This weekend promises a Hollywood showdown with films including Sinners, Marty Supreme and One Battle After Another up for major awards

After a year that was notoriously close to call (did anyone initially see Anora emerging as the ultimate victor?), this awards season feels a little easier to scope out. Paul Thomas Anderson’s idiosyncratic activism caper One Battle After Another has so far dominated, becoming only the fourth film ever to win best film at both the New York and Los Angeles film circles then the National Board of Review and the National Society of Film Critics. But how far can it go?

It leads this weekend’s Golden Globes with nine nominations but the comedy categories also feature Marty Supreme, now riding high at the box office, and its inescapable leading man Timothée Chalamet. Then on the drama side we have Sinners and Hamnet, two very different films solidifying two very different awards narratives. Here’s how I think it might all play out on Sunday:

An afterlife sitcom, an angry penguin, tossed salad and scrambled eggs, and a Corby trouser press … our writers pick the shows they would happily watch on a loop for ever

I love every character and every aspect of Brooklyn Nine-Nine. There isn’t a weak link in the cast and they work together as seamlessly and apparently joyfully as you could wish.

Big names from Leonardo DiCaprio to Timothée Chalamet are aiming for a win at Hollywood’s most important Oscars precursor

Hollywood’s A-list will assemble this weekend for the 83rd Golden Globes ceremony, a night that will reveal where this year’s Oscars race is headed.

Stars including Leonardo DiCaprio, Timothée Chalamet, Jennifer Lawrence, Emma Stone, Michael B Jordan and Ariana Grande are among those nominated for film awards while small-screen nominees include Helen Mirren, Jenna Ortega, Jude Law and Glen Powell.

Emily Henry’s hit book has been adapted into a glossily made yet charmless attempt to resurrect the friends-to-lovers formula

Released just as the weather turns to freezing and we’re all daydreaming of an escape, Netflix’s early January romcom People We Meet on Vacation is at the very least smartly timed. Produced as part of the streamer’s Sony deal, it benefits from some real studio gloss (proper lighting!) and as Polo & Pan’s perfectly balmy Nana plays over a transporting shot of our heroine lounging on a beach (the song was also used in Netflix’s underrated Christmas romcom Let it Snow), I was ready to relax with her. But what a brief escape it turned out to be …

The adaptation of Emily Henry’s much-loved 2021 novel has the superficial trappings all in check (eyes with permanent twinkles, unrealistic main character job in this climate, more easily affordable Taylor Swift song on the soundtrack) but no heart or soul to go with it. There’s simply nothing to root for or care about or grasp on to, just the limp tracing of something we’ve seen many many times before. Its closest comparison would be When Harry Met Sally, a similar journey that turns friends into lovers over a fairly epic time span (the pair even meet in the exact same way, forced to drive home together from college). But what felt lived in and genuinely human back in 1989 now feels shallow and synthetic in 2026, a grim start to the year for a genre I keep hoping and praying for.