Two brothers attempt to escape their father’s gangland past in a tense, tender debut that moves between Thatcher-era Northumberland and southern Spain

Andalucía is famous for its variety: high alpine mountains and snow-capped peaks, river plains and rolling olive groves, sun-baked coastlines and arid deserts. It is the perfect setting for Neil Rollinson’s debut novel, which is its own kind of spectacular mosaic. Built from short, seemingly discrete chapters that take us between Spain in 2003 and the coalfields of Northumberland in the 70s and 80s, The Dead Don’t Bleed coheres into an extraordinarily tense and tender portrait of two brothers trying to escape their father’s gangland past.

Until now, Rollinson has been known as a poet; his collection Talking Dead was shortlisted for the 2015 Costa poetry prize. Here he brings his talent for compressed evocation to an exploration of fraternal rivalry and the enduring impact of a violent patriarchy. If you took Frank and his brother Gordon apart on the autopsy table, he writes, “you’d find the same bones, the same blood. Almost everything interchangeable. The corkscrews of DNA, the cells, the posture, the downcast glance.” But from a young age, change is afoot within Frank. He knows his father has “high hopes for him” in the family business of petty crime: “Frank Bridge. King of Northumberland”. But Frank wants to be a different kind of king. He carries within himself a “yearning for something more expansive” – the kind of dream that could get him killed in his family’s closed world of criminal secrecy.