cars, Tangled, and even a draft of Indiana Jones and the Dial of Destiny. Most of the time, however, he’s been known for more grounded human fare like: Crazy, Stupid, Love; the late, lamented TV show, Pitch; and most notably, This Is Us.
Paradise Season 2 – at least in its first half – might as well be called This Is The Last Of Us without the fungal zombies. Yes, they’re in a post-apocalypse that’s been devastated by climate change – though the show rarely says those words – but everybody is so nice. We’ve been trained time and again by shows like The Last of Us and particularly The Walking Dead to expect that every time you encounter a new community, they might seem good at first, but it will turn out that they’re eating people, or they’re fascists, or they’re just not prepared to survive the circumstances of their particular apocalypse.
While Fogelman plays with that, he seems far less interested in what makes a world fall apart than what helps build it back up again. To that end, the majority of the season also takes the form of the more focused flashback episodes from Season 1. There, we got the full-on flashback episode of “The Day,” which revealed how the world fell in pulse-pounding real time. Paradise Season 2 isn’t quite on par with that high watermark episode, but instead channels the feeling of an extended sequence in the finale, where we met a construction worker helping build the bunker and followed him as he befriended his crew, discovered things weren’t quite right, tried to stop the bunker from being built, and ultimately failed.
Season 2 takes the feeling of that extended sequence and runs with it, almost becoming a Paradise anthology-style series where each episode is done in one, only lightly connecting to the episode that came before, and often keeping our main characters off-screen for episodes at a time. Part of that is utility, given we’re now following multiple characters in multiple locations versus the more focused locale of “just” Paradise in the first season. But another part of it is that it allows Fogelman the space to spend time emotionally with the characters, particularly new cast members like Shailene Woodley’s lost Graceland tour guide, and Thomas Doherty’s mysterious Link (yes, named after the Legend of Zelda character). We don’t know those folks yet the same way we know Xavier, Sinatra, and Cal, so while there might be some audience frustration about our Season 1 stars being in absentia for large chunks of episodes, when you’ve got good actors digging into meaty speeches and one-on-one scenes, you won’t really miss the folks you already know.
But don’t worry: Paradise falls back on a more conventional TV structure eventually. The level of restraint shown in the early part of the season is laudable, and particularly with Hulu dropping three episodes on premiere day, it should be less frustrating for fans of the series than if, say, you had to wait three to four weeks to find out what happened to Xavier, or what’s going on back in Paradise.
On that note, Sterling K. Brown continues to be the most ridiculously charming man on TV. While most of his arc falls under the heading of “I just want my wife back!” action heroes, and Brown’s chiseled muscles certainly make him convincing in the show’s infrequent but well-staged blockbuster action scenes, it’s Brown’s smile that makes viewers melt. Early on, there’s a swoon-worthy flashback to Xavier’s past that lets the actor flex all his rom-com muscles, and you will grin a goofy smile the entire time as Brown provides more raw romance power in a single scene than most movies can manage in their entire runtime. Other episodes let Brown flex his dramatic muscles as his hard-earned steely demeanor begins to melt thanks to Paradise’s Nice-pocalypse. And then other times, he just flexes his muscles, and when he does – hubba-hubba.
Nicholson also gets some substantial dramatic work this season, and though we may run out of rope eventually with the plotline that she’s been traumatized and motivated by the death of her son well before the end of the world, we haven’t gotten there yet. Nicholson is a master of the locked-up microexpression performance, and her sympathetic bad guy persona lets her play that to the hilt.
As for other members of the cast, Nicole Brydon Bloom continues to be a delight as the Wii-obsessed psycho secret service agent, Jane Driscoll; she bubbled in the background in Season 1, but the show knows what they’ve got with her unhinged performance and lets her freak flag fly in Season 2. And while he has less to do now that we know how he was murdered as well as his role in ending/saving the world, Marsden’s Cal is still incredibly engrossing in every flashback appearance. His folksy “I’m just a dumb, young guy who happens to be President” attitude belies a sharp judge of character, and an episode late in the season gives Marsden a stellar monologue. Cal may be back essentially because the show likes working with Marsden, but we like watching Marsden, so they get a pass here.
If Paradise Season 2 excels when it’s working with dramatic, human scenes, it struggles a bit with the sci-fi elements, which become more outlandish and farther from reality in Season 2. While this was never an expressly political show despite opening with the murder of the President, the idea of billionaires abandoning Earth to a climate disaster they caused is very present in our reality. The second season moves further away from that with new sci-fi ideas that are far less based in reality and seem more focused on the longevity of the series than reflecting something happening outside our window. It’s unfortunate, because it moves the show from pressing sci-fi warning to something more akin to naive fantasy. Granted, naive fantasy is where Fogelman lives, even when his shows are ostensibly set in the real world versus some time in the near future. But depending on how the finale pans out – there are big secrets being held back – it’s possible we could get something very timely, or we could end up diving completely into something less relatable and more fantastical.
Even given that, and with some of the jankier decisions on the part of our characters later in the season – choosing niceness, all apologies to Fogelman, is not always the answer when the stakes are this high – Paradise remains engrossing pulp fun. There’s a lot resting on Brown’s prodigious muscles to keep this show going, but thanks to a game supporting cast and plenty of twists, turns, and flashbacks that will tug on your heartstrings, the Hulu hit may be almost paradise, but it’ll keep you knocking on Heaven’s door, begging for more episodes.






























