Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain

12 décembre 2025 à 13:24

The singer’s tears over the Islamic State terrorist plot against her show and Southport attack make this behind-the-scenes docuseries about her world-conquering tour more moving than anyone could have anticipated

Swifties had long guessed that there would be a documentary going behind the scenes of Taylor Swift’s blockbuster Eras tour. The 2023 Eras Tour concert movie didn’t show any of the inner workings of this three-and-a-half-hour behemoth, which ran for 149 dates from 2023-24. Fans put some bits together, such as how Swift arrived on stage being pushed inside a cleaning cart. Plus, given the two albums she wrote during and about the Eras tour – 2024’s The Tortured Poets Department and this year’s The Life of a Showgirl – it wouldn’t be Swiftian to overlook another lucrative IP extension.

What fans could never have imagined was that Disney was set to start filming as the Eras tour was due to hit Vienna on 8 August 2023 – the first of three shows in the Austrian capital that were cancelled owing to an Islamic State terrorist plot. We learn this in episode one of the six-part docuseries The End of an Era, when Swift and her longtime friend Ed Sheeran are backstage at Wembley, hours before he guests at her first concert after the thwarted attack. “I didn’t even get to go,” Swift tells him of Vienna. “I was on the plane headed there. I just need to do this show and re-remember the joy of it because I’m a little bit just like …” She can’t find the words.

Add to playlist: the slow-burn psychedelia of Acolyte and the week’s best new tracks

The Guardian

Par :Katie Hawthorne · Ben Beaumont-Thomas and Laura Snapes

12 décembre 2025 à 13:00

Unhurried trippy bass lines and poet Iona Lee’s commanding, velvety voice conjure a glamorously unhurried sense of hypnosis

From Edinburgh
Recommended if you like Dry Cleaning, Massive Attack, Nick Cave
Up next Warm Days in December out now, new EP due early 2026

As fixtures of Edinburgh’s gig-turned-performance art scene, Acolyte’s eerie, earthy psychedelia is just as likely to be found on stage at the Traverse theatre as in a steamy-windowed Leith Walk boozer. Their looped bass lines and poet Iona Lee’s commanding, velvety voice conjure a sense of slow-burn hypnosis – and just like their music, Acolyte are glamorously unhurried. They’ve released only a handful of songs in the seven years since Lee and bassist Ruairidh Morrison first started experimenting with jazz, trip-hop and spoken word, but now the group (with Daniel Hill on percussion and Gloria Black on synth, also known for throwing fantastical, papier-mache-costumed club nights with her former band Maranta) are gathering pace.

Coordinated online attack sought to suggest Taylor Swift promoted Nazi ideas, research finds

The Guardian

Par :Laura Snapes

10 décembre 2025 à 11:52

Thousands of social media posts were traced to deliberate attempts to misrepresent the singer – and showed ‘significant user overlap’ with the campaign to attack actor Blake Lively

Analysis has found that a coordinated online attack sought to align Taylor Swift and her latest album, The Life of a Showgirl, with Nazi and rightwing imagery and values, from accounts feigning leftist critique and designed to encourage outrage.

The AI-driven behavioural intelligence platform Gudea produced a report examining more than 24,000 posts and 18,000 accounts across 14 social media platforms between 4 October, the day of the album’s release, and 18 October. These posts accused Swift of sowing dogwhistle references in her lyrics and alleged that a lightning bolt-style necklace from her merchandise line – a reference to the album track Opalite – resembled SS insignia.

The 50 best albums of 2025

The Guardian

Par :Ben Beaumont-Thomas and Laura Snapes

11 décembre 2025 à 14:58

The year’s finest LPs as decided by 30 Guardian music writers – from a pop star who will drag you to the club to a UK rapper like none before her
• More on the best culture of 2025

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Add to playlist: DJ Moopie’s charmingly moody experimental compilations and the week’s best new tracks

The Guardian

Par :Shaad D'Souza · Ben Beaumont-Thomas and Laura Snapes

5 décembre 2025 à 13:00

Connoisseurs of all things delicate and deeply felt will love the music put out by A Colourful Storm, the Melbourne-based DJ’s indie label

From Melbourne
Recommended if you like the C86 compilation, AU/NZ jangle-pop, Mess Esque
Up next Going Back to Sleep out now

Melbourne-based DJ Moopie, AKA Matthew Xue, is renowned for engrossing, wide-ranging sets that can run the gamut from gelid ambient music to churning drum’n’bass and beyond. He also runs A Colourful Storm – a fantastic indie label that massively punches above its weight when it comes to putting out charmingly moody experimental pop music, from artists as disparate as London-based percussionist Valentina Magaletti, dubby Hobart duo Troth, and renowned underground polymath Simon Fisher Turner.

In 2017, the label released I Won’t Have to Think About You, a compilation of winsome, C86-ish indie pop. Earlier this year, it put out Going Back to Sleep, a quasi-sequel to that record which also functions as a neatly drawn guide to some of the best twee-pop groups currently working. Sydney band Daily Toll, whose 2025 debut A Profound Non-Event is one of the year’s underrated gems, contribute Time, a seven-minute melodica-and-guitar reverie. Chateau, the duo of Al Montfort (Terry, Total Control) and Alex Macfarlane (the Stevens, Twerps), push into percussive, psychedelic lounge pop on How Long on the Platform, while Who Cares?, one of Melbourne’s best new bands, channel equal parts Hope Sandoval and Eartheater on Wax and Wane.

Elsewhere, Going Back to Sleep features tracks from San Francisco indie stalwarts the Reds, Pinks and Purples; minimalist Sydney group the Lewers; and sun-dappled folk-pop from Dutch duo the Hobknobs. It’s an unassuming compilation that’s almost certain to become well-loved and frequently referenced among connoisseurs of all things delicate and deeply felt. Shaad D’Souza