Irish dancing groups torched after trans dancer allowed to qualify for multiple female world championships



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Après un faux départ il y a 48 heures, Google rend disponible au téléchargement la première bêta d’Android 17. Il y aura plusieurs versions au fil des prochains mois, avec la version finale qui devrait arriver au mois de juin. Comme à chaque fois avec les bêtas, les …
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L’article La bêta d’Android 17 est (réellement) disponible est apparu en premier sur KultureGeek.












































Heavy US favorite falls twice in the free skate
Kazakhstan’s Mikhail Shaidorov claims shock title
For nearly two years, Ilia Malinin has made men’s figure skating feel predictable in the most spectacular of ways. On Friday night on the southern outskirts of Milan, the Olympic Games reminded the sport – and perhaps Malinin himself – that predictability is never guaranteed on its biggest stage.
The overwhelming favorite entering the free skate, the 21-year-old American instead saw the Olympic title slip away to Kazakhstan’s Mikhail Shaidorov after an error-strewn performance that will rank among the biggest upsets in modern figure skating history.
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© Photograph: Jamie Squire/Getty Images

© Photograph: Jamie Squire/Getty Images

© Photograph: Jamie Squire/Getty Images






Berlin film festival: Shahrbanoo Sadat is a charming presence in front of the camera and a skilled film-maker behind in this shrewd and contemporary tale
The Afghan film-maker Shahrbanoo Sadat is a warm and approachable presence as writer, director and star of No Good Men – a tale of Afghanistan’s women in 2021 as they are about to be surrendered to the Taliban with the withdrawal of US troops.
It’s an urgent tale, which incidentally closes with a fervent finale reminiscent of Casablanca – although the central turnaround in the male lead’s heart, gallantly disproving the title, is maybe a bit smooth.
No Good Men is screening at the Berlin film festival and will be released at a later date
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© Photograph: ©Virginie Surdej

© Photograph: ©Virginie Surdej

© Photograph: ©Virginie Surdej











© Andrew Miller for The New York Times